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His Life & Works by Jeremy Siepmann
(2009-03-01)
with Jeremy Siepmann
Audio, Published 2009 by Naxos Audio Books

Brahms
Life & Works by Jeremy Siepmann (2002-08-02)
with Jeremy Siepmann
Audio, Published 2003 by Naxos Educational

Life & Works of Verdi by Jeremy Siepmann
(2003-08-02)
with Jeremy Siepmann
Audio, Published 2003 by Alliance

Life & Works of Liszt by Jeremy Siepmann
(2013-08-02)
with Jeremy Siepmann
Audio, Published 2001 by Naxos Educational

Life & Works of Chopin by Jeremy Siepmann
(2006-08-01)
with Jeremy Siepmann
Audio, Published 2001 by Naxos Educational

Instruments of the Orchestra by Jeremy Siepmann
(2002-05-03)
with Jeremy Siepmann
Audio, Published by Naxos Educational
Import

Instruments of the Orchestra by Jeremy Siepmann
(2002-08-02)
with Jeremy Siepmann
Audio, Published 2002 by Naxos Educational

Introduction to Vivaldi
Four Seasons by Jeremy Siepmann (2001-07-17)
with Jeremy Siepmann
Audio, Published 2001 by Naxos Educational

Beethoven
sein Leben - seine Musik. Jeremy Siepmann. Aus dem Engl. von Veronika Roman
with Jeremy Siepmann, Veronika Übersetzung: Roman
Hardcover, 224 Pages, Published 2013 by Primus Verlag Gmbh
ISBN-13: 978-3-86312-362-8, ISBN: 3-86312-362-X

Nachdenken uber Musik - Mit einem Interview von Jeremy Siepmann(1st Edition)
with Alfred Brendel, Jeremy Siepmann
Hardcover, 228 Pages, Published 1977 by R. Piper & Co. Verlag München
ISBN-13: 978-3-492-02265-1, ISBN: 3-492-02265-0

An Introduction to the Pastoral Symphony
(Siepmann)
with Ludwig Van Beethoven, Jeremy Siepmann
Audio, Published 2002 by Naxos
Cd

1. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: On Beethove
2. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Opening Phr
3. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Musical Aco
4. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The 'Questi
5. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: ...And Answ
6. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The Opening
7. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Starting Wi
8. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The Rhythmi
9. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Phrase One,
10. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Phrase One,
11. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The Propert
12. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Phrase Two:
13. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The Makings
14. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Repetition
15. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: From Soft T
16. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Mega-Repeti
17. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: But No Two
18. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: More Variat
19. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Return To O
20. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Clarinets,
21. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: 'New' Insis
22. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: With The Da
23. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: First Violi
24. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Sudden Chan
25. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Arrival At
26. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Unusual Pro
27. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Rhythmic Cl
28. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Winds Fall
29. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Winds Answe
30. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Crescendo L
31. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Beginning O
32. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Strings Rei
33. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: A Simple, R
34. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The Nature
35. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The Nature
36. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: A Typically
37. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Repetitious
38. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Then Come F
39. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Even Greate
40. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Entire Deve
41. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: The Develop
42. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Increased U
43. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Arrival At
44. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Beginning O
45. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: More Beetho
46. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Harmonic Rh
47. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Prevailing
48. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Violins And
49. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: A Hush Fall
50. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Clarinet Ta
51. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: First Violi
52. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: Beethoven S
53. Symphony No. 6 In F Major, Op. 68, "Pastoral": I. Awakening Of Cheerful Feelings On Arriving In The Country: First Movem
54. Second Movement: Scene By The Brook: General Introduction; The Birth Of A Melody
55. Second Movement: Scene By The Brook: Brook Music Quickens; Syncopated Horns; Theme Changes Hands; Evocation Of Birdsong
56. Second Movement: Scene By The Brook: The 'Motto' Theme Introduced By Violins And Treated To Round-Like Overlappings
57. Second Movement: Scene By The Brook: Transitional 'Bridge' Theme Sets Off For New Key Group. But Is It? And Does It?
58. Second Movement: Scene By The Brook: Will He, Or Won't He? Beethoven Keeps Us Guessing
59. Second Movement: Scene By The Brook: The Run-Up To The Second Group
60. Second Movement: Scene By The Brook: Arrival At The Second Group; But Where Is The Actual Second Subject?
61. Second Movement: Scene By The Brook: A New Tune Is Introduced By The Bassoon
62. Second Movement: Scene By The Brook: Tune Is Repeated Three Times

63. Second Movement: Scene By The Brook: ...Which The Full Orchestra Now Takes Up In Varied Form
64. Second Movement: Scene By The Brook: Theme Carried By Flutes And First Violins In A Charmingly Waltz-Like Development
65. Second Movement: Scene By The Brook: A Reminder Of Precedent
66. Second Movement: Scene By The Brook: Back To The Prevailing Triple-Metre With Violins, Bassoons And Flutes
67. Second Movement: Scene By The Brook: Another Reminder Of Precedent...
68. Second Movement: Scene By The Brook: ...And A Cue To Some Unexpected Departures
69. Second Movement: Scene By The Brook: The Transformational Magic Of Beethoven's 'Tone-Painting' - And A New Varation
70. Second Movement: Scene By The Brook: Conversation Of Clarinet, Flute And Oboe On The Way To The Development
71. Second Movement: Scene By The Brook: Harmonic Movement Emphasised By Violins; Oboe Takes Up The First Subject
72. Second Movement: Scene By The Brook: Flute And Oboe Discuss The First Subject, Before Arriving Together At The Transitio
73. Second Movement: Scene By The Brook: Gains In Volume And Intensity Lead To A New Key-Change
74. Second Movement: Scene By The Brook: More Thematic Transformation Through The Agency Of Tone-Colour
75. Second Movement: Scene By The Brook: Harmonic Fluideity - Instability - As The Central Engine Of The Development Section
76. Second Movement: Scene By The Brook: Harmonic Instability, Thematic Dissolution Increase, Then Lessen With Approach Of R
77. Second Movement: Scene By The Brook: Recap. And Transformation: Key And Material Are Right, But What A Change Of Present
78. Second Movement: Scene By The Brook: Just When We Know What's Coming, Beethoven Changes The Rules (Or At Least The Harmo
79. Second Movement: Scene By The Brook: Transformation By Reorchestration; Switch To Long Sustained Chords; Then Everything
80. Second Movement: Scene By The Brook: The Silence Is Broken By Voices Of Nightingale (Flute), Quail (Oboe) And Cuckoo (Cl
81. Second Movement: Scene By The Brook: First Violins Bring Back Motto Theme
82. Second Movement: Scene By The Brook: Cue To Complete Movement On Cd 2
1. Second Movement (Complete)
2. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Beethoven And The Scherzo: An Intro
3. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Immediate Response; Part One Is Ans
4. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Entire Orchestra Gives Out Opening
5. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: A Mustical Ball Game. The Contrast
6. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: After Quietly Teasing Suspense, Bee
7. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Clarinet Joins In, Then Horn Takes
8. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Strings Sweep The Village Musicians
9. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: The Air Is Alive With The Sound Of
10. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Coda; Begins As The Movement Itself
11. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Original Layout Compressed; Order O
12. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iii. Merry Gathering Of Country Folk: Third Movement (Complete)
13. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Unparalled Portrait Of Nature's Power Over Humanity, Wi
14. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Self-Generating Form And Terror Of Total Unpredictabili
15. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: The 'Lashing Rain' Motif - Downward-Driving Arpeggios F
16. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: The 'Lightning' Motif, And Its Recurrnece Later In The
17. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: 'Rain' Motif, Derived From Descending Scale Pattern Fro
18. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Shivering Tremolandos From The Strings And Increasingly
19. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Steady Crescendo In Strings; Terrifying, Downward Spell
20. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Extremes Of Dynamic Contrasts; The Unsettling, Disturbi
21. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Abandonment Of Melody, And Most Traces Even Of Rhythm;
22. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Storm Dispersed, The Sun Reappears, Bathing Sodden Eart
23. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Cue To Complete Preformance Of Fourth Movement
24. Symphony No. 6 In F Major, Op. 68, "Pastoral": Iv. Thunderstorm: Fourth Movement (Complete)
25. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: 'Yodelling' Figure From Clarinet, Then Ho
26. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Details Of Instrumental Magic In The Inte
27. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Main Theme Heard Three Times In A Row - A
28. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Now We Get The Whole Orchestra, Playing F
29. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Transition To The Next Section, Based On
30. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: The Rhythmic Basis Of New Transition Them
31. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Another Rhythmic Details Of Extended Tran
32. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: ...And Is Then Heard In Expanded Version,
33. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: New Phrase, Introduced By Violins, Brings
34. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Main Theme, Re-Orchestrated; Unexpected D
35. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Hints Of A Return To Main Theme; Long 'Pe
36. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Main Theme Returns, But Significantly Alt
37. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Running Commentary Now Heard In The Middl
38. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Part Three Of Main Theme Given To Entire
39. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Extended Coda; Overlapping Variations Of
40. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Suddenly The Scene Changes. A Variation O
41. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: The Crowning Glory, As The Shepherd's Son
42. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Cue Into Complete Performance Of Fifth Mo
43. Fifth Movement: Shepherd's Song - Happy And Thankful Feelings After The Storm: Fourth And Fifth Movements (Complete)

Brahms Siepmann, Jeremy
with Jeremy Siepmann, Peter Washington
Hardcover, 192 Pages, Published 1997 by Everyman's Library Ltd
ISBN-13: 978-1-85715-604-1, ISBN: 1-85715-604-8

Piano Quintet
Introduction to Schubert
with Thomson Smillie, Jeremy Siepmann
Audio, Published 2003 by Naxos
Doppel-Cd

1. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Introduction, origins
2. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Imagery, analogy and the shape of the things to
3. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The unusual presence of the double-bass
4. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A palette of tone colours and the emergence of
5. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Trouble getting off the ground, but the key is
6. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Jumping the quene: Schubert takes a lesson from
7. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Mozart demonstrates a traditional transition
8. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Destination clarified
9. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Mozart confirms our arrival
10. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A Schubertian shocker from a later work
11. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Rejoining the 'Trout', with a reminder
12. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano joins the strings with yet a third va
13. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A rhythmic motto: the "triplet motif"
14. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: We get it here
15. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: We get it there
16. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: We find it everywhere, even in the double-bass
17. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The strings' answer to the piano's opening flou
18. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The two-part structure of the 'answering motif'
19. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: ...but scarcely ever the same way twice
20. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano and strings now share the material fo
21. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Conversation as the first principle of chamber
22. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Opening (introductory) section heard complete
23. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The violin and double-bass in partnership
24. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The violin and piano swap roles
25. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Transition to second main theme; triplets now e
26. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: On the threshold of the new theme
27. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Second main theme (a 'love duet'), shared by ce
28. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The abandonment of octaves in the piano changes
29. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A surprising change of tone and a premonition
30. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A return to lyricism, but the cello jumps the g
31. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A buoyant, skipping new theme is given to the s
32. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Re-entry of the strings as the violin takes up
33. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A transitional theme, and another Schubertian k
34. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: We sense the imminent arrival of the closing th
35. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A sudden, hushed key-change introduces part two
36. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The exposition comes to an end
37. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Cue to complete exposition
38. Quintet for piano, violin, viola, cello & double bass in A major ('Trout'), D. 667 (Op. posth. 114): Expositon complete
39. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Introduction to the development; the genetic co
40. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The contrasting aural properties of piano and v
41. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The ponderous double-bass is featured in the fi
42. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The strings are liberated from servitude, but a
43. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A joyful conversation and a change of pace in t
44. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano takes the melodic lead again
45. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A conversation between violin and piano leads t
46. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: ...but Schubert gets it "wrong"
47. Quintet for piano, violin, viola, cello & double bass in A major ('Trout'), D. 667 (Op. posth. 114): First movement (complete)
48. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Introduction to second movement
49. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The violin now takes theme one
50. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano regains the theme
51. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The violin and piano round off first section wi
52. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A major change of tone: a passing cloud and a d
53. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano abandons its octaves, but not its tri
54. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The sun returns with a new theme, in two contra
55. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: An evaporating dialogue between violin and pian
56. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A major mood change as twilight falls
57. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Cue to whole movement
58. Quintet for piano, violin, viola, cello & double bass in A major ('Trout'), D. 667 (Op. posth. 114): Second movement (complete)
1. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Introduction to the Scherzo - and a clear four-
2. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: ...'answered' by two two-bar phrases
3. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A disconcerting "echo"
4. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Expectation, frustration and surprise
5. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The phrase length expands from nine to fourteen

6. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The beginning of the second half...
7. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: ...or should it go from G minor to D major?
8. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Doubts are sown as the tonality becomes elusive
9. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A varied reprise of part one, and the end of th
10. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A conversational start to the Trio section
11. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Another Schubertian phrase extension
12. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Two overlapping phrases add up to a single them
13. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano adds a third phrase to the overlap
14. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The overlaps continue as the key drifts downwar
15. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Another Schubertian key-jump, now to B flat
16. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A dramatic transformaton of mood
17. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Awakening from a dream: the main theme's return
18. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Cue to complete Scherzo
19. Quintet for piano, violin, viola, cello & double bass in A major ('Trout'), D. 667 (Op. posth. 114): Third movement (complete)
20. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Enter the trout, at last; a meeting with the or
21. Die Forelle ('In einem Bächlein helle'), song for voice & piano, D. 550 (Op. 32)
22. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Back to the Quintet: the strings, headed by the
23. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The first variation
24. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The second variation
25. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The third variation
26. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The fourth variation, part one
27. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The fourth variation, part two
28. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The fifth variation
29. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The final variation, part one: violin and piano
30. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The final variation, part two: the cello takes
31. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The final variation, part three: piano and viol
32. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The final variation, part four:...as do the vio
33. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The final variation, part five: the entire ense
34. Quintet for piano, violin, viola, cello & double bass in A major ('Trout'), D. 667 (Op. posth. 114): Fourth movement (complete)
35. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Introduction to the Finale: Schubert as wizard
36. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Easily overlooked: the accompaniment from cello
37. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Contrasts of timbre and register
38. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A repetition, and yet not a repetition
39. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A journey begun: the phenomenon of musical grav
40. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The journey completed
41. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The source of musical gravity
42. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Pianists (Excerpt)
43. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A scale of shifting tensions
44. Symphony No. 1 in C major, Op. 21: Finale (Excerpt)
45. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Back to Schubert
46. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano embellishes a scalewise descent
47. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A retrospective moment
48. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Repetition more apparent than real
49. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A taste of phrase rhythm
50. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Shifting patterns of accentuation
51. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The section reviewed
52. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: An increasingly sophisticated texture as parts
53. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: More phrase rhythm
54. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: A repetition from the strings...
55. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: ....and an answer from the piano
56. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: In transition to the secondary key
57. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The orgin of the second theme
58. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The second main theme
59. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The closing section begins, with a question ans
60. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The question repeated, a slightly different ans
61. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: First theme of closing section reviewed
62. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Remembrance of things past
63. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The piano and strings argue over the harmony
64. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Emergence of the final theme
65. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: An unexpected thunderstorm
66. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: The sound of silence
67. An Introduction to Schubert's Piano Quintet 'Trout', narration with musical examples: Cue to complete Finale
68. Quintet for piano, violin, viola, cello & double bass in A major ('Trout'), D. 667 (Op. posth. 114): Finale (complete)

Brahms
Life & Works
with Jeremy Siepmann, Johannes Brahms, Jasper Britton, David Timson, Elaine Claxton, Idil Biret, Ildiko Hegyi, Ilya Kaler, Jenö Jandó, Marat Bisengaliev, Matthew Morley, Nicolas Boulton
Audio, Published 2003 by Naxos
Cofre, Cd

1. Destiny, Birth And Childhood
2. From Brothel To Beethoven
3. Hungarian Dance No. 1
4. A Life-Changing Tour
5. The Meeting With Joachim
6. Piano Sonata No. 3
7. Joachim Weighs In
8. Enter The Schumanns
9. Piano Sonata No. 3
10. Prophecy And Tragedy: A Double Yoke
11. Piano Trio No. 2
12. Brahms And Clara
13. Piano Sonata No. 1
14. A Triangular Bond
15. The Death Of Schumann - A Fateful Decision
1. The Young Messiah
2. Piano Concerto No. 1
3. The Virtuoso Takes Flight
4. Variations On A Theme By Paganini
5. Detmold And Distraction
6. Serenade No. 1
7. Birth Of The D Minor Concerto
8. Piano Concerto No. 1
9. The Taste Of Failure - And Of New Love
10. String Sextet
11. Love, Folly And A New Calling
12. Motet 'Ich Aber Bin Elend'
13. Brahms And Wagner
14. Variations And Fugue On A Theme By Handel

15. Frustrated Hopes And A Mother's Death
16. Trio For Horn, Violin And Piano
1. The Road To The Requiem
2. A German Requeim ('Denn Alles Fleisch Es Ist Wie Gras')
3. The Wanderer
4. Waltz In E
5. The Consummate Performer
6. Five Studies For Piano
7. Paradox Personified: The Tender Savage
8. Piano Concerto No. 2
9. A Demanding Friend
10. Variations On A Theme By Haydn (Or Variations On The St Antony Chorale
11. The Eternal Child
12. The Ghost Exorcised / Beethoven: Symphony No. 9 (Finale: 'Ode To Joy') / Symphony No. 1 (Finale: Opening)
13. Symphony No. 1
1. A Watershed In Brahm's Career
2. Symphony No. 2
3. The External Brahms
4. A Free Man At Last / Piano Sonata No. 1
5. Violin Concerto / The Rift With Joachim
6. The Composer At Work
7. Academic Festival Overture
8. Celebrity And Scholar
9. Motet 'Wenn Ein Starker Gewappneter'
10. Love, Loss And Reconciliation
11. Concerto For Violin And Cello
12. The Greatest Living Composer - But A Difficult Friend
13. The Philanthropist
14. Decline And Death
15. Piano Concerto No. 2

Instruments of the Orchestra / Various
with Jeremy Siepmann, N/A, Alain Trudel, Albrecht Holder, Artistes Divers, Accentus Austria, Alexander Jablokov, Alexander Rudin, Andrew Burashko, Arkady Mishenkin, Bernd Glemser, Carmen Cano, Christian Hommel, Corinne Chapelle, Csaba Onczay, Dino Soldo, Ernst Ottensamer, Faridah Schäfer-Subrata, Fiona James, François Weigel, François-Joël Thiollier, Friderike Wagner, Gerald Garcia, Hanna Juutilainen, Hanna Lisowska, Helene Jeanney, Idil Biret, Ilya Kaler, Imrich Szabo, Ingrid Kertesi, Irina Tschistiakova, Irshad Khan, Jeffrey Segal, Jenö Keveházi, Johnny Morris, Jonathan Keeble, Joseph Banowetz, Judit Nemeth, Judy Loman, János Fehérvári, Kathryn Selby, Kazuki Sawa, Kevin Banks, Lars Anders Tomter, Laura Mikkola, Linda Russell, Lucy Van Dael, Lynda Russell, Makoto Sudo, Mandred Clynes, Manfred Fink, Marat Bisengaliev, Maria Kliegel, Maria Muller, Pete Seeger
Audio, Published 2002 by Naxos Educational
Box Set, Import

1. The Instruments of the Orchestra, narration with musical excerpts: Violin: 'Oh! to be a conductor...' Includes excerpt from Wagner's
2. Domna, pos vos ay chausida: Excerpt
3. The Instruments of the Orchestra, narration with musical excerpts: Violin: We don't merely use instruments, we play on them. And they
4. Hungarian Dances (21) for orchestra, WoO 1: Hungarian Dance No. 7
5. The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin is one of the most tender and beautiful instrum
6. Violin Concerto in D major, Op. 77: Adagio (excerpt)
7. The Instruments of the Orchestra, narration with musical excerpts: Violin: But for a long time it was seen as the instrument of the d
8. L'histoire du soldat (The Soldier's Tale), for 3 actors, dancer & 7 instruments: Triumphal March of the Devil (excerpt)
9. The Instruments of the Orchestra, narration with musical excerpts: Violin: The manipulative seductiveness of the gypsy violin
10. CsÃ¡rdÃ¡s, for violin & piano
11. The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin and the imitation of nature
12. Violin Concerto, for violin, strings & continuo in E major ('La Primavera,' The Four Seasons; 'Il cimento' No. 1), Op.8/1, RV 269: No
13. The Instruments of the Orchestra, narration with musical excerpts: Violin: Birds are again evoked in the second concerto, especially
14. Violin Concerto, for violin, strings & continuo in G minor ('L'estate,' The Four Seasons; 'Il cimento' No. 2), Op. 8/2, RV 315: No. 1
15. The Instruments of the Orchestra, narration with musical excerpts: Violin: Like the devil, the violin is a master of disguise.
16. SchÃ¶n Rosmarin, for violin & piano
17. The Instruments of the Orchestra, narration with musical excerpts: Violin: The menacing sensuality of Ravel's Tzigane; a very differe
18. Tzigane, rhapsodie de concert, for violin & piano (or orchestra): Excerpt
19. The Instruments of the Orchestra, narration with musical excerpts: Violin: Do we now have the true measure of this instrument? Not ju
20. Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24: Excerpt
21. The Instruments of the Orchestra, narration with musical excerpts: Violin: The many effects of the string tremolando. Includes excerp
22. Variations on a Theme by Frank Bridge, for strings, Op. 10: No. 7
23. The Instruments of the Orchestra, narration with musical excerpts: Violin: Prokofiev's tremolo in Romeo and Juliet should not be hear
24. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 4. (excerpt)
25. The Instruments of the Orchestra, narration with musical excerpts: Violin: Vivaldi uses it to illustrate the shivering of travellers
26. Violin Concerto, for violin, strings & continuo in F minor ('L'inverno,' The Four Seasons; 'Il cimento' No. 4), Op. 8/4, RV 297: No.
27. The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin muted
28. Clair de lune, for orchestra or other arrangement (from 'Suite Bergamasque' for piano), L. 75/3
29. The Instruments of the Orchestra, narration with musical excerpts: Violin: The gentleness of muted strings persists even when a whole
30. Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: excerpt
31. The Instruments of the Orchestra, narration with musical excerpts: Violin: The pizzicato violin
32. Pizzicato Polka for orchestra, Op. 234
33. The Instruments of the Orchestra, narration with musical excerpts: Violin: In Prokofiev's Second Violin Concerto, the accompaniment i
34. Violin Concerto No. 2 in G minor, Op. 63: Excerpt
35. The Instruments of the Orchestra, narration with musical excerpts: Violin: Varieties of pizzicato. Includes excerpt from Kabalevsky's
36. The Planets, suite for orchestra & female chorus, Op. 32, H. 125: Mars - The bringer of War (excerpt)
37. The Instruments of the Orchestra, narration with musical excerpts: Violin: The technique of double-stopping enables the violin to pla
38. Hungarian Dances (21) for orchestra, WoO 1: Hungarian Dance No. 4
39. The Instruments of the Orchestra, narration with musical excerpts: Violin: Double-stopping is a standerd feature of a lot of folk mus
40. Violin Concerto, for violin, strings & continuo in F major ('L'autunno,' The Four Seasons; 'Il cimento' No. 3), Op.8/3, RV 293: Move
41. The Instruments of the Orchestra, narration with musical excerpts: Violin: Now the same technique, but the sound might have come from
42. BolÃ©ro, ballet for orchestra: Excerpt
43. The Instruments of the Orchestra, narration with musical excerpts: Violin: Double-stopping can only approximate the sound of a real v
44. Cadenza for Brahms Violin Concerto: Excerpt
45. The Instruments of the Orchestra, narration with musical excerpts: Violin: Now compare that with a real violin duet
46. Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 1: Teasing Song
47. The Instruments of the Orchestra, narration with musical excerpts: Violin: Another Duo by BartÃ¶k, demonstrating the violin's rich low
48. Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 2: Maypole Dance
49. The Instruments of the Orchestra, narration with musical excerpts: Violin: And now what may be the most beautiful accompanied violin
50. Concerto for 2 violins, strings & continuo in D minor ('Double'), BWV 1043: Largo
51. The Instruments of the Orchestra, narration with musical excerpts: Violin: The soul of the violin is in song; but what about this wie
52. Violin Concerto No. 1 in D major, Op. 19: Movement 2 (excerpt)
53. The Instruments of the Orchestra, narration with musical excerpts: Violin: The use of harmonics in the orchestra can be both magical
54. Symphony No. 1 in D major ('Titan'): Movement 1. (opening)
55. The Instruments of the Orchestra, narration with musical excerpts: Violin: Tchaikovsky's use of harmonics in The Sleeping Beauty is b
56. The Sleeping Beauty, ballet, Op. 66: Act 2. No. 15. Entr'acte (excerpt)
57. The Instruments of the Orchestra, narration with musical excerpts: Violin: Ravel's harmonics in Mother Goose effect a magical transfo
58. Ma mÃ..re l'oye, for piano, 4 hands (or orchestra): Beauty and the Beast (excerpt)
59. The Instruments of the Orchestra, narration with musical excerpts: Violin: Stravinsky's harmonies in The Firebirg transport us almost
60. The Instruments of the Orchestra, narration with musical excerpts: Violin: The Natural upper notes of the violins have a unique emoti
61. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Of the Afterworldsmen (excerpt)
62. The Instruments of the Orchestra, narration with musical excerpts: Violin: Still in their upper register, the violins unleash the ene
63. Variations on a Theme by Frank Bridge, for strings, Op. 10: No. 4
64. The Instruments of the Orchestra, narration with musical excerpts: Violin: Elsewhere, Britten uses the same high register to create a
65. Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn (excerpt)
66. The Instruments of the Orchestra, narration with musical excerpts: Violin: To end this outing with the violins, a charming little elf
67. Elfenreigen, for salon orchestra: Excerpt
1. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Introduction to the viola
2. Concerto for viola, strings & continuo in G major, TWV 51:G9: Movement 1
3. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Khatchaturian gets a very different sound from it:
4. Gayane Suite, for orchestra No. 1: Armen's Solo (excerpt)
5. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Very nearly the whole of the violin's upper registe
6. Passacaglia, for orchestra, Op. 33b (from 'Peter Grimes'): excerpt
7. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The viola can bring a special, rich tranginess to p
8. Harold en Italie (Harold in Italy), symphony for viola & orchestra, H. 68 (Op. 16): No. 4 (excerpt)
9. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The muted viola: intimate, gentle, poignant in Dvor
10. Cypresses (Ohlas pÃsnÃ [Echoes of Songs]), for string quartet (arr. from Cypresses, B. 11), B. 152: No. 9
11. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The massed violas of the modern symphony orchestra
12. Symphony No. 4 in G major: Movement 3 (excerpt)
13. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The "period" viola in Bach
14. Brandenburg Concerto No. 6 in B flat major, BWV 1051: Allegro
15. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The cello: a voice of unique nobility
16. Suite for solo cello No. 1 in G major, BWV 1007: Prelude
17. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Brahms and the 'soul' of the cello
18. Piano Concerto No. 2 in B flat major, Op. 83: Movement 3 (excerpt)
19. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Most orchestral composers tend to emphasise the cel
20. Cantata No. 147, 'Herz und Mund und Tat und Leben,' BWV 147 (BC A174): Aria: Bereite dir, Jesu
21. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: In the time of Beethoven the cello remained as fund
22. Symphony No. 3 in E flat major ('Eroica'), Op. 55: Finale (excerpt)
23. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: But the cello is not condemned to spend its life in
24. Elfentanz for cello & piano, Op 39 'Dance of the Elves'
25. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Not only in recital showpieces like that is the cel
26. The Protecting Veil, for cello & orchestra: Opening (excerpt)
27. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: A cello with an identity-crisis: the pizzicato Flam
28. Flamenco
29. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Double-stopping in the lower reaches of the cello's
30. Suite for cello solo: Sardana (excerpt)
31. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: It's in its middle register that the cello really c
32. Pieces (2) for cello & piano, Op. 2: No. 2, Oriental Dance (excerpt)
33. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: It was to the cellos that Beethoven gave two of his
34. Symphony No. 9 in D minor ('Choral'), Op. 125: Finale (excerpt)
35. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Introduction to the double-bass
36. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Elephant
37. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: but the double-bass can be intensely expressive and
38. Elegy for double bass & piano No. 1 in D major: excerpt
39. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The range of the double-bass is the greatest of all
40. Capriccio di Bravura for double bass & piano: Excerpt
41. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Double-bass solos in orchestral scores are rare but
42. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The Double-bass muted in Prokofiev. Includes excerp
43. Symphony No. 5 in C minor ('Fate'), Op. 67: Movement 3 (excerpt)
1. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The antiquity and magic of the flute
2. PrÃ©lude Ã l'aprÃ..s-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86: Excerpt
3. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The versatility and agility of the flute
4. Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie (excerpt)
5. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The flute in fifteenth-century Spain
6. Sa'dÃ¢wÃ®: Excerpt
7. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Other flutes: the bass and alto
8. Chamber Music II, for alto flute &string orchestra, Op. 41: excerpt
9. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The piccolo - aptly named
10. La Naissance d'Osiris ou La FÃªte Pamilie, acte de ballet: No. 6 (excerpt)
11. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: From a piccolo of the eighteenth century to one of its
12. Suite No. 1, for chamber orchestra: Valse (excerpt)
13. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: A variety of techniques
14. Chamber Music II, for alto flute &string orchestra, Op. 41: excerpt
15. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Flutter-tonguing. But Tchaikovsky got there eighty year
16. Nutcracker, ballet, Op. 71: Act 2. No. 2. ScÃ..ne (excerpt)
17. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: From the transverse to the vertical: the Baroque record
18. Overture, suite for recorder (or flute), strings & continuo in A minor, TWV 55:a2: Menuet II
19. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: An unfamiliar, early version of the instrument
20. Needles, needles
21. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Bachian oboe
22. Cantata No. 80, 'Ein feste Burg ist unser Gott,' BWV 80 (BC A183): No. 7. Duetto (excerpt)
23. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the cor anglais or "English horn"
24. Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): Movement 2 (excerpt)
25. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The loneliness of the cor anglais
26. The Swan of Tuonela, tone poem for orchestra (LemminkÃ¤inen Suite No. 3), Op. 22/3: Excerpt
27. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The cor anglais joins the French horn in Haydn
28. Symphony No. 22 in E flat major ('Philosopher'), H. 1/22: Opening (excerpt)
29. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the oboe d'amore, beloved of Bach - but
30. Boléro, ballet for orchestra: Excerpt
31. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Clarinet family: boxing the compass, from the depth
32. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: ... to the shrill and complaining.... Includes excerpt
33. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: As the high clarinets tend to be loud, so the bass tend
34. Gayane Suite, for orchestra No. 1: No. 5 (excerpt)
35. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The bass clarinet is used by most composers mainly as a
36. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Range of the normal clarinet parts goes quite high
37. The Snow Maiden, incidental music, Op. 12: Scene 5: Melodrama (excerpt)
38. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: ... and quite low
39. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: The Cat (excerpt)
40. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The clarinet as concerto soloist
41. Clarinet Concerto in A major, K. 622: Rondo (excerpt)
42. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: but that's not the instrument Mozart wrote it for; this
43. Clarinet Concerto in A major, K. 622: Rondo (excerpt)
44. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the saxophone
45. HÃ¡ry JÃ¡nos, suite from the opera for orchestra: No. 4 (excerpt)
46. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Soprano saxophone has quite a different feel to it
47. L' ArlÃ©sienne, suite for orchestra No. 1, from the incidental music: Minuet (excerpt)
48. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The little sopranino sax goes even higher
49. Boléro, ballet for orchestra: Excerpt
50. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The most famous use of the saxophone is in an orchestra
51. Pictures at an Exhibition (Kartinki s vÃ¯stavski), for orchestra, orchestrated by Ravel: The Old Castle (excerpt)
52. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The saxophhone can be quite contagiously good-humored
53. Sax-O-Phun for saxophone & piano: Excerpt
54. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The puffa-puffa image of the bassoon
55. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: Grandfather (excerpt)
56. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: the Bachian bassoon, in accompanimental mode
57. Cantata No. 202, 'Weichet nur, betrÃ1/4bte Schatten' ('Wedding Cantata'), BWV 202 (BC G41): Aria No. 1 (excerpt)
58. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Bizet leaves the puffa-puffa image out, allowing the ba
59. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: And Ravel, also in spanish mode, does likewise
60. Boléro, ballet for orchestra: Excerpt
61. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Bassoon as a voice of high seriousness, indeed deso
62. Symphony No. 3: Opening (excerpt)
63. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The eerie bassoon in its highest register
64. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Opening (excerpt)
65. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Stravinsky now draws on its lowest register, lonely and
66. L'oiseau de feu (The Firebird), concert suite for orchestra No. 2: Berceuse (excerpt)
67. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The bassoon as concerto soloist, avoiding all exaggerat
68. Bassoon Concerto in G minor: Finale (excerpt)
69. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: the deep-voiced contra-bassoon, as a fairy-tale beast
70. Ma mère l'oye, for piano, 4 hands (or orchestra): Beauty and the Beast (excerpt)
71. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The French horn under its woodwind hat
72. Wind Quintet, FS 100 (Op. 43): Last movement (excerpt)
73. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Now a more prominent role, in a woodwind quintet from a
74. Woodwind Quintet in A minor, Op. 100/5: No. 2 (excerpt)
75. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The horn in harmonious blend with strings in another qu
76. Quintet for horn, violin, 2 violas & cello in E flat major, K. 407 (K. 386c): Finale
1. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as virtuoso soloist
2. Brandenburg Concerto No. 2 in F major, BWV 1047: Allegro assai
3. The Instruments of the Orchestra, narration with musical excerpts: Brass: The special brilliance of paired trumpets
4. Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: No. 1
5. The Instruments of the Orchestra, narration with musical excerpts: Brass: The ceremonial trumpet
6. Fanfare for the Common Man, for brass & percussion (from Symphony No. 3): Excerpt
7. The Instruments of the Orchestra, narration with musical excerpts: Brass: Trumpets and drums - an incomparable alliance
8. Messiah, oratorio, HWV 56: The Trumpet Shall Sound
9. The Instruments of the Orchestra, narration with musical excerpts: Brass: The versatility of the trumpet, from the most public to the
10. Concerto in F, for piano & orchestra: Excerpt
11. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of the city. Includes excerpt from
12. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Habanera (excerpt)
13. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of strength and courage
14. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Toreador's Song (excerpt)
15. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet muted. Includes excerpt from Stravinsky's Petru
16. Billy the Kid, ballet: Excerpt
17. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as a character actor
18. Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: No. 6
19. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of God

20. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Et exspecto
21. The Instruments of the Orchestra, narration with musical excerpts: Brass: The birth of the trombone
22. Aenmerckt nu hier
23. The Instruments of the Orchestra, narration with musical excerpts: Brass: The birth of the brass as a family
24. Sacrae Symphoniae: No. 12: Canzon in echo duodecimi toni for 10 parts
25. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone in the eighteenth century
26. Trombone Concerto in B flat: Finale
27. The Instruments of the Orchestra, narration with musical excerpts: Brass: The tone of the tenor trombone. Includes excerpt from HÃ¶ser
28. Hosannah (Alleluja del Cantico del sol), for organ & trombone ad lib, S. 677 (LW F2): Excerpt
29. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombones become part of the orchestra
30. Symphony No. 5 in C minor ('Fate'), Op. 67: Finale (excerpt)
31. The Instruments of the Orchestra, narration with musical excerpts: Brass: The Wagnerian trombone. Includes excerpt from Wagner's Over
32. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone as a caricaturist
33. Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: No. 19: Vivo (excerpt)
34. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone as raspberry. Includes excerpt from BartÃ³k's C
35. The Instruments of the Orchestra, narration with musical excerpts: Brass: The horn and the hunt
36. Horn Concerto No. 4 in E flat major, K. 495: Finale
37. The Instruments of the Orchestra, narration with musical excerpts: Brass: The challenging horn of the Baroque
38. Les BorÃ©ades (Abaris), tragÃ©die en musique: Menuet
39. The Instruments of the Orchestra, narration with musical excerpts: Brass: The scarcity of first-rate players in Handel's time
40. Water Music Suite No.1 for orchestra in F major, HWV 348: Minuet 1
41. The Instruments of the Orchestra, narration with musical excerpts: Brass: The horn as magician. Includes excerpt fron Stravinsky's Fi
42. The Instruments of the Orchestra, narration with musical excerpts: Brass: horns and the sound of nobility
43. TannhÃ¤user, opera, WWV 70: Overutre: Opening (excerpt)
44. The Instruments of the Orchestra, narration with musical excerpts: Brass: the special sound of the horn in its higher register
45. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Quoniam tu solus sanctus
46. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet-like sound of massed horns
47. Symphony No. 3 in D minor: Movement 1 (opening) (excerpt)
48. The Instruments of the Orchestra, narration with musical excerpts: Brass: The tuba - Unfairly maligned?
49. Symphony No. 6 in E flat minor, Op. 111: Movement 3 (excerpt)
50. The Instruments of the Orchestra, narration with musical excerpts: Brass: The tuba perfectly cast by Ravel
51. Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Bydlo
1. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introduction. And we begin with a bang
2. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The bass drum on the battlefields. Includes excerpt fr
3. The Instruments of the Orchestra, narration with musical excerpts: Percussion: At the opposite extreme is the triangle
4. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): Scherzo (excerpt)
5. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Categories of percussion: tuned and untuned. The side
6. La gazza ladra (The Thieving Magpie), opera: Overture: Opening (excerpt)
7. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The side drum in an effective but unexpected role. Inc
8. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The tambourine. One of the oldest instruments in the w
9. Den hoboecken dans
10. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Even older is the originally oriental gong
11. Ma mère l'oye, for piano, 4 hands (or orchestra): Laideronette (excerpt)
12. The Instruments of the Orchestra, narration with musical excerpts: Percussion: No single instrument can match the gong in evoking the
13. Gymnopedie for piano No. 2
14. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The cymbals are generally discovered early in life. In
15. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Other untuned percussion instruments include the whip.
16. The Instruments of the Orchestra, narration with musical excerpts: Percussion: More versatile than the whip are the wood blocks.... I
17. Rodeo, ballet: Hoe-Down (excerpt)
18. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Related to the wood blocks, by sound, are the castanet
19. Damigella tutta bella, madrigal for 3 voices (from Scherzi musicali), SV 235: Excerpt
20. The Instruments of the Orchestra, narration with musical excerpts: Percussion: A still earlier example from fifteenth-century Spain
21. Yo m'enamori d'un ayre, song
22. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The birth of the bongo
23. Symphonic Dances (9) from 'West Side Story', for orchestra (orchestrated with Ramin & Kostal): Excerpt
24. The Instruments of the Orchestra, narration with musical excerpts: Percussion: From the streets of New York to the blacksmith's shop.
25. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Desert-island decibels. Includes excerpt from GrofÃ©'s
26. The Instruments of the Orchestra, narration with musical excerpts: Percussion: From one vegetable to another: the humble squash, or m
27. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Onwards to the tuned percussion. First, the timpani
28. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Introduction (excerpt)
29. The Instruments of the Orchestra, narration with musical excerpts: Percussion: But the drum roll can be more effectively frightening
30. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Not one drum roll, but many. Includes excerpt from Gro
31. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Taking advantage of tunability
32. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: Movement 2 (excerpt)
33. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The Russian composer Rodion Shchedrin takes a downward
34. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the glockenspiel. Includes excerpt from Sh
35. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Saint-SaÃ«ns and the xylophone
36. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Fossils
37. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Ravel and the xylophone
38. Ma mère l'oye, for piano, 4 hands (or orchestra): Laideronette
39. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the marimba. Includes excerpt from Shchedr
40. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the vibraphone
41. Treasure of the Sierra Madre, film score: Narange dolce
42. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The vibraphone goes Russian.... Includes excerpts from
43. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the Hungarian cimbalom
44. Work(s): Folk Dances
45. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The cimbalom and the symphony orchestra
46. Háry János, suite from the opera for orchestra: No. 3 (excerpt)
47. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the tubular bells
48. Háry János, suite from the opera for orchestra: Viennese Musical Clock
49. The Instruments of the Orchestra, narration with musical excerpts: Percussion: A more 'up-front' approach from Rodion Shchedrin
50. Carmen-Suite (based on themes of Georges Bizet): Introduction
51. The Instruments of the Orchestra, narration with musical excerpts: Percussion: But the bells can also make the sinister even more sin
52. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the celeste
53. Nutcracker, ballet, Op. 71: Dance of the Sugar Plum Fairy
54. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Magic, in the use of collective percussion
55. Miroirs, for piano (or orchestra): La VallÃ©e des cloches
56. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Plucked instruments: the 'undercover percussion'. Incl
57. The Instruments of the Orchestra, narration with musical excerpts: Percussion: A prime case in point is the harp, irresistible to the
58. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The traditionally subservient role of the harpsichord
59. Brandenburg Concerto No. 2 in F major, BWV 1047: Andante
60. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The piano: king of the tuned percussion. Includes exce
61. Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Russian Dance
62. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The anti-Romantic piano as an integral part of the orc
63. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: Last mvt
1. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Keyboard instruments in the orchestra - the most powe
2. Symphony No. 3 in C minor ('Organ'), Op. 78: Finale (excerpt)
3. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: But things in Handel's day were very different
4. Organ Concerto in G minor, Op.4/3, HWV 291: Last movement
5. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The organ is difficult to classify
6. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: An unexpected, organ-related guest
7. Concerto in C 'Zampogna': last mvt
8. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Peasant-fancying... and a touch of the roaming cowboy
9. Les Miserables, musical: Drink with Me (excerpt)
10. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Outside artefacts and the power of association. Inclu
11. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Mahler's sleighbells. Includes excerpt from Mahler's
12. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: In another symphony Mahler used cowbells. Includes ex
13. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A roll-call of some unusual guests. Includes excerpt
14. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Chains, and more. Includes excerpt from VarÃ..se's IntÃ©
15. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Purpose-built oddities: wind machines. Includes excer
16. Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Variation VIII
17. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: National calling cards: the guitar for Spain. Include
18. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: And the guitar's poor American relative, the banjo. I
19. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: And poorer still, the mouth organ. Includes excerpt f
20. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The Balalaika for Russia. Includes excerpt from Proko
21. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The maracas for Mexico. Includes excerpt from Sanchez
22. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The bongos and the congas and a whole wealth of other
23. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The sitar for India. Includes excerpt from Evening Ra
24. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The accordion for France (especially Paris). Includes
25. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The zither for Vienna. Includes excerpt from KÃ¡rÃ¡s's
26. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The cimbalom for Hungary. Includes excerpt from Tradi
27. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The guitar as an integral part of the orchestra. Incl
28. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: there are whole orchestras of balalaikas. Includes ex
29. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The effect of the wordless human voice, used purely a
30. SirÃ..nes, for female chorus & orchestra (Nocturne No. 3), L. 91/3: Unspecified excerpt
31. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Instruments and the imitation of nature. The clarinet
32. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Cuckoo
33. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The flute as an all-purpose aviary
34. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Aviary
35. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The oboe as a duck
36. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: The Duck
37. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The recording of reality. Does it work as well?
38. Pini di Roma (The Pines of Rome), symphonic poem, P. 141: The Pines of the Janiculum (excerpt)
39. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The recording of reality electronically reborn in new
40. Cantus Arcticus (Concerto for Birds & Orchestra), for orchestra & taped bird songs, Op. 61: Excerpt (movement 2)
41. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Beethoven turns avian: cuckoo, nightingale, and quail
42. Symphony No. 6 in F major ('Pastoral'), Op. 68: Andante molto mosso (excerpt)
43. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Some improbable casting: the violin as braying donkey
44. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Persons with Long Ears
45. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A truly orchestral hee-haw to be reckoned with
46. A Midsummer Night's Dream, overture, Op. 21: Excerpt
47. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A thunderstorm in a million
48. Symphony No. 6 in F major ('Pastoral'), Op. 68: Allegro - Allegretto (excerpt)
49. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The instrumental depiction of a silent world
50. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Aquarium
51. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Saint-SaÃ«ns' menagerie takes a curtain call
52. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Finale
1. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The grouping of instrumental families. An additive
2. Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 4
3. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A greater contrast, both pitch and character: violi
4. Duo for violin & viola No. 2 in B flat major, K. 424: Finale. Variations 1 & 2
5. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Arrival at the standard string trio: violin, viola,
6. String Trio in B flat major, D. 581: Menuetto (excerpt)
7. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quartet: two violins, viola, and cello
8. String Quartet No. 1 in F major, Op. 18/1: Excerpt (Movement 3)
9. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quintet - when the extra instrument is a
10. Quintet for 2 violins, 2 violas & cello No. 5 in D major ('String Quintet No. 5'), K. 593: Adagio (excerpt)
11. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quintet - when the extra instrument is a
12. Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): Movement 3 (excerpt)
13. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string sextet: two violins, two violas, and two
14. String Sextet No. 1 in B flat major, Op. 18: Movement 2 (excerpt)
15. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string octet: the standard string quartet times
16. Octet for strings in E flat major, Op. 20: Movement 1 (excerpt)
17. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Double the string octet: a fully fledged string orc
18. Symphony No. 2 in B flat major ('Lobgesang', 'Hymn of Praise'), Op. 52: Finale (excerpt)
19. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The massed strings of a symphony orchestra
20. Fantasia on a Theme by Thomas Tallis, for 2 string orchestras: Excerpt
21. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Contrasts of pitch and instrumental 'colour' in the
22. Woodwind Quintet in A minor, Op. 100/5: Theme
23. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: In the First Variation it's the horn that gets the
24. Woodwind Quintet in A minor, Op. 100/5
25. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: In Variation Two the torch is handed to the bassoon
26. Woodwind Quintet in A minor, Op. 100/5: Variation 2
27. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: in Variation Three the oboe leads
28. Woodwind Quintet in A minor, Op. 100/5: Variation 3
29. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Variation Four: conversation before returning to a
30. Woodwind Quintet in A minor, Op. 100/5: Variation 4
31. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: And Variation Five is dominated by the clarinet
32. Woodwind Quintet in A minor, Op. 100/5: Variation 5
33. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The next to be featured is the virtuoso flute
34. Woodwind Quintet in A minor, Op. 100/5: Variation 6
35. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Individual farewells and a closing chorus
36. Woodwind Quintet in A minor, Op. 100/5: Variation 7
37. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A mixed group: clarinet, bassoon, horn, string quar
38. Octet for clarinet, horn, bassoon & strings in F major, D. 803 (Op. posth. 166): Movement 3 (excerpt)
39. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The early classical symphony orchestra of Haydn and
40. Symphony No. 29 in A major, K. 201 (K. 186a): Finale (excerpt)
41. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Strings, wind, but no brass. What Haydn and Mozart
42. Canzon No. 28 ('Sol sol la sol fa mi'), for 8 parts
43. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Beethoven's Fifth: two horns, two trumpets, and thr
44. Symphony No. 5 in C minor ('Fate'), Op. 67: Finale (excerpt)
45. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: From Beethoven to the massive orchestras of Berlioz
46. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Beethoven changed the face of the symphony and the
47. Symphony No. 6 in A minor ('Tragic'): Movement 1 (excerpt)
48. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The cult of orchestral elephantiasis reaches its pe
49. Symphony No. 1 in D minor for soloists, chorus, brass bands & orchestra, 'The Gothic': VI: Te ergo quaesumus (excerpt)
50. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: When large doesn't necessarily mean loud: Debussy
51. Images (3), for orchestra, L. 122: Gigues (excerpt)
52. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A crisis of confidence; the orchestra's survival ha
53. TurangalÃ®la-symphonie, for piano, ondes martenot & orchestra, I/29: Chant d'amour 1 (excerpt)
54. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The advent of the 'early music' movement brings a n
55. XerxÃ..s, ballet (for F. Cavalli's 'Serse'), LWV 12: Gavotte en rondeau (excerpt)
56. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Computer and synthesiser: friends or foes?
57. Concerto for 2 violins, strings & continuo in D minor ('Double'), BWV 1043: Largo (excerpt)
58. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A speculative look ahead. Includes excerpt from Bac

Life & Works
with W.A. Mozart, Andrea Martin, Anna Di Mauro, Concentus Hungaricus, Dénes Várjon, Balázs Szokolay, Michael Chance, Michael Thompson, Jeremy Siepmann, Stephen Gunzenhauser, Jenö Jandó, Rohangiz Yachmi, Thomas Bloch, Balazs Szkolay, Priti Coles, Janos Sebestyen, Maria Pia Ionata, Hana Mullerova
Audio, Published 2002 by Naxos Educational
Box Set

1. Leopold Mozart: Sinfonia Di Caccia
2. Minuet In G, K. 1
3. A Miracle Exported
4. Molto Allegro In G, K. 72a
5. Prodigy And The Child: At Home And Abroad
6. A Musical Joke, K. 522
7. A Prodigy At Home
8. Cassation In G, K. 63
9. The Grand Tour
10. Symphony No. 1 In E Flat, K. 16 (Mvt. I)
11. Salzburg's Ambassadors
12. Piano Concerto No. 3 In D, K. 40 (Finale)
13. Italian Investments
14. Allegri: Miserere
15. A Dream Come True
16. Ascanio In Alba, K. 111 (Act I, Scene I)
1. Mozart As Eternal Child
2. 'Riconosci In Questo Amplesso' From 'The Marriage Of Figaro', K. 492
3. Leopold And The Eternal Child
4. Piano Concerto No. 5 In D, K. 175 (Finale)
5. Dashed Hopes Of Escape
6. Symphony No. 25 In G Minor, K. 183 (Mvt. 1)
7. The Composer Comes Of Age
8. Symphony No. 29 In A, K. 201 (Finale)
9. The Genius Emerges Fully Fledged
10. Piano Concerto No. 9 In E Flat, K. 271 (Mvt. II)
11. Fired By The Archbishop, Mozart Seeks His Fortune Elsewhere
12. Violin Concerto No. 3 In G, K. 16 (Finale)
13. Sexual Awakening
14. Piano Concerto No. 8 In B Flat, K. 238 (Finale)
15. Mozart, Love And Filial Obedience
16. piano Sonata No. 7 In C, K. 309 (Slow Mvt.)

1. To Paris Under Protest
2. Concerto In C For Flute And Harp, K. 299 (Finale)
3. An Unexpected Triumph
4. Symphony No. 31 In D, K. 297 ('Paris' Finale)
5. Death, Deception, And Grief
6. Piano Sonata No. 8 In A Minor, K. 310 (Slow Mvt.)
7. Recrimination And Capitulation
8. Mass In C, K. 317 ('Coronation' Kyrie)
9. Liberation In Vienna
10. Clementi: Piano Sonata In B Flat, Op. 24 No. 2 (Mvt. I)
11. variations On 'Ah, Vous DiraiJe, Maman', K. 265
12. Love, Marriage... And Leopold
13. Overture To 'The Abduction From The Seraglio, K. 384
1. A Miraculous Outpouring
2. Serenade In B Flat For Thirteen Wind Instruments, K. 361 (Mvt. 6: Romanze)
3. On The Cadge
4. Concerto Rondo In D For Piano And Orchestra, K. 382
5. Reunion, Parenthood, Grief Resilience
6. Horn Concerto No. 1 In D, K. 412 (Rondo)
7. Father, Father-Figure, And Friendship
8. String Quartet No. 19 In C, K. 465 ('Dissonance' Mvt. I)
9. Destiny Versus Popularity
10. piano Concerto no. 20 In D Minor, K. 466 (Last Mvt.)
11. Prague, Figaro, And Celebrity
12. 'Se Vuol Ballare' From 'The Marriage Of Figaro', K. 492
13. Don Giovanni, Death And Desolation
14. Symphony No. 40 In G Minor, K. 550 (Slow Mvt.)
15. Despair And Recovery
16. Cosi Fan Tutte, K. 588 (Act II, Finale)
17. Genius In Adversity
18. Adagio In C For Glass Harmonica, K. 356
19. Decline, Death And Immortality
20. Piano Concerto No. 25 In C, K. 503 (Finale)

Opera explained
An Introduction to Verdi's "Aida"
with Giuseppe Verdi, Jeremy Siepmann, David Timson, Thomson Smillie
Audio, Published 2001 by Naxos Educational

1. Introduction
2. Verdi's Three Periods In A Sixty-year Span
3. The Political Backround
4. Aida - The Beginnings
5. The Prld And Act I

6. Act II
7. The Grand March
8. Act III
9. Act IV
10. The Death Scene

An Introduction to Ravel's "Bolro" and "Ma mre l'oye"
(CD, May-2001, 2 Discs, Naxos (Distributor))
with Jeremy Siepmann, Ravel /. Siepmann
Audio, Published 2001 by Naxos (Naxos Deutschland Musik & Video Vertriebs-)
Audiolivro, Cd

1. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Bolero-Introduction; cue to unadorned Bolero rhythm, Part 1
2. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Bolero rhythm, Part 2: an extended variation of Part 1
3. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: ' Motto ' rhythm complete
4. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: But here we have snare drums and plucked violas and cellos
5. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 1: Introduction of ' the theme ' by solo flute
6. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Flute continues with Part 2 of theme
7. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 2: Complete statement of theme by clarinet as flute joins
8. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Introduction of ' discordant ' harp into the unfolding picture
9. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 3: Bassoon introduces closely related variant of theme
10. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: ...but then veers upwards, slowing rhythm and introducing new sync
11. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 4: ' Petite ' E flat clainet takes over theme, including v
12. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 5: Oboe d'amore takes over theme but returns to its origin
13. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 6: Theme now shared by two instruments: uted trumpet and f
14. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 7: Tenor saxophone takes Theme as trumpet replaces horn in
15. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 8: Theme taken by soprano saxphone, ' espressivo '
16. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 9: Theme: celeste, piccolos and horn; Motto: flute and Fre
17. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 10: Theme: Oboes, horns, clarinets; Motto: plucked violas
18. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 11: Theme taken by First Trombone, complete with jazzy sli
19. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 12: Theme: flutes, oboes, clarinets, sax; Motto: bassoons,
20. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 13: Violins at last take the main tune, joining massed win
21. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 14: Violins divide into four groups, each ' double-stoppin
22. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 15: Trumpet, trombone 2 and tuba join the foreground
23. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 16: First trombone and soprano saxophone ' rejoin ' theme
24. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 17: Fortissimo; all strings ' double-stopping '; trumpets
25. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 18: Entire orchestra now employed, ' as loudly as possible
26. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 19: Sudden, amazing change of key, lurching from C to E ma
27. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Section 20: Key now lurches back to C, as jazzy trombones whiningl
28. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Cue to complete performance
29. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Bolero (complete)
1. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Pavane de la Belle au bois dormant-Opening figure on flute; rising

2. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Same again, with emphasis on delicacy of scoring
3. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: answering variant, accompanied by plucked double basses
4. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Reminder of opening figure
5. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: ... and now its rhythmical mirror image, or almost...
6. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Answering Phrase 2: a near-inversion, over ' James Bond ' accompan
7. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Pivotal Phrase 3, reversing direction but keeping rhythm of Phrase
8. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Reprise of Phrases 1 and 2, but with new accompaniment
9. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Further Reprise of Phrase 2, now on violin, accompanied by harp
10. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Pavane (complete)
11. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Petit Poucet (Tom Thumb)-Introduction; Opening, with multi-metre r
12. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Change of metre continue as solo oboe introduces Theme One
13. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Oboe yields to Cor Anglais for Theme Two, against lower (still mut
14. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Theme One returns, shared by clarinet and flute, muted horn added
15. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: 'Motto' rhythm dominates as intensity increases from lower strings
16. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Fear subsides as Theme Two returns, again in Cor Anglais but now i
17. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Sensational sound effects evoke a wood at night, with screeches, c
18. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Texture thins; Theme one returns, delicately scored for strings an
19. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: The main part of movement ends, with waltz-like march(!), featurin
20. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Petit Poucet (complete)
21. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes-Introduction; opening bars,
22. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Oriental-orchestral equivalent of an imprial telephone bell
23. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: ... oboe ' answers ' with a very slightly varied version of Theme
24. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Expanded derivative of the ' telephone bell ' interrupts the theme
25. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Fragments of theme in flutes and cor anglais, with ' James Bond '
26. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: 'Gamelan ' music from flute and piccolo, accompanied by harp, xylo
27. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: arrival of Empress; upper strings yield to winds, celeste, harp an
28. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes (complete)
29. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Les entretiens de la Belle et de la Bete- opening
30. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Characteristic pattern of two short phrases answered by a long one
31. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Clarinet, flutes and violas, with ' sighing' figure derived from d
32. An Introduction to # RAVEL: Bolero and Ma Mere L'oye: Varied reprise of opening, entry of the ' Beast '; ' Watch it ! Wa

Opera Explained
An Introduction to Rossini's "The Barber of Seville"
with David Timson, Thompson Smillie, Thomson Rossini/Smillie, Jeremy Siepmann
Audio, Published 2001 by Naxos Educational
Cd

1. Introduction
2. The Barber Of Seville, His 17th Opera
3. The Overture
4. Act I
5. Figaro's Entrance Aria
6. Rosina - Una Voce Poco Fa

7. Start Some Gossip, Some Slander - Don Basilio
8. Act I Finale
9. Act II
10. Rosina's Aria, Contro Un Cor
11. Zitti Zitti - Quickly Quickly
12. Act II Finale

Dvorak
Life & Works
with Sean Barrett, Capella Istropolitana, Ding Gao, Zdenek Kosler, Robert Shafer, Philippe Entremont, Camilla Kolchinsky, Theodore Kuchar, Barry Wordsworth, Michael Halász, Antoni Wit, Johannes Wildner, Joachim Trio, Slovak Philharmonic Orchestra, The Washington Orchestra, Vienna Chamber Orchestra, Christian Kohn, Christine Brewer, Edmund Battersby, Ilya Kaler, Ivan Klansky, Jana Valaskova, Maria Kliegel, Qian Zhou, Silke-Thora Matthies
Audio, Published 2004 by Naxos
Classica, Potenziato, Import

1. Slavonic Dance No. 8 for orchestra in G minor B. 83/8 (Op. 46/8)
2. The Life and Works of AntonÃn DvorÃ¡k, Narration with Musical Excerpts: Childhood, boyhood, youth. Symphony No. 8 in G, Op. 88 (mvt. 3
3. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: A secret life; early manhood, determination and first love
4. Cypresses (Ohlas pÃsnÃ [Echoes of Songs]), for string quartet (arr. from Cypresses, B. 11), B. 152: No. 3: When thy sweet glances
5. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: A change of job, marriage and increasing success
6. Symphony No. 3 in E flat, B. 34 (Op. 10): 1. Allegro moderato
7. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Hope, grief and sublimation. Stabat mater, Op. 58 (Quando corp
8. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: International celebrity and a deceptive simplicity
9. Serenade for string orchestra in E major, B. 52 (Op. 22): 2. Walzer
10. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: A new championing, a new friendship: Brahms weighs in
11. String Quartet No. 9 in D minor, B. 75 (Op.34) (once listed as Op. 43): 1. Allegro
1. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: A populist commision
2. Slavonic Dance No. 1 for orchestra in C major, B. 83/1 (Op. 46/1)
3. The Life and Works of AntonÃn DvorÃ¡k, Narration with Musical Excerpts: An amateur pianist's dream
4. Slavonic Dance No. 5 for orchestra in A major, B. 83/5 (Op. 46/5)
5. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: A Token of gratitude
6. Serenade for winds & strings in D minor, B. 77 (Op. 44): 1. Moderato, quasi marcia
7. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: An explosion of popularity - on both sides of the Atlantic
8. Romance for violin & orchestra in F minor (arr. from Andante of Str Qrt No. 5), B. 39 (Op. 11)
9. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Personal glimpses: the outer man
10. Symphony No. 6 in D major, B. 112 (Op. 60) (first published as No. 1, Op. 58): 1. Allegro non tanto
11. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: The Anti-Czech stance of Vienna
12. Piano Trio No. 3 in F minor, B. 130 (Op. 65) (once listed as Op. 64): 3. Poco adagio
13. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák in London
14. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Vysoká: a new home, a simple life
15. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: The second London visit
16. Symphony No. 7 in D minor, B. 141 (Op. 70) (first published as No. 2): 1. Allegro maestoso
17. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák the conductor
18. Czech Suite, for orchestra in D major, B. 93 (Op. 39): Preludium: Pastorale
19. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: London, Birmingham - and Brighton Belles

20. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák the Czech
21. Symphony No. 6 in D major, B. 112 (Op. 60) (first published as No. 1, Op. 58): 3. Scherzo: Furiant
1. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Discord with Simrock
2. Work(s): Slavonic Dance in A for piano duet, Op. 72, No. 15
3. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Orchestrate!
4. Slavonic Dance No. 9 for orchestra in B major, B. 147/1 (Op. 72/1)
5. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák in Leeds
6. Piano Quintet in A major, B. 155 (Op. 81) (once listed as Op. 77): 3. Finale: Allegro con brio
7. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák and Tchaikovsky
8. Eugene Onegin, opera, Op. 24: Act 3: Polonaise
9. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák in Russia
10. Scherzo capriccioso for orchestra, B. 131 (Op. 66)
11. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák the teacher
12. Symphony No. 29 in A major, K. 201 (K. 186a): 4. Allegro con spirito
13. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák in Cambridge
14. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák in New York
15. String Quartet No. 12 in F major ('American'), B. 179 (Op. 96): 1. Allegro ma non troppo
1. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Dvorák in Iowa
2. Sonatina for violin & piano in G major ('Indian Lament'), B. 183 (Op. 100): 2. Larghetto
3. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Niagra Falls
4. Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): 1. Adagio - Allegro molto
5. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: The dark side
6. Cello Concerto in B minor, B. 191 (Op. 104): 3. Finale: Allegro moderato - Andante - Allegro vivo
7. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Home again
8. An Introduction to DvorÃ¡k's Symphony No. 9, Narration with Musical Examples: 4. Allegro con fuoco
9. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: The death of Brahms and a change of direction
10. A Hero's Song (PÃsen bohatyrskÃ¡), symphonic poem for orchestra, B. 199 (Op.111)
11. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: The return to opera
12. Rusalka, opera, B. 203 (Op. 114): Act 1: Song to the Moon
13. The Life and Works of Antonín Dvorák, Narration with Musical Excerpts: Distraction, disappointment and death
14. Symphony No. 6 in D major, B. 112 (Op. 60) (first published as No. 1, Op. 58): 4. Finale: Allegro con spirito

Movies with Jeremy Siepmann