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 | | Accentus Austria Serenata Hungarica Other with Accentus Austria Audio, Published 2012 by Records |
 | | Accentus Austria MISTERIS DE DOLOR Other Classic with Accentus Austria Audio, Published 2003 by Records |
 | | Fire & Ice by ACCENTUS AUSTRIA (2013-05-04) with Accentus Austria Audio, Published by Deutsche Harm Mundi |
 | | Fire & Ice by ACCENTUS AUSTRIA (2013-05-21) with Composer: Cristóbal Galán, Accentus Austria Audio, Published 2013 by Dhm (Deutsche Harmonia Mundi) Box-Set, Import |
 | | Commedia Dell'austria by Accentus Austria with Accentus Austria Audio, Published 2016 by Deutsche Harmonia Mundi |
 | | Cantadas De Pasion by Accentus Austria (2009-10-13) with Accentus Austria Audio, Published by Arcana |
 | | Serenata Hungarica by ACCENTUS AUSTRIA (2012-04-24) with Accentus Austria Audio, Published 2012 by Deutsche Harm Mundi |
 | | Sephardic Romances in the Ottoman Empire by Accentus Austria with Accentus Austria Audio, Published by Arcana Records |
 | | Misterias de Dolor / Accentus Austria by Accentus Austria with Accentus Austria Audio, Published 2006 by Pneuma (Choice Music) |
 | | Deutsche Harmonia Mundi 100 Great Recordings / Various with Sigiswald Kuijken, Konrad Junghanel, Paul Dery, Markus Heiland, Multi-Artistes, Freiburger Barockorchester, Collegium Aureum, Musica Fiata, Accentus Austria, Los Otros, Nuria Rial, Simone Kermes, Michael Schneider, Franzjosef Maier, Andrew Lawrence-King, Giovanni Battista Guarini, Rene Jacobs, Wolf Erichson, Thomas Gallia, Pere Casulleras, Kurt Hahn, Klaus L. Neumann, François Eckert, Benjamin Bernfeld, Barbara Schwendowius, Anne Decoville, Andreas Neubronner, Alfred Krings, Conrad Steinmann, Esaias Reusner Sr., Hans-Martin Linde, Balthasar-Neumann-Chor, Al Ayre Español, Hille Perl, Cantus Cölln, Victor Cordero, Salzburger Bachchor, Johann Sebastian Bach, Joseph Haydn, Wieland Kuijken, Walter Gerwig, Ulrich Koch, Sergio Ciomei, Sabine Bauer, Ryo Terakado, Rosario Conte, Patrick Beaugiraud, Nicoleta Paraschivescu, Mayumi Hirasaki, Max Engel, Marc Vallon, Mara Miribung, Lena Jacobson, Karl Kaiser, Johannes Koch, Innsbrucker Blaserkreis, Ilse Brix-Meinert, Hugo Ruf, Hidemi Suzuki, Hans-Peter Westermann, Gustav Leonhardt, Franz Lehrndorfer, David Sinclair, Christoph Dangel, Bradford Tracey, Anner Bylsma, Angelica May, Andreas Staier, Wilhelm Muller, Louis De Cahusac, Jose De Canizares, Johann Schachtner, Gottfried Van Swieten, Giovanni Battista Marino, Giambattista Marino, Xenia Meijer, Ulrike Hofbauer, Tolzer Knabenchor, Theo Altmeyer, The Harp Consort, Steve Davislim, Schola Cantorum Basiliensis, Rudolf Schasching, Roland Hermann, Ricard Bordas, Reinhard Mayr, Salzburg Mozart Trio, Michael Schopper, Michael Schade, Max Van Egmond, Maureen Lehane, Marta Almajano, Markus Volpert, Marisa Roca, Marina Pardo, Maria Luz Alvarez, Marelize Gerber, L'orfeo Barockorchester, Lola Casariego, Locky Chung, La Stagione Frankfurt, La Petite Bande, La Floridiana, La Capella Ducale, Kurt Widmer, Knabenchor Hannover, Kammerchor Stuttgart, Julie Comparini, Jordi Ricart, Johannes Mannov, Huelgas Ensemble, Hans-Ulrich Mielsch, Guy De Mey, Guillemette Laurens, Freiburger Vokalensemble, Florian Boesch, Ensemble Oni Wytars, Ensemble Melpomen, Ensemble La Sestina, English Baroque Soloists, Elly Ameling, Dorothee Mields, Diana Damrau, Concerto Palatino, Concentus Musicus Wien, Collegium Musicum Freiburg, Christoph Pregardien, Christian Zenker, Capriccio Stravagante, Camerata Koln, Bernhard Michaelis, Barry Mcdaniel, Barbara Schlick, Barbara Kraus, Balthasar-Neumann-Ensemble, Anton Scharinger, Wolfgang Wtorczyk, Wolfgang Reithofer, Wieland Haas, Ulrich Kraus, Stephan Schellmann, Siegfried Spittler, Michael Morawietz, Kurt Deggeller, Jurgen Rothe, Jakob Haendel, Henno Quasthoff, Heinz Hennig, Gunter Georgi, Giorgio Bruni, Friedrich Wilhelm Roedding, Erik Sikkema, Burkhard Fernhomberg, Bodo Heinemann, Wolfgang Stengel, Wolfgang Danzmaier, Walter Lessing, Nicholas Parker, Meinrad Schweizer, John Hadden, Jan Hofermann, Hans Jansen, Gisela Koch, Andreas Werner, Alfredo Lasheras Hakobian, Wolfgang Schafer, Thomas Hengelbrock, Skip Sempe, Roland Wilson, Paul Van Nevel, Nikolaus Harnoncourt, Michi Gaigg, John Eliot Gardiner, Jeanne Lamon, Howard Arman, Gerhard Schmidt-Gaden, Frieder Bernius, Eduardo Lopez Banzo, Bruno Turner, Anthony Rooley, Adriano Giardina, William Croft, William Byrd, Tiburtio Massaini, Tarquinio Merula, Sebastian Duron, Santiago De Murcia, Samuel Scheidt, Salomone Rossi, Robert De Visée, Pietro Antonio Locatelli, Pietro Antonia Giramo, Philippo Martino, Osbert Parsley, Orlando Di Lasso, Orazio Vecchi, Michel Blavet, Michael Praetorius, Marin Marais, Marianna Martines, Luigi Lai, Luigi Boccherini, Lorenzo Gaetano Zavateri, Leone Leoni, Juan De Navas, Josquin Desprez, Jose De Torres, Jose De Nebra, John Taverner, John Sheppard, John Dowland, John Blow, Johannes Eccard, Johann Walter, Johann Stadlmayr, Johann Schelle, Johann Rosenmuller, Johann Pachelbel, Johann Michael Bach, Johann Joachim Quantz, Johann Hermann Schein, Johann Georg Pisendel, Jean-Philippe Rameau, Jean-Baptiste Lully, Jean Le Flelle, Jean Henri D'anglebert, Jean Castileti, Jan Dismas Zelenka, Jacquet De Mantoue, Jacques-Martin Hotteterre, Jacques Morel, Jacob Handl, Henry Purcell, Heinrich Schutz, Giuseppe Antonio Paganelli, Giulio Caccini, Girolamo Frescobaldi, Giovanni Legrenzi, Giovanni Girolamo Kapsberger, Giovanni Giacomo Gastoldi, Giovanni Benedetto Platti, Giovanni Battista Riccio, Gerolamo Bassani, Georg Philipp Telemann, Georg Friedrich Haendel, Georg Anton Benda, Gennaro Romanelli, Franz Schubert, Francisco Valls, Francisco Guerrero, Francesco Geminiani, Francesco Corbetta, Fr. Lambardi, Erhard Bodenschatz, Dietrich Buxtehude, Diego Ortiz, Dario Castello, Cyprian De Rore, Cristofano Malvezzi, Cormack Macdermott, Claudio Monteverdi, Christobal Galan, Christobal De Moralis, Biagio Marini, Benedictus Appenzeller, Bartholomaus Gesius, Arnolt Schlick, Arcangelo Corelli, Antonio Vivaldi, Antonio De Literes, Antoine Forqueray, Angelo Notari, Agostino Agazzari, Adrian Willaert, Adam Gumpelzhaimer, Tobias Moretti, Alfons Striz, L´Orfeo Barockorchester, Tafelmusik Baroque Orchestra, Lžorfeo Barockorchester, Le Trio Royal, Wilbert Hazelzet, Jaap Ter Linden, Georg Friedrich Händel Audio, Published 2017 by Imports Cofanetto, Cd, Classica, Import | 1. I. Allegro assai - Freiburger Barockorchester 2. II. Adagio - Freiburger Barockorchester 3. III. Allegretto - Freiburger Barockorchester 4. Allegro assai - Andreas Staier 5. Poco Adagio - Andreas Staier 6. Tempo di Minuetto - Andreas Staier 7. Allegro assai - Andreas Staier 8. I. Allegro ma non troppo - Freiburger Barockorchester 9. II. Largo et innocentemente - Freiburger Barockorchester 10. III. Allegro assai - Freiburger Barockorchester 11. Allegro - Hans-Peter Westermann 12. Adagio ma non troppo - Hans-Peter Westermann 13. Allegro ma non troppo - Hans-Peter Westermann 14. I. Allegretto - Freiburger Barockorchester 15. II. Larghetto - Freiburger Barockorchester 16. III. Presto - Freiburger Barockorchester 1. I. Magnificat anima mea - Collegium Aureum 2. II. Quia respexit humilitatem - Collegium Aureum 3. III. Quia fecit mihi magna - Collegium Aureum 4. IV. Et misericordia - Collegium Aureum 5. V. Fecit potentiam - Collegium Aureum 6. VI. Deposuit potentes - Collegium Aureum 7. VII. Suscepit Israel - Collegium Aureum 8. VIII. Gloria Patri - Collegium Aureum 9. IX. Sicut erat - Collegium Aureum 10. I. Allegretto - Angelica May 11. II. Adagio - Angelica May 12. III. Allegro assai - Angelica May 1. Moderato - Andreas Staier 2. Andante - Andreas Staier 3. Allegro assai - Andreas Staier 4. Variations in D minor on "Die Folie d'Espagne", Wq 118/9 & Wq 270 - Andreas Staier 5. Allegro (attacca) - Andreas Staier 6. Adagio (attacca) - Andreas Staier 7. Allegro assai - Andreas Staier 8. Fantasia in F sharp minor, Wq 67 - Andreas Staier 9. Rondo in C minor, Wq 59/4 (Allegro) - Andreas Staier 10. Presto (attacca) - Andreas Staier 11. Adagio (attacca) - Andreas Staier 12. Andantino - Andreas Staier 13. Fantasia in C major, Wq 61/6 - Andreas Staier 1. Contrapunctus I a 4 - Collegium Aureum 2. Contrapunctus II a 4 - Collegium Aureum 3. Contrapunctus III a 4 - Collegium Aureum 4. Contrapunctus IV a 4 - Collegium Aureum 5. Contrapunctus V a 4 - Collegium Aureum 6. Contrapunctus VI a 4 - Collegium Aureum 7. Contrapunktus VII a 4 - Collegium Aureum 8. Contrapunctus VIII a 3 - Collegium Aureum 9. Contrapunctus IX a 4 - Collegium Aureum 10. Contrapunctus X a 4 - Collegium Aureum 1. Contrapunctus XI a 4 - Collegium Aureum 2. Contrapunctus XII a 4 - Collegium Aureum 3. Contrapunctus XIII a 3 - Collegium Aureum 4. Contrapunctus XIII a 2 - Collegium Aureum 5. Contrapunctus XIV - Collegium Aureum 6. Contrapunctus XV - Collegium Aureum 7. Contrapunctus XVI - Collegium Aureum 8. Contrapunctus XVII - Collegium Aureum 9. Contrapunctus XVIII - Collegium Aureum 1. I. Allegro - Sigiswald Kuijken 2. II. Adagio - Sigiswald Kuijken 3. III. Allegro - Sigiswald Kuijken 4. IV. Menuetto - Sigiswald Kuijken 5. I. Allegro - Sigiswald Kuijken 6. II. Andante - Sigiswald Kuijken 7. III. Allegro assai - Sigiswald Kuijken 8. I. Allegro - II. Adagio - Sigiswald Kuijken 9. III. Allegro - Sigiswald Kuijken 1. I. Allegro - Sigiswald Kuijken 2. II. Andante - Sigiswald Kuijken 3. III. Presto - Sigiswald Kuijken 4. I. Allegro - Sigiswald Kuijken 5. II. Affettuoso - Sigiswald Kuijken 6. III. Allegro - Sigiswald Kuijken 7. I. Allegro - Sigiswald Kuijken 8. II. Adagio ma non tanto - Sigiswald Kuijken 9. III. Allegro - Sigiswald Kuijken 1. Aria - Gustav Leonhardt 2. Variatio 1, a 1 Clav. - Gustav Leonhardt 3. Variatio 2, a 1 Clav. - Gustav Leonhardt 4. Variatio 3, a 1 Clav. Canone alla Seconda - Gustav Leonhardt 5. Variatio 4, a 1 Clav. - Gustav Leonhardt 6. Variatio 5, a 1 ovvero 2 Clav. - Gustav Leonhardt 7. Variatio 6, a 1 Clav. Canone alla Seconda - Gustav Leonhardt 8. Variatio 7, a 1 ovvero 2 Clav. Al tempo di Giga - Gustav Leonhardt 9. Variatio 8, a 2 Clav. - Gustav Leonhardt 10. Variatio 9, a 1 Clav. Canone alla Terza - Gustav Leonhardt 11. Variatio 10, a 1 Clav. Fughetta - Gustav Leonhardt 12. Variatio 11, a 2 Clav. - Gustav Leonhardt 13. Variatio 12, Canone alla Quarta - Gustav Leonhardt 14. Variatio 13, a 2 Clav. - Gustav Leonhardt 15. Variatio 14, a 2 Clav. - Gustav Leonhardt 16. Variatio 15, a 1 Clav. Canone alla Quinta, Andante - Gustav Leonhardt 17. Variatio 16, a 1 Clav. Ouverture - Gustav Leonhardt 18. Variatio 17, a 2 Clav. - Gustav Leonhardt 19. Variatio 18, a 1 Clav. Canone alla Sesta - Gustav Leonhardt 20. Variatio 19, a 1 Clav. - Gustav Leonhardt 21. Variatio 20, a 2 Clav. - Gustav Leonhardt 22. Variatio 21, Canone alla Settima - Gustav Leonhardt 23. Variatio 22, a 1 Clav. Alla breve - Gustav Leonhardt 24. Variatio 23, a 2 Clav. - Gustav Leonhardt 25. Variatio 24, a 1 Clav. Canone all'Ottava - Gustav Leonhardt 26. Variatio 25, a 2 Clav. Adagio - Gustav Leonhardt 27. Variatio 26, a 2 Clav. - Gustav Leonhardt 28. Variatio 27, a 2 Clav. Canone alla Nona - Gustav Leonhardt 29. Variatio 28, a 2 Clav. - Gustav Leonhardt 30. Variatio 29, a 1 ovvero 2. Clav. - Gustav Leonhardt 31. Variatio 30, a 1 Clav. Quodlibet - Gustav Leonhardt 32. Aria da capo - Gustav Leonhardt 1. I. Prelude - Konrad Junghänel 2. II. Allemande - Konrad Junghänel 3. III. Courante - Konrad Junghänel 4. IV. Sarabande - Konrad Junghänel 5. V. Gavotte 1 - VI. Gavotte 2 en Rondeau - Konrad Junghänel 6. VII. Gigue - Konrad Junghänel 7. I. Prelude - Konrad Junghänel 8. II. Fuga - Konrad Junghänel 9. III. Sarabande - Konrad Junghänel 10. IV. Gigue - V. Double - Konrad Junghänel 11. Prelude for Lute in C Minor, BWV 999 - Konrad Junghänel 12. Fugue for Lute in G Minor, BWV 1000 - Konrad Junghänel 1. Prelude, Fugue and Allegro in E-Flat Major, BWV 998 - Konrad Junghänel 2. I. Praeludio (Passaggio - Presto) - Konrad Junghänel 3. II. Allemande - Konrad Junghänel 4. III. Courante - Konrad Junghänel 5. IV. Sarabande - Konrad Junghänel 6. V. Bourrée - Konrad Junghänel 7. VI. Gigue - Konrad Junghänel 8. I. Prelude - Konrad Junghänel 9. II. Loure - Konrad Junghänel 10. III. Gavotte en Rondeau - Konrad Junghänel 11. IV. Menuett 1 - V. Menuett 2 - Konrad Junghänel 12. VI. Bourrée - Konrad Junghänel 13. VII. Gigue - Konrad Junghänel 1. Herr, unser Herrscher (No. 1 Chor) - La Petite Bande 2. Jesus ging mit seinen Jüngern (No. 2a Rezitativ) - La Petite Bande 3. Jesum von Nazareth (No. 2b Chor) - La Petite Bande 4. Jesus spricht zu ihnen (No. 2c Rezitativ) - Jesum von Nazareth (No. 2d Chor) - La Petite Bande 5. Jesus anwortet (No. 2e Rezitativ) - La Petite Bande 6. No. 3, O große Lieb (Choral) - La Petite Bande 7. Auf daß das Wort erfüllt würde (No. 4 Rezitativ) - La Petite Bande 8. Dein Wille gescheh (No. 5 Choral) - La Petite Bande 9. Die Schar aber und der Oberhauptmann (No. 6 Rezitativ) - La Petite Bande 10. Von den Stricken meiner Sünden (No. 7 Arie) - La Petite Bande 11. Simon Petrus aber folgete (No. 8 Rezitativ) - La Petite Bande 12. Ich folge dir gleichfalls (No. 9 Arie) - La Petite Bande 13. Derselbige Jünger (No. 10 Rezitativ) - La Petite Bande 14. Wer hat dich so geschlagen (No. 11 Choral) - La Petite Bande 15. Und Hannas sandte ihn gebunden (No. 12a Rezitativ) - La Petite Bande 16. Bist du nicht seiner Jünger einer? (No. 12b Chor) - La Petite Bande 17. Er leugnete aber (No. 12c Rezitativ) - La Petite Bande 18. Ach, mein Sinn (No. 13 Arie) - La Petite Bande 19. Petrus, der nicht denkt zurück (No. 14 Choral) - La Petite Bande 20. Christus, der uns selig macht (No. 15 Choral) - La Petite Bande 21. Da führten sie Jesum (No. 16a Rezitativ) - La Petite Bande 22. Wäre dieser nicht ein Übeltäter (No. 16b Chor) - La Petite Bande 23. Da sprach Pilatus zu ihnnen (No. 16c Rezitativ) - La Petite Bande 24. Wir dürfen niemand töten (No. 16d Chor) - La Petite Bande 25. Auf daß erfüllet würde (No. 16e Rezitativ) - La Petite Bande 26. Ach großer König (No. 17 Choral) - La Petite Bande 27. Da sprach Pilatus zu ihm (No. 18a Rezitativ) - La Petite Bande 28. Nicht diesen, sondern Barrabam! (No. 18b Chor) - La Petite Bande 29. Barrabas aber war ein Mörder (No. 18c Rezitativ) - La Petite Bande 30. Betrachte, meine Seel (No. 19 Arioso) - La Petite Bande 31. Erwäge, wie sein blutiger Rücken (No. 20 Arie) - La Petite Bande 1. Und die Kriegsknechte flochten (No. 21a Rezitativ) - La Petite Bande 2. Sei gegrüßet, lieber Jüdenkönig! (No. 21b Chor) - La Petite Bande 3. Und gaben ihm Backenstreiche (No. 21c Rezitativ) - La Petite Bande 4. Kreuzige, kreuzige! (No. 21d Chor) - La Petite Bande 5. Pilatus sprach zu ihnen (No. 21e Rezitativ) - La Petite Bande 6. Wir haben ein Gesetz (No. 21f Chor) - La Petite Bande 7. Da Pilarut das Wort hörete (No. 21g Rezitativ) - La Petite Bande 8. Durch dein Gefängnis (No. 22 Choral) - La Petite Bande 9. Die Jüden aber schrieen (No. 23a Rezitativ) - La Petite Bande 10. Lässest du diesen los (No. 23b Chor) - La Petite Bande 11. Da Pilatus das Wort hörete (No. 23c Rezitativ) - La Petite Bande 12. Weg, weg mit dem (No. 23d Chor) - La Petite Bande 13. Spricht Pilatus zu ihnen (No. 23e Rezitativ) - La Petite Bande 14. Wir haben keinen König (No. 23f Chor) - La Petite Bande 15. Da überantwortete er ihn (No. 23g Rezitativ) - La Petite Bande 16. Eilt ihr angefochtnen Seelen (No. 24 Arie mit Chor) - La Petite Bande 17. Allda kreuzigten sie ihn (No. 25a Rezitativ) - La Petite Bande 18. Schreibe nicht: der Jüden König (No. 25b Chor) - La Petite Bande 19. Pilatus anwortet (No. 25c Rezitativ) - La Petite Bande 20. In meines Herzens Grunde (No. 26 Choral) - La Petite Bande 21. Dier Kriegsknechte aber (No. 27a Rezitativ) - La Petite Bande 22. Lasset uns den nicht zerteilen (No. 27b Chor) - La Petite Bande 23. Auf daß erfüllet würde die Schrift (No. 27c Rezitativ) - La Petite Bande 24. Er nahm alles wohl in acht (No. 28 Choral) - La Petite Bande 25. Und von Stund an (No. 29 Rezitativ) - La Petite Bande 26. Es ist vollbracht (No. 30 Arie) - La Petite Bande 27. Und neiget das Haupt und verschied (No. 31 Rezitativ) - La Petite Bande 28. Mein teurer Heiland (No. 32 Arie mit Chor) - La Petite Bande 29. Und siehe da (No. 33 Rezitativ) - La Petite Bande 30. Mein Herz (No. 34 Arioso) - La Petite Bande 31. Zerfließe mein Herze (No. 35 Arie) - La Petite Bande 32. Die Jüden aber, derweil es der Rüsttag war (No. 36 Rezitativ) - La Petite Bande 33. O hilf Christe (No. 37 Choral) - La Petite Bande 34. Darnach bat Pilatum (No. 38 Rezitativ) - La Petite Bande 35. Ruht wohl, ihr heiligen Gebeine (No. 39 Chor) - La Petite Bande 36. No. 40, Ach Herr, laß dein lieb Engelein (Choral) - La Petite Bande 1. Toccata in D minor, BWV 913 - Gustav Leonhardt 2. Liebster Jesu, wir sind hier, BWV 731 - Gustav Leonhardt 3. Christ lag in Todes Banden, BWV 718 - Gustav Leonhardt 4. Valet will ich dir geben, BWV 736 - Gustav Leonhardt 5. Lobt Gott, ihr Christen allzugleich, BWV 732 - Gustav Leonhardt 6. Kyrie Gott Vater in Ewigkeit, BWV 669 - Gustav Leonhardt 7. Christe, aller Welt Trost, BWV 670 - Gustav Leonhardt 8. Kyrie Gott heiliger Geist, BWV 671 - Gustav Leonhardt 9. Allein Gott in der Höh sei Ehr, BWV 675 - Gustav Leonhardt 10. Fughetta super "Allein Gott in der Höh' sei Ehr", BWV 677 - Gustav Leonhardt 11. Fughetta super "Dies sind die heilgen zehn Gebot", BWV 679 - Gustav Leonhardt 12. Fughetta super "Wir glauben all an einen Gott", BWV 681 - Gustav Leonhardt 13. Vater unser im Himmelreich, BWV 683 - Gustav Leonhardt 14. Christ, unser Herr, zum Jordan kam, BWV 684 - Gustav Leonhardt 15. Aus tiefer Not schrei' ich zu dir, BWV 687 - Gustav Leonhardt 16. Fuga super "Jesus Christus unser Heiland", BWV 689 - Gustav Leonhardt 17. Prelude and Fugue in E minor, BWV 533 - Gustav Leonhardt 1. Schweigt stille, plaudert nicht (Recitativo) - Collegium Aureum 2. Hat man nicht mit seinen Kindern (Aria) - Collegium Aureum 3. Du böses Kind, du loses Mädchen (Recitativo) - Collegium Aureum 4. Ei, wie schmeckt der Coffee süße (Aria) - Collegium Aureum 5. Wenn du mir nicht den Coffee läßt (Recitativo) - Collegium Aureum 6. Mädchen, die von harten Sinnen (Aria) - Collegium Aureum 7. Nun folge, was dein Vater spricht (Recitativo) - Collegium Aureum 8. Heute noch, heute noch (Aria) - Collegium Aureum 9. Nun geht und sucht der alte Schlendrian (Recitativo) - Collegium Aureum 10. Die Katze läßt das Mausen nicht (Coro) - Collegium Aureum 11. Sinfonia - Collegium Aureum 12. Mer han en neue Oberkeet (Duetto) - Collegium Aureum 13. Nu, Mieke, gib dein Guschel immer her (Recitativo) - Collegium Aureum 14. Ach es schmeckt doch gar zu gut (Aria) - Collegium Aureum 15. Der Herr ist gut (Recitativo) - Collegium Aureum 16. Ach Herr Schösser, geht nicht gar zu schlimm (Aria) - Collegium Aureum 17. Es bleibt dabei, daß unser Herr der beste sei (Recitativo) - Collegium Aureum 18. Unser trefflicher lieber Kammerherr (Aria) - Collegium Aureum 19. Er hilft uns allen, alt und jung (Recitativo) - Collegium Aureum 20. Das ist galant (Aria) - Collegium Aureum 21. Und unsre gnädige Frau ist nicht ein prinkel stolz (Recitativo) - Collegium Aureum 22. Fünfzig Taler bares Geld (Aria) - Collegium Aureum 23. Im Ernst ein Wort! (Recitativo) - Collegium Aureum 24. Klein Zschocher müsse so zart und süße (Aria) - Collegium Aureum 25. Das ist zu klug vor dich (Recitativo) - Collegium Aureum 26. Es nehme zehntausend Ducaten (Aria) - Collegium Aureum 27. Das klingt zu liederlich (Recitativo) - Collegium Aureum 28. Gib, Schöne, viel Söhne von artger Gestalt (Aria) - Collegium Aureum 29. Du hast wohl recht (Recitativo) - Collegium Aureum 30. Dein Wachstum sei feste und lache vor Lust (Aria) - Collegium Aureum 31. Und damit sei es auch genug (Recitativo) - Collegium Aureum 32. Und daß ihr's alle wißt (Aria) - Collegium Aureum 33. Mein Schatz, erraten! (Recitativo) - Collegium Aureum 34. Wir gehn nun, wo der Tudelsack (Coro) - Collegium Aureum 1. Weichet nur, betrübte Schatten (Aria) - Collegium Aureum 2. Die Welt wird wieder neu (Recitativo) - Collegium Aureum 3. Phöbus eilt mit schnellen Pferden (Aria) - Collegium Aureum 4. Drum sucht auch Amor sein Vergnügen (Recitativo) - Collegium Aureum 5. Wenn die Frühlingslüfte streichen (Aria) - Collegium Aureum 6. Und dieses ist das Glücke (Recitativo) - Collegium Aureum 7. Sich üben im Lieben (Aria) - Collegium Aureum 8. So sei das Band der keuschen Liebe (Recitativo) - Collegium Aureum 9. Sehet in Zufriedenheit (Aria) - Collegium Aureum 10. Sinfonia - Collegium Aureum 11. Non sa che sia dolore (Recitativo) - Collegium Aureum 12. Parti pur col dolore (Aria) - Collegium Aureum 13. Tuo saver al tempo e l'età (Recitativo) - Collegium Aureum 14. Recitti gramezza e pavento (Aria) - Collegium Aureum 1. Adagio - Sigiswald Kuijken 2. Fuga: Allegro - Sigiswald Kuijken 3. Siciliana - Sigiswald Kuijken 4. Presto - Sigiswald Kuijken 5. Allemanda - Sigiswald Kuijken 6. Double - Sigiswald Kuijken 7. Corrente - Sigiswald Kuijken 8. Double: Presto - Sigiswald Kuijken 9. Sarabande - Sigiswald Kuijken 10. Double - Sigiswald Kuijken 11. Tempo di Borea - Sigiswald Kuijken 12. Double - Sigiswald Kuijken 13. Grave - Sigiswald Kuijken 14. Fuga - Sigiswald Kuijken 15. Andante - Sigiswald Kuijken 16. Allegro - Sigiswald Kuijken 1. Allemanda - Sigiswald Kuijken 2. Corrente - Sigiswald Kuijken 3. Sarabande - Sigiswald Kuijken 4. Giga - Sigiswald Kuijken 5. Ciaccona - Sigiswald Kuijken 6. Adagio - Sigiswald Kuijken 7. Fuga - Sigiswald Kuijken 8. Largo - Sigiswald Kuijken 9. Allegro assai - Sigiswald Kuijken 10. Preludio - Sigiswald Kuijken 11. Loure - Sigiswald Kuijken 12. Gavotte en Rondeau - Sigiswald Kuijken 13. Menuet I & Menuet II - Sigiswald Kuijken 14. Bourée - Sigiswald Kuijken 15. Gigue - Sigiswald Kuijken 1. Praeludium - Franzjosef Maier 2. Aria allegro - Variatio - Franzjosef Maier 3. Finale - Franzjosef Maier 4. Sonata - Presto - Franzjosef Maier 5. Allemande - Franzjosef Maier 6. Presto - Franzjosef Maier 7. Sonata - Presto - Franzjosef Maier 8. Courante - Double - Franzjosef Maier 9. Adagio - Franzjosef Maier 10. Sonata No. 4 in D minor "Jesus, den du im Tempel aufgeopfert hast" - Jesu Darstellung im Tempel - Franzjosef Maier 11. Praeludium - Presto - Franzjosef Maier 12. Allemande - Franzjosef Maier 13. Gigue - Franzjosef Maier 14. Sarabande - Double - Franzjosef Maier 15. Lamento - Adagio - Franzjosef Maier 16. Presto - Adagio - Franzjosef Maier 17. Adagio - Franzjosef Maier 18. Allemande - Variatio - Franzjosef Maier 19. Sarabande - Variatio - Franzjosef Maier 20. Sonata: Adagio - Presto - Franzjosef Maier 21. Gigue - Double 1: Presto - Double 2 - Franzjosef Maier 22. Sonata - Franzjosef Maier 23. Courante - Double - Franzjosef Maier 24. Finale - Franzjosef Maier 1. Praeludium - Franzjosef Maier 2. Aria - Variatio - Franzjosef Maier 3. Sonata - "Surrexit Christus hodie" - Franzjosef Maier 4. Adagio - Franzjosef Maier 5. Intrada - Franzjosef Maier 6. Aria Tubicinum - Franzjosef Maier 7. Allemande - Franzjosef Maier 8. Courante - Double - Franzjosef Maier 9. Sonata - Franzjosef Maier 10. Gavotte - Franzjosef Maier 11. Gigue - Franzjosef Maier 12. Sarabande - Franzjosef Maier 13. Praeludium - Franzjosef Maier 14. Aria - Franzjosef Maier 15. Gigue - Franzjosef Maier 16. Sonata - Franzjosef Maier 17. Aria (con 3 Variationi) - Franzjosef Maier 18. Canzone - Franzjosef Maier 19. Sarabande - Franzjosef Maier 20. Sonata No. 16 in G Minor (Passacaglia) "Die Schutzengelsonate" - Franzjosef Maier 1. I. Allegro - Anner Bylsma 2. II. Adagio - Anner Bylsma 3. III. Allegro - Anner Bylsma 4. I. Allegro spiritoso - Jeanne Lamon 5. II. Andantino con moto - Jeanne Lamon 6. III. Allegro vivace assai - Jeanne Lamon 7. I. Allegro maestoso - Tafelmusik 8. II. Andante lentarello - Tafelmusik 9. III. Allegro e con moto - Tafelmusik 10. I. Andante sostenuto - Allegro assai - Jeanne Lamon 11. II. Andantino con moto - Jeanne Lamon 12. III. Andante sostenuto - Allegro assai, con moto - Jeanne Lamon 1. Passacaglia in D Minor, BuxWV 161 - Skip Sempé 2. Sonata in D Minor, Op. 1, No. 6, BuxWV 257 - Skip Sempé 3. Sonata in D major, BuxWV 267 (for Viola da gamba, Violone & Continuo) - Skip Sempé 4. Sonata in G minor, Op. 2/3, BuxWV 261 (for Violin, Viola da gamba & Continuo) - Skip Sempé 5. Ciacona in E Minor, BuxWV 160 (for 2 Harpsichords) - Skip Sempé 6. Sonata in F major, Op. 1/1, BuxWV 252 (for Violin, Viola da gamba & Continuo) - Skip Sempé 7. Sonata in C, BuxWV 266 (for 2 Violins, Viola da gamba & Continuo) - Skip Sempé 8. Mit Fried und Freud (Fried- und freudenreiche Hinfahrt), BuxWV 76 - Skip Sempé 9. Sonata in G major, Op. 1/2, BuxWV 253 (for Violin, Viola da gamba & Continuo) - Skip Sempé 1. Praeludium in E minor, BuxWV 143 - Lena Jacobson 2. Praeludium in F major, BuxWV 145 - Lena Jacobson 3. Praeludium in G minor, BuxWV 150 - Lena Jacobson 4. Komm, Heiliger Geist, Herre Gott, BuxWV 199 (Chorale Prelude in F major) - Lena Jacobson 5. Kommt her zu mir, spricht Gottes Sohn, BuxWV 201 (Chorale Prelude in G minor) - Lena Jacobson 6. Praeludium in D major, BuxWV 139 - Lena Jacobson 7. Praeludium in G minor, BuxWV 149 - Lena Jacobson 8. Nun lob, mein Seel, den Herren, BuxWV 213a b & c, 214, 215 (Chorale Preludes) - Lena Jacobson 9. Praeludium in D minor, BuxWV 140 - Lena Jacobson 1. Amor ch'attendi (1614) - Schola Cantorum Basiliensis 2. Amor, io parto (1601) - Schola Cantorum Basiliensis 3. Tu ch'hai le penne (1614) - Schola Cantorum Basiliensis 4. Non ha'l ciel (1614) - Schola Cantorum Basiliensis 5. Alme luci beate (1614) - Schola Cantorum Basiliensis 6. Vedrò 'l mio sol (1601) - Schola Cantorum Basiliensis 7. Tutto 'l dì piango (1614) - Schola Cantorum Basiliensis 8. Dolcissimo sospiro (1601) - Schola Cantorum Basiliensis 9. Dalla porta d'oriente (1614) - Schola Cantorum Basiliensis 10. Amarilli mia bella (1601) - Schola Cantorum Basiliensis 11. Movetevi à pietà (1601) - Schola Cantorum Basiliensis 12. Belle rose porporine (1601) - Schola Cantorum Basiliensis 13. Queste lagrim' amare (1601) - Schola Cantorum Basiliensis 14. Torna, deh torna (1614) - Schola Cantorum Basiliensis 15. Con le luci d'un bel ciglio (1614) - Schola Cantorum Basiliensis 1. I. Vivace - Allegro - Adagio - Tafelmusik 2. II. Allegro - Tafelmusik 3. III. Andante largo - Allegro - Tafelmusik 4. IV. Vivace - Tafelmusik 5. I. Preludio (Largo) - Tafelmusik 6. II. Allemanda (Allegro) - Tafelmusik 7. III. Corrente (Vivace) - Tafelmusik 8. IV. Gavotta (Allegro) - Tafelmusik 9. V. Adagio - Tafelmusik 10. VI. Minuetto (Vivace) - Tafelmusik 11. I. Largo - Allegro - Tafelmusik 12. II. Grave - Tafelmusik 13. III. Vivace - Tafelmusik 14. IV. Allegro - Tafelmusik 15. I. Largo - Allegro - Tafelmusik 16. II. Largo - Allegro - Tafelmusik 17. III. Largo - Allegro - Tafelmusik 18. IV. Allegro - Tafelmusik 19. I. Preludio (Andante largo) - Tafelmusik 20. II. Allemanda (Allegro) - Tafelmusik 21. III. Adagio - Andante largo - Tafelmusik 22. IV. Sarabanda (Largo) - Tafelmusik 23. V. Giga (Vivace) - Tafelmusik 24. I. Vivace - Grave - Tafelmusik 25. II. Allegro - Tafelmusik 26. III. Adagio - Allegro - Adagio - Tafelmusik 27. IV. Vivace - Tafelmusik 28. V. Allegro - Pastorale (Largo) - Tafelmusik 1. Praeter rerum seriem - Motet à 6 voix - Ensemble La Sestina 2. Benedicta es caelorum regina- Motet à 6 voix - Ensemble La Sestina 3. Musae Jovis - Motet à 4 voix - Ensemble La Sestina 4. Missa Benedicta es: Kyrie à 5 voix - Ensemble La Sestina 5. Magnificat secundi toni super Praeter rerum seriem à 6 voix - Ensemble La Sestina 6. Missa Benedicta es: Sanctus à 6 voix - Ensemble La Sestina 7. Missa Benedicta es: Agnus Dei à 4 voix - Ensemble La Sestina 8. Dum vastos Adriae - Motet à 5 voix - Ensemble La Sestina 9. Benedicta es caelorum regina - Motet à 12 voix - Ensemble La Sestina 10. Premier chant contre le cours des choses á 14 voix - Ensemble La Sestina 1. Canzon à 8, F 8.54 - Musica Fiata 2. Canzon Prima Basso Solo, F 8.06c - Musica Fiata 3. Canzon Quinta à 3, F 8.34c - Musica Fiata 4. Canzon Quinta à 4, F 8.47c - Musica Fiata 5. Toccata Decima, F 2.10 - Musica Fiata 6. Canzona Terza, F 8.05a, "La Donatina" - Musica Fiata 7. Canzona Terza à 2 Bassi, F 8.16c - Musica Fiata 8. Canzon Seconda à 4, F 8.38c - Musica Fiata 9. Toccata per Spinettina e Violino, F 8.49 - Musica Fiata 10. Canzona Decimanova à 2, F 8.20a, "La Capriola" - Musica Fiata 11. Canzona Nona à 2, F 8.10a , "La Gualterina" - Musica Fiata 12. Canzona Decima à 2, F 8.11a, "L'Henricuccia" - Musica Fiata 13. Capriccio sopra la Bassa Fiamenga, F. 4.05 - Musica Fiata 14. Canzona Vigesima à 2, F 8.21a, "La Lipparella" - Musica Fiata 15. Canzona Sesta, F 8.07a, "L'Altera" - Musica Fiata 16. Canzon Terza à 2, F 8.14c - Musica Fiata 17. Toccata Undecima, F 2.11 - Musica Fiata 18. Canzona Decimasettima à 2, F 8.18a, "La Diodata" - Musica Fiata 19. Canzona Seconda, F 8.02a, "La Bernadina" - Musica Fiata 20. Canzona Trigesimaprima à 4, F 8.36a, "L'Arnolfina" - Musica Fiata 1. Vuele, vuele feliz mariposa - Accentus Austria 2. Atención al retrato de Filis - Accentus Austria 3. Fuentecillas lisonjeras - Accentus Austria 4. O qué mal vamos Amor - Accentus Austria 5. Humano ardour - Accentus Austria 6. Pintar quiero una imagen - Accentus Austria 7. Mariposa no corras al fuego - Accentus Austria 8. Pajarillo que cantas ausente - Accentus Austria 9. Ay, ay, cruel delito - Accentus Austria 10. Pajarillo que al alba saludas - Accentus Austria 11. Ya los caballos de jazmín y rosa - Accentus Austria 12. Que ha de tener llegaré - Accentus Austria 1. Grave - Allegro moderato - Sigiswald Kuijken 2. Andante - Allegro - Sigiswald Kuijken 3. Andante - Sigiswald Kuijken 4. (Allegro) - Grave - Sigiswald Kuijken 5. Allegro - Sigiswald Kuijken 6. Grave - Sigiswald Kuijken 7. Allegro assai - Sigiswald Kuijken 8. Andante - Sigiswald Kuijken 9. Allegro - Sigiswald Kuijken 10. Theme and 23 Variations - Sigiswald Kuijken 11. Adagio - Sigiswald Kuijken 12. Vivace - Adagio - Sigiswald Kuijken 13. Adagio - Sigiswald Kuijken 14. Allegro - Sigiswald Kuijken 15. Andante moderato - Sigiswald Kuijken 16. Presto - Sigiswald Kuijken 17. Andante - Sigiswald Kuijken 18. Allegro - Sigiswald Kuijken 1. Gabriel archangelus, motet à 4 - Ensemble La Sestina 2. Kyrie from Missa L'homme armé à 4 - Ensemble La Sestina 3. Gloria from Missa L'homme armé à 4 - Ensemble La Sestina 4. In illo tempore, motet à 4 - Ensemble La Sestina 5. Credo from Missa L'homme armé à 4 - Ensemble La Sestina 6. Qué buen año, villanesca à 3 - Ensemble La Sestina 7. Ojos claros serenos, canción à 4 - Ensemble La Sestina 8. Vana speranca, canción à 4 - Ensemble La Sestina 9. Acabe de matarme, canción à 4 - Ensemble La Sestina 10. O Virgen, quand'os miro, canción à 3 - Ensemble La Sestina 11. Es menester que se acierte, villanesca à 3 - Ensemble La Sestina 12. Adiós, verde ribera, canción à 4 - Ensemble La Sestina 13. Virgo prudentissima, motet à 4 - Ensemble La Sestina 14. Sanctus-Benedictus from Missa L'homme armé à 4 - Ensemble La Sestina 15. Agnus Dei from Missa L'homme armé à 4 - Ensemble La Sestina 16. Sancta et immaculata, motet à 4 - Ensemble La Sestina 1. I. A tempo giusto - Collegium Aureum 2. II. Allegro - Collegium Aureum 3. III. Adagio - Collegium Aureum 4. IV. Allegro - Collegium Aureum 5. V. Allegro - Collegium Aureum 6. I. Andante larghetto - Collegium Aureum 7. II. Allegro - Collegium Aureum 8. III. Largo - Larghetto andante e piano - Collegium Aureum 9. IV. Allegro ma non troppo - Collegium Aureum 10. I. Larghetto - Collegium Aureum 11. II. Andante - Collegium Aureum 12. III. Allegro - Collegium Aureum 13. IV. Polonaise. Andante - Collegium Aureum 14. V. Allegro ma non troppo - Collegium Aureum 15. I. Larghetto affettuoso - Collegium Aureum 16. II. Allegro - Collegium Aureum 17. III. Largo - Collegium Aureum 18. IV. Allegro - Collegium Aureum 19. I. Larghetto e staccato - Collegium Aureum 20. II. Allegro - Collegium Aureum 21. III. Presto - Collegium Aureum 22. IV. Largo - Collegium Aureum 23. V. Allegro - Collegium Aureum 24. VI. Menuet. Un poco larghetto - Collegium Aureum 1. I. Largo affettuoso - Collegium Aureum 2. II. A tempo giusto - Collegium Aureum 3. III. Musette. Larghetto - Collegium Aureum 4. IV. Allegretto - Collegium Aureum 5. V. Allegro - Collegium Aureum 6. I. Largo - Collegium Aureum 7. II. Allegro - Collegium Aureum 8. III. Largo - Collegium Aureum 9. IV. Andante - Collegium Aureum 10. V. Hornpipe - Collegium Aureum 11. I. Allemande - Collegium Aureum 12. II. Grave - Collegium Aureum 13. III. Andante allegro - Collegium Aureum 14. IV. Adagio - Collegium Aureum 15. V. Siciliana. Andante - Collegium Aureum 16. VI. Allegro - Collegium Aureum 17. I. Largo - Collegium Aureum 18. II. Allegro - Collegium Aureum 19. III. Larghetto - Collegium Aureum 20. IV. Allegro - Collegium Aureum 21. V. Menuet - Collegium Aureum 22. VI. Gigue - Collegium Aureum 1. Ouverture - Collegium Aureum 2. Allegro - Collegium Aureum 3. Air: Lentement - Collegium Aureum 4. Allegro - Collegium Aureum 5. Allegro - Collegium Aureum 6. Allegro moderato - Collegium Aureum 7. Andante larghetto e staccato - Collegium Aureum 8. Allegro - Collegium Aureum 9. Largo e staccato - Collegium Aureum 10. Andante - Collegium Aureum 11. Allegro - Collegium Aureum 12. Largo - Collegium Aureum 13. Allegro - Collegium Aureum 14. Aria: Larghetto e piano - Collegium Aureum 15. Largo - Collegium Aureum 16. Allegro - Collegium Aureum 17. I. Allegro - Collegium Aureum 18. II. Largo - Collegium Aureum 19. III. Allegro - Collegium Aureum 20. IV. Andante, non presto - Collegium Aureum 1. Overture - Michael Schneider 2. Menuet - Michael Schneider 3. Hò perduto il caro sposo - Michael Schneider 4. Regina! - Michael Schneider 5. L'empio rigor del fato - Michael Schneider 6. Duca, vedesti mai più - Michael Schneider 7. E tanto da che sei Rè - Michael Schneider 8. Io già t'amai, ritrosa - Michael Schneider 9. E tu dice d'amarmi? - Michael Schneider 10. Lo farò, dirò speitato - Michael Schneider 11. Eduige, t'inganni - Michael Schneider 12. Di Cupido impiego i vanni - Michael Schneider 13. Pompe vane di morte! - Dove sei, amato bene! - Michael Schneider 14. Mà giunge Unulfo - Michael Schneider 15. Ombre, piante, urne funeste - Michael Schneider 16. Baci inutili e vani porgi - Michael Schneider 17. Morrai sì, l'empia - Michael Schneider 18. E ben, Duca, poss'io - Michael Schneider 19. Se per te giungo a godere - Michael Schneider 20. Unulfo, oh Dio! - Michael Schneider 21. Sono i colpi della sorte - Michael Schneider 22. Sì, l'infida consorte - Michael Schneider 23. Confusa si miri - Michael Schneider 1. Già perdesti, oh signora - Michael Schneider 2. Rodelinda, si mesta ritorni - Michael Schneider 3. De'miei scherni per far - Michael Schneider 4. Rodelinda, è pur ver? - Michael Schneider 5. Spietati, io vi giurai - Michael Schneider 6. Unulfo, Garibaldo - Michael Schneider 7. Prigioniera, hò l'alma - Michael Schneider 8. Massime così indegne - Michael Schneider 9. Tirannia gli diede il regno - Michael Schneider 10. Sì, sì fellon, t'intendo - Michael Schneider 11. Frà tempeste funeste - Michael Schneider 12. Con rauco mormorio piangono - Michael Schneider 13. Ah, nò; che non m'inganna - Michael Schneider 14. Scacciata dal suo nido - Michael Schneider 15. Vive il mio sposo? - Michael Schneider 16. Ritorna, oh caro e dolce - Michael Schneider 17. Ah! Sì, ecco lo sposo - Michael Schneider 18. Tuo drudo è mio rivale - Michael Schneider 19. Non ti bastò, consorte - Michael Schneider 20. Io t'abbraccio - Michael Schneider 1. Del german nel periglio - Michael Schneider 2. Un zeffiro spirò - Michael Schneider 3. Con opra giusta - Michael Schneider 4. Quanto più fiera tempesta - Michael Schneider 5. O falso è Bertarido - Michael Schneider 6. Trà sospetti, affetti - Michael Schneider 7. Chi die voi fù più infedele - Mà non che sò dal remoto - Michael Schneider 8. Non temere. Signore! - Michael Schneider 9. Se'l mio duol - Michael Schneider 10. Fatto inferno è il mio - Michael Schneider 11. Pastorello d'un povero - Michael Schneider 12. Che miro? amica sorte - Michael Schneider 13. Tu morrai, traditor! - Michael Schneider 14. Vivi tiranno! io t'ho - Michael Schneider 15. Dunque sei Bertarido? - Michael Schneider 16. Ecco ti innanzi il reo - Michael Schneider 17. Mio caro bene! - Michael Schneider 18. Sposa, figlio, sorella - Michael Schneider 19. Dopo la notte oscura - Michael Schneider 1. Allegro (Variant #11-1) - John Eliot Gardiner 2. Overture, Largo, Allegro - John Eliot Gardiner 3. Adagio E Staccato - John Eliot Gardiner 4. (Minuet) - John Eliot Gardiner 5. Andante - John Eliot Gardiner 6. Minuet (Reprise) - John Eliot Gardiner 7. Passepied - John Eliot Gardiner 8. Air - John Eliot Gardiner 9. Minuet - John Eliot Gardiner 10. Bourree - John Eliot Gardiner 11. Hornpipe - John Eliot Gardiner 12. (Andante) - John Eliot Gardiner 13. Alla Hornpipe (Variant '12) - John Eliot Gardiner 14. (Minuet) - John Eliot Gardiner 15. Rigaudon 1 & 2 - John Eliot Gardiner 16. Minuet 1 & 2 - John Eliot Gardiner 17. (Gigue) 1 & 2 - John Eliot Gardiner 18. (Allegro) - John Eliot Gardiner 19. Alla Hornpipe - John Eliot Gardiner 20. Minuet - John Eliot Gardiner 21. Lentement - John Eliot Gardiner 22. Bouree - John Eliot Gardiner 1. Largo - Karl Kaiser 2. Allegro - Karl Kaiser 3. Adagio - Karl Kaiser 4. Allegro - Karl Kaiser 5. Andante - Hans-Peter Westermann 6. Grave - Hans-Peter Westermann 7. Allegro - Hans-Peter Westermann 8. Largo - Karl Kaiser 9. Vivace - Karl Kaiser 10. Presto - Karl Kaiser 11. Adagio - Karl Kaiser 12. Alla breve - Karl Kaiser 13. Andante - Karl Kaiser 14. A tempo di Minuet - Karl Kaiser 15. Larghetto - Hans-Peter Westermann 16. Allegro - Hans-Peter Westermann 17. Adagio - Hans-Peter Westermann 18. Allegro - Hans-Peter Westermann 19. Grave - Karl Kaiser 20. Allegro - Karl Kaiser 21. Adagio - Karl Kaiser 22. Allegro - Karl Kaiser 23. (Larghetto) - Hans-Peter Westermann 24. Allegro - Hans-Peter Westermann 25. Adagio - Hans-Peter Westermann 26. Allegro (Bourée angloise) - Hans-Peter Westermann 27. Adagio - Karl Kaiser 28. Allegro - Karl Kaiser 29. Adagio - Karl Kaiser 30. Bourrée - Karl Kaiser 31. Menuetto - Karl Kaiser 32. Adagio - Hans-Peter Westermann 33. Allegro - Hans-Peter Westermann 34. Adagio - Hans-Peter Westermann 35. Bourrée - Hans-Peter Westermann 36. Menuetto - Hans-Peter Westermann 1. Recorder Sonata in D Minor, HWV 359a, "Fitzwilliam" - Camerata Köln 2. Recorder Sonata in B-Flat Major, HWV 377 - Camerata Köln 3. Recorder Sonata in G Minor, Op. 1 No. 2, HWV 360 - Camerata Köln 4. Recorder Sonata in A Minor, Op. 1 No. 4, HWV 362 - Camerata Köln 5. Recorder Sonata in C Major, Op. 1 No. 7, HWV 365 - Camerata Köln 6. Recorder Sonata in F Major, Op. 1 No. 11, HWV 369 - Camerata Köln 7. Recorder Sonata in G Major, HWV 358, "Fitzwilliam" - Camerata Köln 8. Trio Sonata for 2 Recorders & Continuo in F Major, HWV 405 - Camerata Köln 1. I. Moderato - Hidemi Suzuki 2. II. Adagio - Hidemi Suzuki 3. III. Allegro molto - Hidemi Suzuki 4. I. Allegro moderato - Hidemi Suzuki 5. II. Adagio - Hidemi Suzuki 6. III. Allegro - Hidemi Suzuki 7. I. Allegro - Ryo Terakado 8. II. Andante - Ryo Terakado 9. III. Allegro con spirito - Ryo Terakado 1. Die Vorstellung des Chaos - Thomas Hengelbrock 2. Im Anfange schuf Gott Himmel und Erde (Rec. acc.) - Thomas Hengelbrock 3. Nun schwanden vor dem heiligen Strahle (Aria) - Thomas Hengelbrock 4. Und Gott machte das Firmament (Rec.) - Thomas Hengelbrock 5. Mit Staunen sieht das Wunderwerk - Thomas Hengelbrock 6. Und Gott sprach: Es sammle sich das Wasser (Rec.) - Thomas Hengelbrock 7. Rollend in schäumenden Wellen (Aria) - Thomas Hengelbrock 8. Und Gott sprach: Es bringe die Erde Gras hervor (Rec.) - Thomas Hengelbrock 9. Nun beut die Flur das frische Grün (Aria) - Thomas Hengelbrock 10. Und die himmlischen Heerscharen verkündigten den dritten Tag (Rec.) - Thomas Hengelbrock 11. Stimmt an die Saiten, ergreift die Leyer - Thomas Hengelbrock 12. Und Gott sprach: Es seyn Lichter an der Feste des Himmels (Rec.) - Thomas Hengelbrock 13. In vollem Glanze steiget jetzt die Sonne strahlend auf (Rec. acc.) - Thomas Hengelbrock 14. Die Himmel erzählen die Ehre Gottes... Dem kommenden Tage sagt es der Tag - Thomas Hengelbrock 15. Und Gott sprach: Es bringe das Wasser in der Fülle hervor (Rec. acc.) - Thomas Hengelbrock 16. Auf starkem Fittiche schwinget sich (Aria) - Thomas Hengelbrock 17. Und Gott schuf große Walfische (Rec.) - Thomas Hengelbrock 18. Und die Engel rührten ihr' unsterblichen Harfen (Rec.) - Thomas Hengelbrock 19. In holder Anmut steh'n, mit jungem Grün geschmückt... Der Herr ist groß in seiner Macht - Thomas Hengelbrock 20. Und Gott sprach: Es bringe die Erde hervor (Rec.) - Thomas Hengelbrock 21. Gleich öffnet sich der Erde Schoß (Rec. acc.) - Thomas Hengelbrock 22. Nun scheint in vollem Glanze der Himmel (Aria) - Thomas Hengelbrock 23. Und Gott schuf den Menschen nach seinem Ebenbilde (Rec.) - Thomas Hengelbrock 24. Mit Würd' und Hoheit angetan (Aria) - Thomas Hengelbrock 25. Und Gott sah jedes Ding, was er gemacht hatte (Rec.) - Thomas Hengelbrock 26. Vollendet ist das große Werk... Zu dir, o Herr, blickt alles auf - Thomas Hengelbrock 1. Aus Rosenwolken bricht, geweckt durch süßen Klang (Rec. acc.) - Thomas Hengelbrock 2. Von deiner Güt', o Herr und Gott... Gesegnet sei des Herren Macht! - Thomas Hengelbrock 3. Nun ist die erste Pflicht erfüllt (Rec.) - Thomas Hengelbrock 4. Holde Gattin! Dir zur Seite (Duet) - Thomas Hengelbrock 5. O glücklich Paar! Und glücklich immerfort! (Rec.) - Thomas Hengelbrock 6. Singt dem Herren, alle Stimmen - Thomas Hengelbrock 1. Adagio - Allegro - Sigiswald Kuijken 2. Andante - Sigiswald Kuijken 3. Menuetto - Trio - Sigiswald Kuijken 4. Finale. Vivace assai - Sigiswald Kuijken 5. I. Adagio - Vivace - Sigiswald Kuijken 6. II. Adagio ma non troppo - Sigiswald Kuijken 7. III. Menuetto. Allegretto - Trio - Sigiswald Kuijken 8. IV. Finale. Spirituoso - Sigiswald Kuijken 9. I. Adagio - Allegro - Sigiswald Kuijken 10. II. Adagio cantabile - Sigiswald Kuijken 11. III. Menuetto - Trio - Sigiswald Kuijken 12. IV. Finale. Presto - Sigiswald Kuijken 1. I. Adagio - Vivace - Collegium Aureum 2. II. Romance. Allegretto - Collegium Aureum 3. III. Menuetto - Collegium Aureum 4. IV. Finale. Presto - Collegium Aureum 5. I. Allegro - Collegium Aureum 6. II. Andante - Collegium Aureum 7. III. Menuet - Collegium Aureum 8. IV. Finale. Vivace - Collegium Aureum 9. I. Vivace - Collegium Aureum 10. II. Allegretto - Collegium Aureum 11. III. Menuet - Collegium Aureum 12. IV. Finale. Vivace assai - Collegium Aureum 1. Non hay otras iras que deban temerse - Al Ayre Español 2. Ay de aquel que desprecia! - Al Ayre Español 3. Suspende las iras - Al Ayre Español 4. Sientan los que sienten - Al Ayre Español 5. Muda copia - Al Ayre Español 6. Pues que Polifemo - Al Ayre Español 7. Confiado jilguerillo - Al Ayre Español 8. Divina Galatea - Al Ayre Español 9. Joven galán - Al Ayre Español 10. Con que en tu nobleza...? - Al Ayre Español 11. Al aire de los suspiros - Al Ayre Español 12. Estrafalaria deidad - Al Ayre Español 13. Ayer, cuando la tarde - Al Ayre Español 14. Dulce Galatea - Al Ayre Español 15. Estos duces cánticos - Al Ayre Español 16. Ten el acento! - Al Ayre Español 17. Al ameno silencio - Al Ayre Español 18. Qué poco a asustar llega - Al Ayre Español 19. Aunque contra mí indignado - Al Ayre Español 20. Huid de las iras del monstruo indignado - Al Ayre Español 21. Qué demonios es esto? - Al Ayre Español 22. Qzeda en paz - Al Ayre Español 23. Númenes del mar sagrado - Al Ayre Español 24. Acis dichoso - Al Ayre Español 25. Viva quien hace siglos de dichas sus anos - Al Ayre Español 1. No. 1 in D Major - Freiburger Barockorchester 2. No. 2 in F Major - Freiburger Barockorchester 3. I. Adagio - Freiburger Barockorchester 4. II. Allegro - Freiburger Barockorchester 5. III. Presto - Lento - Presto - Freiburger Barockorchester 6. No. 3 in B-Flat Major - Freiburger Barockorchester 7. No. 4 in G Major - Freiburger Barockorchester 8. I. Largo - Andante - Freiburger Barockorchester 9. II. Allegro - Freiburger Barockorchester 10. III. Allegro - Freiburger Barockorchester 11. No. 5 in D Major - Freiburger Barockorchester 12. I. Cantabile - Freiburger Barockorchester 13. II. Allegro - Freiburger Barockorchester 14. III. Vivace - Freiburger Barockorchester 15. No. 6 in C Major - Freiburger Barockorchester 1. Ouverture d'Amadis - Capriccio Stravagante 2. Répands charmante nuit - Capriccio Stravagante 3. Récit d'Orphée - Capriccio Stravagante 4. Entrée pour Bacchus et Ariadne - Capriccio Stravagante 5. Rochers vous etes sourds - Capriccio Stravagante 6. Plainte de Vénus sur la mort d'Adonis - Capriccio Stravagante 7. Dieu des enfers - Capriccio Stravagante 8. Ouverture de Psyché - Capriccio Stravagante 9. Plainte italienne - Capriccio Stravagante 10. Chaconne d'Amadis - Capriccio Stravagante 11. Entrée d'Apollon - Capriccio Stravagante 12. Si l'amour vous soumet - Capriccio Stravagante 13. Enfin il est en ma puissance - Capriccio Stravagante 14. Air pour les démons et les monstres - Capriccio Stravagante 15. Passacaille d'Armide - Capriccio Stravagante 1. I. Allegro con spirito - La Floridiana 2. II. Andante ma non troppo - La Floridiana 3. III. Allegro spiritoso - La Floridiana 4. I. Ah troppo è ver! (Rec) - Nuria Rial 5. II. Sol che un istante (Aria) - Nuria Rial 6. III. Nè sol, quando la miro (Rec) - Nuria Rial 7. IV. Bella fiamma del mio core (Aria) - Nuria Rial 8. I. Allegro - Nicoleta Paraschivescu 9. II. Andante - Nicoleta Paraschivescu 10. III. Allegro - Nicoleta Paraschivescu 11. I. Allegro - Nicoleta Paraschivescu 12. II. Adagio - Nicoleta Paraschivescu 13. III. Tempo di Minuetto - Nicoleta Paraschivescu 14. I. Berenice, ah che fai (Rec) - Nuria Rial 15. II. Non partir, bell'idol mio (Aria) - Nuria Rial 16. III. Me infelice! (Rec) - Nuria Rial 17. IV. Perché, se tanti siete (Aria) - Nuria Rial 1. I. Poco vivace - The Age of Passions 2. II. Siciliana - The Age of Passions 3. III. Menuet - The Age of Passions 4. IV. Arietta allegretto - The Age of Passions 5. I. Entrée - The Age of Passions 6. II. Ballo - The Age of Passions 7. III. Siciliano arioso - The Age of Passions 8. IV. Menuet - The Age of Passions 9. I. Andante - The Age of Passions 10. II. Aria adagio - The Age of Passions 11. III. Menuet - The Age of Passions 12. IV. Allegro - The Age of Passions 13. I. Capricio - The Age of Passions 14. II. Scherzo - The Age of Passions 15. III. Menuet - The Age of Passions 16. IV. Areitta - The Age of Passions 17. I. Andante - The Age of Passions 18. II. Vivace - The Age of Passions 19. III. Menuet - The Age of Passions 20. IV. Arietta - The Age of Passions 21. I. Allemande - The Age of Passions 22. II. Siciliana - The Age of Passions 23. III. Menuet - The Age of Passions 24. IV. Vivace arioso - The Age of Passions 25. I. Allegrino - The Age of Passions 26. II. Grazioso - The Age of Passions 1. I. Allegro - Mozart Trio, Salzburg 2. II. Andante - Mozart Trio, Salzburg 3. III. Menuetto 1 - Mozart Trio, Salzburg 4. IV. Menuetto 2 - Mozart Trio, Salzburg 5. I. Andante - Mozart Trio, Salzburg 6. II. Allegro - Mozart Trio, Salzburg 7. III. Menuetto - Mozart Trio, Salzburg 8. I. Andante - Mozart Trio, Salzburg 9. II. Allegro - Mozart Trio, Salzburg 10. I. Allegro - Mozart Trio, Salzburg 11. II. Andante - Mozart Trio, Salzburg 12. III. Menuetto 1 & 2 - Mozart Trio, Salzburg 13. I. Allegro - Mozart Trio, Salzburg 14. II. Allegro - Mozart Trio, Salzburg 15. III. Menuetto 1 & 2 en Carillon - Mozart Trio, Salzburg 16. I. Andante maestoso - Mozart Trio, Salzburg 17. II. Allegro grazioso - Mozart Trio, Salzburg 18. I. Allegro assai - Mozart Trio, Salzburg 19. II. Adagio - Mozart Trio, Salzburg 20. III. Rondeau. Tempo di Minuetto - Mozart Trio, Salzburg 1. Overture (Symphony in E-Flat Major, K. 184) - Nikolaus Harnoncourt 2. Jetzt hören Sie doch auf! (Einleitung) - Tobias Moretti 3. Brüder lasst uns lustig sein (No. 1 Chor der vier Sklaven) - Nikolaus Harnoncourt 4. Unerforschliche Fügung (No. 2 Melologo) - Nikolaus Harnoncourt 5. Dieser ohnmächtige, kraftlose, matte Gomatz (Zwischentext) - Tobias Moretti 6. Ruhe sanft, mein holdes Leben (No. 3 Aria) - Nikolaus Harnoncourt 7. Rase, Schicksal, wüte immer (No. 4 Aria) - Nikolaus Harnoncourt 8. Zaide hat ihn natürlich heimlich beobachtet (Zwischentext) - Tobias Moretti 9. Meine Seele hüpft vor Freuden (No. 5 Duetto) - Nikolaus Harnoncourt 10. Die beiden haben ein Glück (Zwischentext) - Tobias Moretti 11. Herr und Freund, wie dank ich dir (No. 6 Aria) - Nikolaus Harnoncourt 12. Und in Allazim entbrennt nun auch ein Kampf (Zwischentext) - Tobias Moretti 13. Nur mutig mein Herze (No. 7 Aria) - Nikolaus Harnoncourt 14. Zaide ist jetzt wieder dazugekommen (Zwischentext) - Tobias Moretti 15. O selige Wonne (No. 8 Terzetto) - Nikolaus Harnoncourt | 1. Und wie's der Teufel halt so will (Zwischentext) - Tobias Moretti 2. Zaide entflohen (No. 9 Melologo ed Aria) - Nikolaus Harnoncourt 3. Natürlich ist auch Soliman, wie alle Reichen (Zwischentext) - Tobias Moretti 4. Wer hungrig bei der Tafel sitzt (No. 10 Aria) - Nikolaus Harnoncourt 5. Für Soliman ist der Fall klar (Zwischentext) - Tobias Moretti 6. Ich bin so bös als gut (No. 11 Aria) - Nikolaus Harnoncourt 7. Jetzt wird es für Zaide eng (Zwischentext) - Tobias Moretti 8. Treulos schluchzet Philomene (No. 12 Aria) - Nikolaus Harnoncourt 9. Jetzt dreht sich's um: Zaide weint, schluchzt, klagt (Zwischentext) - Tobias Moretti 10. Tiger! Wetze nur die Klauen (No. 13 Aria) - Nikolaus Harnoncourt 11. Allazim stößt ins gleiche Horn (Zwischentext) - Tobias Moretti 12. Ihr Mächtigen seht ungerührt (No. 14 Aria) - Nikolaus Harnoncourt 13. Das letzte Quartett! (Zwischentext) - Tobias Moretti 14. Freundin stille deine Tränen (No. 15 Quartetto) - Nikolaus Harnoncourt 15. Und hier, am tiefsten Punkte des Konflikts (Schluss) - Tobias Moretti 1. Con che soavità, labbra odorate (Madrigali Libro 7 B, No. 24) - Skip Sempé 2. Sonata 15 - Skip Sempé 3. Ohimè ch'io cado (Madrigali Libro 9) - Skip Sempé 4. Chiaccona à 2 - Skip Sempé 5. Toccata undecima (Libro di Toccate e Partite, Book 1) - Skip Sempé 6. Canzon à doi soprani in echo proposta - Skip Sempé 7. Tempro la cetra (Madrigali Libro 7 A, No. 2) - Skip Sempé 8. Toccata nona in A (Libro di Toccate e Partite, Book 1) - Skip Sempé 9. Et è pur dunque vero (Madrigali Libro 10) - Skip Sempé 10. Passacaglia - Skip Sempé 11. Sinfonia - Skip Sempé 12. Ecco di dolci raggi (Madrigali Libro 10) - Skip Sempé 13. Se vittorie si belle (Madrigali Libro 8 A) - Skip Sempé 14. Zefiro torna e'bel tempo rimena (Madrigali Libro 6 A) - Skip Sempé 15. Si dolce è il tormento (Madrigal) - Skip Sempé 1. Deus in adiutorium Domine ad adjuvandum (Intonatio) - Cantus Cölln 2. Dixit Dominus - Cantus Cölln 3. Nigra sum - Cantus Cölln 4. Laudate pueri - Cantus Cölln 5. Pulchra es - Cantus Cölln 6. Laetatus sum - Cantus Cölln 7. Duo Seraphim - Cantus Cölln 8. Nisi Dominus - Cantus Cölln 9. Audi coelum - Cantus Cölln 10. Lauda Jerusalem - Cantus Cölln 1. Sonata à 8 sopra "Sancta Maria ora pro nobis" - Cantus Cölln 2. Ave maris stella (Hymnus à 8) - Cantus Cölln 3. Magnificat - Cantus Cölln 4. Et exultavit - Cantus Cölln 5. Quia respexit - Cantus Cölln 6. Quia fecit mihi magna - Cantus Cölln 7. Et misericordia - Cantus Cölln 8. Fecit potentiam - Cantus Cölln 9. Deposuit potentes - Cantus Cölln 10. Esurientis implevit bonis - Cantus Cölln 11. Suscepit Israel - Cantus Cölln 12. Sicut locutus est - Cantus Cölln 13. Gloria patri - Cantus Cölln 14. Sicut erat in principio - Cantus Cölln 1. Miserere mei Deus - Eduardo López Banzo 2. Et secundum multitudinem (plain chant) - Eduardo López Banzo 3. Amplius lava me - Eduardo López Banzo 4. Quoniam iniquitatem (plain chant) - Eduardo López Banzo 5. Tibi soli peccavi - Eduardo López Banzo 6. Ecce enim in iniquitatibus (plain chant) - Eduardo López Banzo 7. Ecce enim veritatem - Eduardo López Banzo 8. Asperges me (plain chant) - Eduardo López Banzo 9. Auditui meo - Eduardo López Banzo 10. Averte faciem (plain chant) - Eduardo López Banzo 11. Cor mundum crea - Eduardo López Banzo 12. Ne projicias me (plain chant) - Eduardo López Banzo 13. Redde mihi - Eduardo López Banzo 14. Docebo (plain chant) - Eduardo López Banzo 15. Libera me - Eduardo López Banzo 16. Domine, labia mea aperies (plain chant) - Eduardo López Banzo 17. Quoniam si voluisses - Eduardo López Banzo 18. Sacrificium Deo - Eduardo López Banzo 19. Benigne fac (plain chant) - Eduardo López Banzo 20. Tunc acceptabis - Eduardo López Banzo 21. Tunc imponent - Eduardo López Banzo 22. Allegro cantabile - Eduardo López Banzo 23. Recitado: Yo soy, tyrana - Eduardo López Banzo 24. Area a dúo: Ha, ingrato - Eduardo López Banzo 1. Jauchzet dem Herrn - Cantus Cölln 2. Nun danket alle Gott - Cantus Cölln 3. Exsurgat Deus - Cantus Cölln 4. Fürchte dich nicht - Cantus Cölln 5. Der Gerechte - Cantus Cölln 6. Tröste uns Gott - Cantus Cölln 7. Magnificat - Cantus Cölln 8. Der Herr ist König - Cantus Cölln 9. Ich lasse dich nicht - Cantus Cölln 10. Gott ist unser Zuversicht - Cantus Cölln 11. Paratum Cor Meum Deus - Cantus Cölln 12. Der Herr ist König - Cantus Cölln 13. Halt, was du hast - Cantus Cölln 14. Fürchtet euch nicht - Cantus Cölln 15. Singet dem Herrn - Cantus Cölln 16. Jauchzet Gott alle Lande - Cantus Cölln 1. Prelude in g - Hornpipe in g - Thomas Hengelbrock 2. Air in B - Rondeau in B - Thomas Hengelbrock 3. Overture in D - Thomas Hengelbrock 4. Prelude in C - Entry Dance in C - Dance for the Fairies in G - Thomas Hengelbrock 5. Overture in g (Symphony while the swans come forward) - Air in G (Song: If love's s sweet passion) - Prelude in g - Thomas Hengelbrock 6. Hornpipe in d - Thomas Hengelbrock 7. Symphony - Thomas Hengelbrock 8. Overture in c - Air in c (Song: Peace and I are Strangers grown) - The Triumphing Dance in C - Thomas Hengelbrock 9. Ritornelle in D Major - Air - Dance in D Major - Thomas Hengelbrock 10. Echo Dance of Furies in F - Thomas Hengelbrock 11. The Sailors' Dance in B - Thomas Hengelbrock 12. The Witches' Dance in B - Thomas Hengelbrock 13. Chacony - Thomas Hengelbrock 14. Overture - Thomas Hengelbrock 15. Symphony - Air - Hornpipe - Thomas Hengelbrock 16. Air - Song Tune - Thomas Hengelbrock 17. Symphony - Trumpet Tune - Thomas Hengelbrock 18. Frost Dance - Hornpipe - Thomas Hengelbrock 19. Passacaglia - Thomas Hengelbrock 20. Overture in d - Thomas Hengelbrock 21. Rondeau in d - Thomas Hengelbrock 22. Aire in D - Aire in G - Thomas Hengelbrock 23. Minuet in G - Aire in g - Thomas Hengelbrock 24. Jigg in g - Thomas Hengelbrock 25. Hornpipe in B - Aire in g - Thomas Hengelbrock 1. Ouverture - Collegium Aureum 2. Entrée des quatres nations - Collegium Aureum 3. Menuet I et II - Collegium Aureum 4. Forlane - Collegium Aureum 5. Rondeau - Danse du calumet de la paix executée par les sauvages - Collegium Aureum 6. Air pour les amours - Collegium Aureum 7. Contre-Danse - Collegium Aureum 8. Air pour les persans - Collegium Aureum 9. Air vif pour Zéphire et la rose - Collegium Aureum 10. Air pour Borée et la rose - Collegium Aureum 11. Air des fleurs - Collegium Aureum 12. Air tendre pour la rose - Collegium Aureum 13. Gavotte pour les fleurs - Collegium Aureum 14. Tambourin - Collegium Aureum 15. Chaconne - Collegium Aureum 16. Ouverture (lent et majesteux; vite) - Collegium Aureum 17. Marche pour les différentes nations (gai) - Collegium Aureum 18. Menuet tendre en Rondeau (modéré) - Collegium Aureum 19. Tambourin I et II - Collegium Aureum 20. Air vif - Collegium Aureum 21. Rigaudon I et II - Collegium Aureum 22. Air en Rondeau (gaiment) - Collegium Aureum 23. Entrée (gracieusement et un peu gai) - Collegium Aureum 24. Sommeil (Rondeau tendre) - Collegium Aureum 25. Tambourin I et II - Collegium Aureum 26. Chaconne - Collegium Aureum 1. Ouverture - La Petite Bande 2. A l'heureux Abramane - La Petite Bande 3. Princesse, aver Phoerés - La Petite Bande 4. Rassurez-vous tendre Amélite - La Petite Bande 5. Air tendre en Rondeau - La Petite Bande 6. L'amour pour un coeur - La Petite Bande 7. Gavotte tendre - La Petite Bande 8. Cher Zoroastre hélas! - La Petite Bande 9. Gavotte en rondeau I/II/I - Air leger - La Petite Bande 10. Les rayons du soleil - La Petite Bande 11. C'est vous, chère Erinice? - La Petite Bande 12. Entr'acte - La Petite Bande 13. A mes tristes regards - La Petite Bande 14. Dans cet azile favorable - La Petite Bande 15. Aux accens de ma voix cieux - La Petite Bande 16. Enchantemens: Sarabande - Air un peu gay & bien piqué - Gavotte gaye I/II/I - La Petite Bande 17. Zoroastre vole à la gloire - La Petite Bande 18. Envain l'innocence crie - La Petite Bande 19. Hélas! Je bravois son courroux - La Petite Bande 1. Le ciel, qu'ont attendri mes pleurs - La Petite Bande 2. Entrée des Peuples - Air majestueux - La Petite Bande 3. Ah! Que l'absence est un cruel tournement! - La Petite Bande 4. Menuett I/II/I - La Petite Bande 5. Non, ce n'est pas toujours - La Petite Bande 6. Rigaudon I/II/I - La Petite Bande 7. Cessés de redouter des prêstres criminels - La Petite Bande 8. Entr'acte - La Petite Bande 9. Arrestés. Moderés cette fureur extrême - La Petite Bande 10. Osons achever de grands crimes - La Petite Bande 11. Sommeil fu de ce séjour - La Petite Bande 12. Sommeil fui de ce séjour - La Petite Bande 13. Entrée de Peuples differents - La Petite Bande 14. Mille rayons brillans - La Petite Bande 15. Loure - La Petite Bande 16. Accourées jeunesse brillante - La Petite Bande 17. Entrée des montagnards - La Petite Bande 18. Gigue vive - La Petite Bande 19. Sur nos coeurs épuise tes armes - La Petite Bande 20. Tambourin en Rondeau - La Petite Bande 21. Hâtons notre bonheur - La Petite Bande 22. Entr'acte - La Petite Bande 1. Cruels tyrans, qui regnés dans mon coeur - La Petite Bande 2. Votre ennemi triomphe - La Petite Bande 3. Air grave - La Petite Bande 4. A ta voix nous quittons - La Petite Bande 5. Ballet - Air grave - La Petite Bande 6. Vengez-vous, cessez de souffrir - La Petite Bande 7. Ballet: Air vif - La Petite Bande 8. La flamme le consume! - La Petite Bande 9. Air très vif - La Petite Bande 10. Ah! Nos fureurs ne sont point vaines - La Petite Bande 11. Entr'acte - Air très vif - La Petite Bande 12. Quel tourment! - La Petite Bande 13. Il approche - La Petite Bande 14. Q'ue la fière Erinice triomphe - La Petite Bande 15. Par un dernier revers - La Petite Bande 16. Ballet: Air majestueux - La Petite Bande 17. Air en rondeau - Mouvement de Chaconne - La Petite Bande 18. Que ces noeuds sont charmans! - La Petite Bande 19. Entrées des Bergers, Pastres, Peuples etc. - Andante - La Petite Bande 20. L'amour vole au son des hautbois - La Petite Bande 21. Ballet: Première Gavotte - Vive . Deuxième Gavotte . Première Gavotte - Vive - La Petite Bande 1. Praeludium - Konrad Junghänel 2. Paduana - Konrad Junghänel 3. Allemanda - Konrad Junghänel 4. Couranta - Konrad Junghänel 5. Sarabanda - Konrad Junghänel 6. Gavotte - Konrad Junghänel 7. Gigue - Konrad Junghänel 8. Allemanda - Konrad Junghänel 9. Courant - Konrad Junghänel 10. Sarabanda - Konrad Junghänel 11. Gavotte - Konrad Junghänel 12. Gigue - Konrad Junghänel 13. Sonatina - Konrad Junghänel 14. Allemanda - Konrad Junghänel 15. Courant - Konrad Junghänel 16. Sarabanda - Konrad Junghänel 17. Gavotte - Konrad Junghänel 18. Gigue - Konrad Junghänel 19. Passacaglia - Konrad Junghänel 20. Allemanda - Konrad Junghänel 21. Courant - Konrad Junghänel 22. Sarabanda - Konrad Junghänel 23. Aria I - Konrad Junghänel 24. Aria II - Konrad Junghänel 25. Ballett - Konrad Junghänel 26. Gigue - Konrad Junghänel 27. Paduana - Konrad Junghänel 28. Allemanda - Konrad Junghänel 29. Couranta - Konrad Junghänel 30. Sarabanda - Konrad Junghänel 31. Gigue - Konrad Junghänel 32. Allemanda - Konrad Junghänel 33. Couranta - Konrad Junghänel 34. Sarabanda - Konrad Junghänel 35. Gigue - Konrad Junghänel 1. Passio Domini nostri - Huelgas Ensemble 2. Intermedium I: Ad te levavi oculos - Huelgas Ensemble 3. Adducunt ergo Jesum - Huelgas Ensemble 4. Intermedium II: Instrumental - Huelgas Ensemble 5. Susceperunt autem Jesu - Huelgas Ensemble 6. Intermedium III: Agnus Dei - Huelgas Ensemble 7. Judaei ergo quoniam parasceve erat - Huelgas Ensemble 1. Beatus vir - Cantus Cölln 2. Magnificat - Cantus Cölln 3. Benedicam Dominum - Cantus Cölln 4. De profundis - Cantus Cölln 5. Confitebor - Cantus Cölln 6. Gloria - Cantus Cölln 1. O Amarilli zart - Cantus Cölln 2. Aurora schön mit ihrem Haar - Cantus Cölln 3. Frischauf, ihr Klosterbrüder mein - Cantus Cölln 4. Ringsum mich schwebet Traurigkeit - Cantus Cölln 5. Als Filli schön und fromm - Cantus Cölln 6. In Filli schönen Äugelein - Cantus Cölln 7. O Scheiden. o bitter Scheiden - Cantus Cölln 8. Unlängst dem blinden Göttelein - Cantus Cölln 9. Wie kömmt's o zarte Filli mein - Cantus Cölln 10. Kickehihi, kakakanei - Cantus Cölln 11. Cupido blind, das Venuskind - Cantus Cölln 12. Wenn Filli ihre Liebesstrahl - Cantus Cölln 13. O Amarilli, schönste Zier - Cantus Cölln 14. Heulen und schmerzlichs Weinen - Cantus Cölln 15. All wilden Tier in grünen Wald - Cantus Cölln 16. O, Venus und Cupido blind - Cantus Cölln 17. Amor, das liebe Räuberlein - Cantus Cölln 18. O seidene Härelein - Cantus Cölln 19. Ihr Brüder, lieben Brüder mein - Cantus Cölln 20. Mirtillo hat ein Schäfelein - Cantus Cölln 21. Die Vöglein singen - Cantus Cölln 22. Mein Schifflein lief im wilden Meer - Cantus Cölln 1. O primavera, gioventù de l'anno, SWV 1 - The Consort of Musicke 2. O dolcezze amarissime d'amore, SWV 2 - The Consort of Musicke 3. Selve beate, se sospirando, SWV 3 - The Consort of Musicke 4. Alma afflitta, che fai?, SWV 4 - The Consort of Musicke 5. Così morir debb'io, SWV 5 - The Consort of Musicke 6. D'orrida selve alpina, SWV 6 - The Consort of Musicke 7. Ride la primavera, SWV 7 - The Consort of Musicke 8. Fuggi, fuggi o mio core, SWV 8 - The Consort of Musicke 9. Feritevi, ferite, viperette mordaci, SWV 9 - The Consort of Musicke 10. Fiamma ch'allaccia, SWV 10 - The Consort of Musicke 11. Quella dama son io, SWV 11 - The Consort of Musicke 12. Mi saluta costei, SWV 12 - The Consort of Musicke 13. Io moro, ecco ch'io moro, SWV 13 - The Consort of Musicke 14. Sospir che del bel petto, SWV 14 - The Consort of Musicke 15. Dunque addio, care selve, SWV 15 - The Consort of Musicke 16. Tornate, o cari baci, SWV 16 - The Consort of Musicke 17. Di marmo siete voi, SWV 17 - The Consort of Musicke 18. Giunto è pur, Lidia, SWV 18 - The Consort of Musicke 19. Vasto mar, nel cui seno, SWV 19 - The Consort of Musicke 1. Auf dich, Herr, traue ich, SWV 462 - Cantus Cölln 2. Herr, wer wird wohnen in deiner Hütten, SWV 466 - Cantus Cölln 3. Veni Sancte Spiritus, SWV 475 - Cantus Cölln 4. Herr, unser Herrscher, SWV 449 - Cantus Cölln 5. Wo der Herr das Haus nicht bauet, SWV473 - Cantus Cölln 6. Herr, höre mein Wort, SWV Anh. 7 - Cantus Cölln 7. Surrexit Pastor Bonus, SWV 469 - Cantus Cölln 8. An den Wassern zu Babel, SWV 500 - Cantus Cölln 9. Da pacem, Domine, SWV 465 - Cantus Cölln 1. Es erhub sich ein Streit im Himmel, SWV Anh. 11 - Cantus Cölln 2. Freue dich des Weibes deiner Jugend, SWV 453 - Cantus Cölln 3. Syncharma Musicum, SWV 49 - Cantus Cölln 4. Wohl dem, der ein tugendsam Weib hat, SWV 20 - Cantus Cölln 5. Domini est Terra, SWV 476 - Cantus Cölln 6. Haus und Güter erbet man von Eltern, SWV 21 - Cantus Cölln 7. Herr, der du bist vormals gnädig gewest deinem Lande, SWV 461 - Cantus Cölln 1. Der Herr ist mein Hirt, SWV 398 op. 12,1 - Musica Fiata 2. Ich hebe meine Augen auf zu den Bergen, SWV 399 op. 12,2 - Musica Fiata 3. Wo der Herr nicht das Haus bauet, SWV 400 op. 12,3 - Musica Fiata 4. Mein Sohn, warum hast du uns das getan?, SWV 401 op. 12,4 - Musica Fiata 5. O Herr, hilf, o Herr, laß wohl gelingen, SWV 402 op. 12,5 - Musica Fiata 6. Siehe, es erschien der Engel des Herrn, SWV 403 op. 12,6 - Musica Fiata 7. Feget den alten Sauerteig aus, SWV 404 op. 12,7 - Musica Fiata 8. O süßer Jesu Christ, SWV 405 op. 12,8 - Musica Fiata 9. O Jesu süß, wer dein gedenkt, SWV 406 op. 12,9 - Musica Fiata 10. Lasset uns doch den Herren, unseren Gott, loben, SWV 407 op. 12,10 - Musica Fiata 1. Es ging ein Sämann aus, zu säen seinen Samen, SWV 408 op. 12,11 - Musica Fiata 2. Seid barmherzig, wie auch euer Vater barmherzig ist, SWV 409 op. 12,12 - Musica Fiata 3. Siehe, dieser wird gesetzt zu einem Fall, SWV 410 op. 12,13 - Musica Fiata 4. Vater unser, der du bist im Himmel, SWV 411 op. 12,14 - Musica Fiata 5. Siehe, wie fein und lieblich ist's, SWV 412 op. 12,15 - Musica Fiata 6. Hütet euch, daß eure Herzen nicht beschwert werden; SWV 413 op. 12,16 - Musica Fiata 7. Meister, wir wissen, daß du wahrhaftig bist, SWV 414 op. 12,17 - Musica Fiata 8. Saul, Saul, was verfolgst du mich?, SWV 415 op. 12,18 - Musica Fiata 9. Herr, wie lang willst du mein so gar vergessen, SWV 416 op. 12,19 - Musica Fiata 10. Komm, heiliger Geist, Herre Gott, SWV 417 op. 12,20 - Musica Fiata 11. Nun danket alle Gott, SWV 418 op. 12,21 - Musica Fiata 1. No. 1, Gute Nacht - Michael Schopper 2. No. 2, Die Wetterfahne - Michael Schopper 3. No. 3, Gefrorene Tränen - Michael Schopper 4. No. 4, Erstarrung - Michael Schopper 5. No. 5, Der Lindenbaum - Michael Schopper 6. No. 6, Wasserflut - Michael Schopper 7. No. 7, Auf dem Flusse - Michael Schopper 8. No. 8, Rückblick - Michael Schopper 9. No. 9, Irrlicht - Michael Schopper 10. No. 10, Rast - Michael Schopper 11. No. 11, Frühlingstraum - Michael Schopper 12. No. 12, Einsamkeit - Michael Schopper 13. No. 13, Die Post - Michael Schopper 14. No. 14, Der greise Kopf - Michael Schopper 15. No. 15, Die Krähe - Michael Schopper 16. No. 16, Letzte Hoffnung - Michael Schopper 17. No. 17, Im Dorfe - Michael Schopper 18. No. 18, Der stürmische Morgen - Michael Schopper 19. No. 19, Täuschung - Michael Schopper 20. No. 20, Der Wegweiser - Michael Schopper 21. No. 21, Das Wirtshaus - Michael Schopper 22. No. 22, Mut - Michael Schopper 23. No. 23, Die Nebensonnen - Michael Schopper 24. No. 24, Der Leiermann - Michael Schopper 1. I. Allegro - Collegium Aureum 2. II. Largo - Collegium Aureum 3. III. Vivace - Collegium Aureum 4. I. Largo - Collegium Aureum 5. II. Allegro - Collegium Aureum 6. III. Gratioso - Collegium Aureum 7. IV. Allegro - Collegium Aureum 8. Maestoso - Collegium Aureum 9. Allegro - Collegium Aureum 10. Grave - Collegium Aureum 11. Vivace - Collegium Aureum 12. I. Overture - Collegium Aureum 13. II. La trompette - Collegium Aureum 14. III. Sarabande - Collegium Aureum 15. IV. Rondeau - Collegium Aureum 16. V. Bourrée - Collegium Aureum 17. VI. Courante - Double - Collegium Aureum 18. VII. Gigue - Collegium Aureum 1. Ouvertüre - L'Orfeo Barockorchester 2. Wie hart ist mir das Schicksal doch (Aria) - L'Orfeo Barockorchester 3. Ismene, schau - L'Orfeo Barockorchester 4. Lieben und nicht geliebet seyn (Aria) - L'Orfeo Barockorchester 5. Bist du nicht Königin - L'Orfeo Barockorchester 6. Sù, mio core, à la vendetta (Aria) - L'Orfeo Barockorchester 7. Noch heute werden hier die Nymphen - L'Orfeo Barockorchester 8. Angenehmer Aufenthalt (Aria à 2) - Markus Volpert 9. Angenehmer Aufenthalt (Chorus) - Marelize Gerber 10. Find ich dich hier - Markus Volpert 11. Einsamkeit ist mein Vergnügen (Aria) - Markus Volpert 12. Erwähnst du denn von Eurydicen nichts - L'Orfeo Barockorchester 13. Wie bist du so betrübt - Markus Volpert 14. Chi sta in corte (Aria) - Markus Volpert 15. Wie sehr erfreut es mich - Ulrike Hofbauer 16. Ohne dich kann ich nicht leben (Aria à 2) - Ulrike Hofbauer 17. Wie lebhaft wird es hier - Markus Volpert 18. Furies (from TWV 55:D7) - L'Orfeo Barockorchester 19. Welch Unfall trägt sich zu - Marelize Gerber 20. Ihr Himmel, ach! - Ulrike Hofbauer 21. A' l'incendio (Aria) - L'Orfeo Barockorchester 22. Du bist's, Cephisa - L'Orfeo Barockorchester 23. Ich weiß von keiner Liebe nicht (Aria) - Marelize Gerber 24. Ist denn gar nichts für mich zu hoffen? - Marelize Gerber 25. N'aimons que la liberté (Chorus) - Marelize Gerber 26. Wie ist mir? - Markus Volpert 27. Drum komm, du höchst gewünschter Tod - Markus Volpert 28. Ach Tod, ach süßer Tod! (Aria) - Markus Volpert 29. Was kann ich ferner hoffen? - Markus Volpert 1. Entrée - L'Orfeo Barockorchester 2. Was hör ich - Reinhard Mayr 3. Zu den Waffen! (Aria) - Reinhard Mayr 4. Zu den Waffen! (Chorus) - L'Orfeo Barockorchester 5. Sinfonia - L'Orfeo Barockorchester 6. Was für ein holder Klang - Reinhard Mayr 7. Sinfonia - L'Orfeo Barockorchester 8. Es scheint sich die Musik - Reinhard Mayr 9. Lass dir, Monarch - L'Orfeo Barockorchester 10. Trà speranza (Aria) - Markus Volpert 11. Monarch der Unterwelt - Reinhard Mayr 12. Ruhet, ihr Foltern (Aria) - Reinhard Mayr 13. Schau, welche Botschaft - Marelize Gerber 14. Mit dir mich zu ergetzen (Aria) - Ulrike Hofbauer 15. Folgt diesem Wege nur! - L'Orfeo Barockorchester 16. Du hast das Schicksal besieget (Chorus) - L'Orfeo Barockorchester 17. Geht, verdammte Geister - L'Orfeo Barockorchester 18. Was hilft's (Aria) - L'Orfeo Barockorchester 19. Gleich werden wir, mein Schatz, aus dieser Hölle gehn - Ulrike Hofbauer 20. Ihr Götter ach! - Markus Volpert 21. Verstattet doch... - Markus Volpert 22. Furies (from TWV 55:D7) - L'Orfeo Barockorchester 23. Nun wird mein Orpheus bald aus dieser Höhle gehn - L'Orfeo Barockorchester 24. Furcht und Hoffnung (Aria) - L'Orfeo Barockorchester 25. Mein Hass, der bloß auf Eurydicen fällt - L'Orfeo Barockorchester 26. Bitter und süß (Aria) - L'Orfeo Barockorchester 27. Kömmst du, mein Orpheus - Markus Volpert 28. Vieni, o sdegno (Aria) - L'Orfeo Barockorchester 29. Wie freu ich mich - Markus Volpert 30. Wanket, ihr leichten und flüchtigen Sinne! (Aria) - L'Orfeo Barockorchester 31. Hier sitz ich in der Einsamkeit (Rec. acc.) - Markus Volpert 32. Ich hab es selbst versehn - Markus Volpert 33. Fließt, ihr Zeugen meiner Schmerzen (Aria) - Markus Volpert 34. Esprits de haine et de rage (Aria) - Marelize Gerber 35. Esprits de haine et de rage (Chorus) - L'Orfeo Barockorchester 36. Geht, sucht den Lästrer auf - Marelize Gerber 37. In welcher Höhle mag er stecken - Marelize Gerber 38. Evohe! Orpheus erliegt (Chorus) - L'Orfeo Barockorchester 39. Geht nun! Zerreißet ihn - Marelize Gerber 40. So ist nun Orpheus tot! - L'Orfeo Barockorchester 41. Hélas, quels soupirs (Aria) - L'Orfeo Barockorchester 42. Ihr Himmel, ach! - L'Orfeo Barockorchester 43. Ach lebe, Königin (Chorus) - L'Orfeo Barockorchester 1. I. Ouverture - Freiburger Barockorchester 2. II. Le reveil de Quixotte - Freiburger Barockorchester 3. III. Son attaque des moulins à vent (Tres vite) - Freiburger Barockorchester 4. IV. Ses soupirs amoureux après la princesse Dulcinée - Freiburger Barockorchester 5. V. Sanche Panse berné - Freiburger Barockorchester 6. VI. Le galope de Rosinante. VII. Celui d'ane de Sanche Panse - Freiburger Barockorchester 7. VIII. Le couché de Quixotte - Freiburger Barockorchester 8. Ouverture - Freiburger Barockorchester 9. Menuet I & II - Freiburger Barockorchester 10. Rondeau - Freiburger Barockorchester 11. Sarabande - Freiburger Barockorchester 12. Passepied - Freiburger Barockorchester 13. Plainte - Freiburger Barockorchester 14. Allemande - Freiburger Barockorchester 15. Chaconne - Freiburger Barockorchester 16. Gigue - Freiburger Barockorchester 17. Andante - Freiburger Barockorchester 18. Allegro - Freiburger Barockorchester 19. Adagio - Freiburger Barockorchester 20. Vivace - Freiburger Barockorchester 21. Ouverture - Freiburger Barockorchester 22. Prelude - Freiburger Barockorchester 23. Gigue - Freiburger Barockorchester 24. Menuet I & II - Freiburger Barockorchester 25. Harlequinade - Freiburger Barockorchester 26. Loure - Freiburger Barockorchester 27. Rondeau - Freiburger Barockorchester 28. Rejouissance - Freiburger Barockorchester 1. Sinfonia - Wolfgang Schäfer 2. Der Morgen kommt (Aria) - Wolfgang Schäfer 3. Der ganze Himmel schwimmt in Glanz (Recitative) - Wolfgang Schäfer 4. Allmächt'ger, groß in Sonnenglanz (Aria) - Wolfgang Schäfer 5. Willkommen, holdseliger Morgen (Chorus) - Wolfgang Schäfer 6. Der Mittag, begleitet von fächelnden Stunden (Aria) - Wolfgang Schäfer 7. Empfange mich, ehrwürd'ger Eichenwald (Recitative) - Wolfgang Schäfer 8. Lass mich die süße Wollust fühlen (Aria) - Wolfgang Schäfer 9. Auf, folget dem feurigen Wagen der Sonne (Chorus) - Wolfgang Schäfer 10. Senke dich von Purpurwolken (Aria) - Wolfgang Schäfer 11. Der Wald steht dunkelgrün (Recitative) - Wolfgang Schäfer 12. Komm, holder Schlaf (Aria) - Wolfgang Schäfer 13. Vom Aufgang bis zum Niedergang (Chorus) - Wolfgang Schäfer 14. O Nacht! und du geweihte Stille (Aria) - Wolfgang Schäfer 15. Sie kommt; ihr helles Sternenkleid (Recitative) - Wolfgang Schäfer 16. Wie wird des Grabes Nacht entweichen (Aria) - Wolfgang Schäfer 17. Der Herr ist Gott, ein Gott der Ehren (Chorus) - Wolfgang Schäfer 1. Chinfonia - The Harp Consort 2. Entrada de las clarines - The Harp Consort 3. El coro de las Musas - The Harp Consort 4. Viva, Viva! - The Harp Consort 5. Baile - The Harp Consort 6. Pasacalles - The Harp Consort 7. Danza - The Harp Consort 8. Venus & las Ninfas - The Harp Consort 9. Yo, Adonis - The Harp Consort 10. Tu eres Venus? - The Harp Consort 11. Amor tirano - The Harp Consort 12. La Maldición - The Harp Consort 13. Venus & Marte - The Harp Consort 14. Arma, arma! - The Harp Consort 15. Chato & Celfa - The Harp Consort 16. Guarda la fiera - The Harp Consort 17. Adonis descansa - The Harp Consort 18. Venus en los montes - The Harp Consort 19. Los sentimientos de Venus - The Harp Consort 20. Adonis durmiendo - The Harp Consort 21. Amor - The Harp Consort 22. Fantasmas - The Harp Consort 23. Venus y Adonis - The Harp Consort 24. La hermosura de Venus - The Harp Consort 25. Todo es amor - The Harp Consort 26. El jardín de Venus - The Harp Consort 27. Baile del villano - The Harp Consort 1. Los soldados - The Harp Consort 2. Amor - The Harp Consort 3. Enigmas - The Harp Consort 4. Como escapar? - The Harp Consort 5. La gruta de Desengano - The Harp Consort 6. En tono triste - The Harp Consort 7. Temor, Sospecha, Envidia & Ira - The Harp Consort 8. El Desengano - The Harp Consort 9. El Densengano & Marte - The Harp Consort 10. El cristal - The Harp Consort 11. Venus y Adonis - The Harp Consort 12. Los dos coros de Ninfas - The Harp Consort 13. Xácara - The Harp Consort 14. Marte en los montes - The Harp Consort 15. Adonis y el jabalí - The Harp Consort 16. Dragón, Chato & Celfa - The Harp Consort 17. La muerte de Adonis - The Harp Consort 18. La púrpura y las rosas - The Harp Consort 19. El lamento de Venus - The Harp Consort 20. La venganza de Marte - The Harp Consort 21. Ay, infelice! - The Harp Consort 22. La fuerza de dolor - The Harp Consort 23. Triste - The Harp Consort 24. La música de dos orbes - The Harp Consort 25. Al villano que le dan? - The Harp Consort 1. I. Estrivillo "Afectos amantes" - Al Ayre Español 2. II. Rezitado "Ese candido" - Al Ayre Español 3. III. Area "La Solfa mia quiso" - Al Ayre Español 4. IV. Rezitado "Su maxima Divina" - Al Ayre Español 5. V. Area "Cisne fue para espirar" - Al Ayre Español 6. VI. Rezitado "Este si que es Orfeo" - Al Ayre Español 7. VII. Coplas. Alegre "Al abismo" - Al Ayre Español 8. I. Area. Grave "Divino hijo de Adan" - Al Ayre Español 9. II. Rezitado "Que es esto" - Al Ayre Español 10. III. Alegre "Volved, volbed bien mio" - IV. Rezitado "A esso vengo" - Al Ayre Español 11. V. Area "A eso vengo" - Al Ayre Español 12. VI. Rezitado "A esto vaja" - Al Ayre Español 13. VII. Area. Alegre "Que viva inmortal!" - Al Ayre Español 14. VIII. Grave "O soverano amor" - Al Ayre Español 15. I. Preludio. Adagio - Al Ayre Español 16. II. Allemanda. Allegro - Al Ayre Español 17. III. Corrente. Allegro - Al Ayre Español 18. IV. Giga. Allegro - Al Ayre Español 19. V. Minuet - Al Ayre Español 20. I. Area "O, quien pudiera alcanzar" - Al Ayre Español 21. II. Recitado "O, humano corazon" - Al Ayre Español 22. III. Area "Si amando enternezido" - Al Ayre Español 23. IV. Despazio "Aven, fieras" - Al Ayre Español 24. V. Fuga "Y asi viendo" - Al Ayre Español 25. VI. Rezitado "Mas contra la fatiga" - Al Ayre Español 26. VII. Area "Yo espero, mi bien" - Al Ayre Español 27. VIII. Grave "O, immenso Adonay!" - Al Ayre Español 28. I. Estrvillo "Bosques umbrosos" - Al Ayre Español 29. II. Rezitado "Y pues este tormento" - Al Ayre Español 30. III. Area "Acabe mi amor" - Al Ayre Español 31. IV. Seguidillas "Pero qué digo" - Al Ayre Español 32. V. Grave "Muere corazon" - Al Ayre Español 1. Concerto primo Introducione in G major for Strings and B.c. - Gottfried von der Goltz 2. Allegro - Gottfried von der Goltz 3. Adagio - Gottfried von der Goltz 4. Spirituoso - Gottfried von der Goltz 5. Allegro - Gottfried von der Goltz 6. Andante - Gottfried von der Goltz 7. Allegro assai - Gottfried von der Goltz 8. Allegro - Gottfried von der Goltz 9. Andante ma Largetto - Gottfried von der Goltz 10. Allegro - Gottfried von der Goltz 11. Largo-Allegro ma Aperto - Gottfried von der Goltz 12. Andante e Spico-Allegro - Gottfried von der Goltz 13. Allegro - Gottfried von der Goltz 14. Adagio - Gottfried von der Goltz 15. Vivace - Gottfried von der Goltz 1. Vivace - Gottfried von der Goltz 2. Andante - Gottfried von der Goltz 3. Allegro - Gottfried von der Goltz 4. Allegro - Gottfried von der Goltz 5. Adagio - Gottfried von der Goltz 6. Allegro - Gottfried von der Goltz 7. Allegro a Spico - Gottfried von der Goltz 8. Largetto alla francese - Gottfried von der Goltz 9. Presto - Gottfried von der Goltz 10. Grave - Allegro - Gottfried von der Goltz 11. Largo - Pastorale - Gottfried von der Goltz 12. Spirituoso - Gottfried von der Goltz 13. Andantino - Allegro ma non tanto presto - Gottfried von der Goltz 14. Allegro, e con Spirito - Gottfried von der Goltz 15. Adagio, e piano (Navicella in calma) - Gottfried von der Goltz 16. Allegro ma Aperto (Tempesta) - Gottfried von der Goltz 1. I. Allegro - Freiburger Barockorchester 2. I. Vivace - Freiburger Barockorchester 3. II. Andante - Freiburger Barockorchester 4. III. Allegro - Freiburger Barockorchester 5. I. Allegro - Freiburger Barockorchester 6. II. Largo - Freiburger Barockorchester 7. III. Allegro - Freiburger Barockorchester 8. I. Largo - Freiburger Barockorchester 9. II. Allegro - Freiburger Barockorchester 10. I. - - Freiburger Barockorchester 11. II. Andante - Freiburger Barockorchester 12. III. Capriccio. Tempo di gavotta - Freiburger Barockorchester 13. IV. Aria da Capriccio. Andante - Allegro - Andante - Allegro - Freiburger Barockorchester 14. V. Menuet I & II - Freiburger Barockorchester 1. No. 1 in C Minor, ZWV 53/1 - René Jacobs 2. No. 2 in F Major, ZWV 53/2 - René Jacobs 3. No. 1 in B Major, ZWV 53/3 - René Jacobs 4. No. 2 in G Minor, ZWV 53/4 - René Jacobs 5. No. 1 in A Major, ZWV 53/5 - René Jacobs 6. No. 2 in F Major, ZWV 53/6 - René Jacobs 1. Prelude in G Major - Bradford Tracey 2. Ground in G Major - Bradford Tracey 3. Lessons in D Minor - Bradford Tracey 4. Lessons in A Minor - Bradford Tracey 5. Lessons in G Minor - Bradford Tracey 6. Chaconne in F Major - Bradford Tracey 7. Suite No. 3 in C Minor, D221 - Bradford Tracey 8. The Indian Queen, Z.630: Suite - Bradford Tracey 9. Suite in A Major - Bradford Tracey 1. Festa riso (mit verlängertem Nachspiel) - Thomas Hengelbrock 2. Lumi potet piangere - Thomas Hengelbrock 3. Questi vaghi - Thomas Hengelbrock 4. Canto d'amore - Thomas Hengelbrock 5. Recercada - Thomas Hengelbrock 6. Vorrei baciarti - Thomas Hengelbrock 7. Mascherata della Malinconia & Allegrezza - Thomas Hengelbrock 8. Damigella tutta bella O Rosetta, che Rosetta - Thomas Hengelbrock 9. Sonata a 2 dialogo - Thomas Hengelbrock 10. A quest'olmo - Thomas Hengelbrock 11. Ciacona - Thomas Hengelbrock 12. Sia maledetto amore... sia benedetto amore... - Thomas Hengelbrock 13. L'innamorato - Il bell'humore - Amor vittorioso - Thomas Hengelbrock 14. Festa riso - Thomas Hengelbrock 1. A Fancy - Andrew Lawrence-King 2. My Lady Hunsdon's Puffe - Andrew Lawrence-King 3. Alman - Andrew Lawrence-King 4. Frogg Galliard - Andrew Lawrence-King 5. Scott's Lament - Andrew Lawrence-King 6. Pavana Lachrimae - Andrew Lawrence-King 7. Suzanna Galliard - Andrew Lawrence-King 8. Rowland - Andrew Lawrence-King 9. Can She Excuse - Andrew Lawrence-King 10. Robin - Andrew Lawrence-King 11. Praeludium to Ye Fancie - Andrew Lawrence-King 12. Fantasia - Andrew Lawrence-King 13. Coranto - Andrew Lawrence-King 14. A Gigg - Andrew Lawrence-King 15. Tarleton's Jigge - Andrew Lawrence-King 16. Mrs. Winter's Jumpp - Andrew Lawrence-King 17. Tarleton's Riserrectione - Andrew Lawrence-King 18. Cormack - Andrew Lawrence-King 19. Allmane - Andrew Lawrence-King 20. Cormack's Alman - Andrew Lawrence-King 21. Shock.a.torum - Andrew Lawrence-King 22. The Queen's Masque - Andrew Lawrence-King 23. Fine Knacks - Andrew Lawrence-King 24. Awake Sweet Love, Thou Art Returnd - Andrew Lawrence-King 25. Go Christall Teares - Andrew Lawrence-King 26. My Thoughts Are Winged With Hopes - Andrew Lawrence-King 27. Semper Dowland, semper dolens - Andrew Lawrence-King 28. Farewell - Andrew Lawrence-King 29. My Dear Adieu, My Sweet Love Farewell - Andrew Lawrence-King 1. Canción a dos tiples - Eduardo López Banzo 2. Ah del rustico pastor - Eduardo López Banzo 3. Al espejo que retrata - Eduardo López Banzo 4. Humano ardor - Eduardo López Banzo 5. Más no puede ser - Eduardo López Banzo 6. Al clamor - Eduardo López Banzo 7. Pasacalles I-II - Eduardo López Banzo 8. En un noble, sagrado firmamento - Eduardo López Banzo 9. Quién nos dirá de una flor - Eduardo López Banzo 10. Viendo que Jil, hizo raya - Eduardo López Banzo 1. Tre fontane - Ensemble Oni Wytars 2. Oi yano yano - Ensemble Oni Wytars 3. Jalla man - Ensemble Oni Wytars 4. Firassu in si b - Ensemble Oni Wytars 5. Quannu Passu - Ensemble Oni Wytars 6. Son tre corone - Ensemble Oni Wytars 7. Saltarello - Ensemble Oni Wytars 8. Laudemus Virginem / Bektashi Nefes - Ensemble Oni Wytars 9. Stella splendens - Ensemble Oni Wytars 10. Isabella - Ensemble Oni Wytars 11. Osman Pasha - Ensemble Oni Wytars 12. Mey Balaban taksim - Ensemble Oni Wytars 13. Mevlana - Ensemble Oni Wytars 14. Nani nani - Ensemble Oni Wytars 15. Non sofre Santa Maria - Ensemble Oni Wytars 1. I. Un peu grave - Konrad Junghänel 2. II. Légèrement - Konrad Junghänel 3. III. Un peu gay - Konrad Junghänel 4. IV. Sarabande - Konrad Junghänel 5. V. Vivement - Konrad Junghänel 6. VI. Gravement - Konrad Junghänel 7. VII. Gigue - Konrad Junghänel 8. Ballet en Rondeau in D Minor - Konrad Junghänel 9. Tombeau du vieux Gallot - Konrad Junghänel 10. La Montfermeil Rondeau - Konrad Junghänel 11. Gigue - Konrad Junghänel 12. Chaconne en trio in G Major - Konrad Junghänel 13. Rochers, vous êtes sourds in G Minor - Konrad Junghänel 14. Prélude in G Minor, Op. 8, No. 2 - Konrad Junghänel 15. Les Silvains de M. Couperin - Konrad Junghänel 16. Tombeau pour M. de Sainte-Colombe - Konrad Junghänel 17. I. Adagio - Konrad Junghänel 18. II. Allegro ma non presto - Konrad Junghänel 19. III. Gavotte 1 & 2 - Konrad Junghänel 20. IV. Allegro - Konrad Junghänel 21. V. Giga - Konrad Junghänel 1. Angelus Domini (Motet à 8) - Salzburger Bachchor 2. Pange lingua (Hymnus à 4) - Salzburger Bachchor 3. Super flumina Babylonis (Motet à 8) - Salzburger Bachchor 4. Magnificat quarti toni à 8 - Salzburger Bachchor 5. Vide Domine (Motet à 8) - Salzburger Bachchor 6. Salvete flores (Hymnus à 4) - Salzburger Bachchor 7. Nigra sum (Motet à 8) - Salzburger Bachchor 8. Sicut cedrus - In plateis (Motet à 5) - Salzburger Bachchor 9. Magnificat primi toni à 8 - Salzburger Bachchor 1. Grave - Hans-Martin Linde 2. Allegro assai - Hans-Martin Linde 3. Presto - Hans-Martin Linde 4. Allegro un poco - Hans-Martin Linde 5. Largo - Hans-Martin Linde 6. Allegro - Hans-Martin Linde 7. Allegro moderato - Hans-Martin Linde 8. Andantino - Hans-Martin Linde 9. Allegro - Hans-Martin Linde 10. Adagio - Hans-Martin Linde 11. Presto - Hans-Martin Linde 12. Gigue - Hans-Martin Linde 1. Kyrie: Orbis factor (cum versibus) - Pro Cantione Antiqua London 2. Gloria - Pro Cantione Antiqua London 3. Credo - Pro Cantione Antiqua London 4. Sanctus et Benedictus - Pro Cantione Antiqua London 5. Agnus Dei - Pro Cantione Antiqua London 6. Lamentationes (for 5 voices) - Pro Cantione Antiqua London 7. Kyrie - Pro Cantione Antiqua London 8. Gloria - Pro Cantione Antiqua London 9. Credo - Pro Cantione Antiqua London 10. Sanctus et Benedictus - Pro Cantione Antiqua London 11. Agnus Dei - Pro Cantione Antiqua London 1. La Sonnerie de Sainte Geneviève du Mont à Paris - Sigiswald Kuijken 2. Prélude for Harpsichord in D Minor - Gustav Leonhardt 3. Tombeau de Mr. de Sainte-Colombe - Sigiswald Kuijken 4. La Rameau (Majestueusement) - Sigiswald Kuijken 5. La Guignon (Vivement et détaché) - Sigiswald Kuijken 6. La Léon. Sarabande (Tendrement) - Sigiswald Kuijken 7. La Boisson (Vivement, les pincés bien soutenus) - Sigiswald Kuijken 8. La Montigni (Galamment sans lenteur) - Sigiswald Kuijken 9. La Sylva (Très tendrement) - Sigiswald Kuijken 10. Jupiter (Modérément) - Sigiswald Kuijken 1. Miserere mei Deus - Amplius lavame - Al Ayre Español 2. Quoniam iniquitatem - Tibi soli peccavi - Al Ayre Español 3. Ecce enim in iniquitatibus - Ecce enim veritatem - Asperges me - Al Ayre Español 4. Auditui meo - Averte faciem tuam - Cor mundum crea - Al Ayre Español 5. Redde mihi - Docebo - Libera me - Al Ayre Español 6. Domine labia mea aperies - Quoniam si voluisses - Sacrificium Deo - Benigne fac Domine - Tunc acceptabis - Al Ayre Español 7. Tono de Miserere: "Si mis hierros os tienen pendiente" - Al Ayre Español 8. Lamentación segunda, del Jueves Santo - Al Ayre Español 9. Tono a la Pasión de Christo: "Quando muere el Sol" - Al Ayre Español 10. Lamentación segunda, del Viernes Santo - Al Ayre Español 1. Téttix - Ensemble Melpomen 2. Psaphródita - Ensemble Melpomen 3. Bíos - Ensemble Melpomen 4. Kýthera - Ensemble Melpomen 5. Naí - Ensemble Melpomen 6. Kleis - Ensemble Melpomen 7. Pýr - Ensemble Melpomen 8. Phýlla - Ensemble Melpomen 9. Manía - Ensemble Melpomen 10. O Tékos - Ensemble Melpomen 11. Kálamos - Ensemble Melpomen 12. Lýkos - Ensemble Melpomen 13. Órigmos - Ensemble Melpomen 14. Melíttta - Ensemble Melpomen 15. Makróteros - Ensemble Melpomen 16. Théognis - Ensemble Melpomen 17. Diálogos II - Ensemble Melpomen 18. Dóra - Ensemble Melpomen 19. Kroúsis - Ensemble Melpomen 20. Ónar - Ensemble Melpomen 21. Pollá - Ensemble Melpomen 1. Cumbees - Los Otros 2. Differencias sobre las Folias - Los Otros 3. Sinfonia - Los Otros 4. Passeggiata - Los Otros 5. Prélude - Los Otros 6. Allemande - Los Otros 7. Sarabande - Los Otros 8. Passecaiglia - Los Otros 9. Menuet - Los Otros 10. La Jota - Los Otros 11. Arpeggiata - Los Otros 12. Toccata - Los Otros 13. Volta - Los Otros 14. Ballo - Los Otros 15. Gagliarda - Los Otros 16. Corrente - Los Otros 17. Capona - Los Otros 18. Kapsberger - Los Otros 19. Canarios - Los Otros 20. Colascione - Los Otros 21. Villa di Spagna - Los Otros 22. Susane un jour - Los Otros 23. Xacaras - Los Otros 1. I. Adagio - Christoph Dangel 2. II. Allegro - Christoph Dangel 3. III. Siciliana - Christoph Dangel 4. IV. Allegro - Christoph Dangel 5. I. Largo - Christoph Dangel 6. II. Allegro - Christoph Dangel 7. III. Largo risoluto - Christoph Dangel 8. IV. Spiritoso - Christoph Dangel 9. I. Largo - Christoph Dangel 10. II. Allegro - Christoph Dangel 11. III. Largo - Christoph Dangel 12. IV. Allegro - Christoph Dangel 13. I. Adagio - Christoph Dangel 14. II. Andante molto - Christoph Dangel 15. III. Largo - Christoph Dangel 16. IV. Giga - Christoph Dangel 17. I. Largo - Christoph Dangel 18. II. Allegro - Christoph Dangel 19. III. Adagio - Christoph Dangel 20. IV. Giga - Christoph Dangel 21. I. Adagio - Christoph Dangel 22. II. Allegro - Christoph Dangel 23. III. Largo - Christoph Dangel 24. IV. Allegro - Christoph Dangel 25. I. Larghetto - Christoph Dangel 26. II. Vivace - Christoph Dangel 27. III. Largo e sostenuto - Christoph Dangel 28. IV. Risoluto - Christoph Dangel 29. I. Largo - Christoph Dangel 30. II. Allegro - Christoph Dangel 31. III. Grave - Christoph Dangel 32. IV. Allegro - Christoph Dangel 1. Übers Gebirg Maria geht - Elly Ameling 2. Gelobet seist du, Jesu Christ - Elly Ameling 3. Uns ist ein Kindlein heut geborn (for Lute) - Walter Gerwig 4. Vom Himmel hoch, da komm ich her - Elly Ameling 5. Maria zart - Elly Ameling 6. In dulci jubilo - Elly Ameling 7. Christum wir sollen loben schon - A solis ortus cardine - Elly Ameling 8. Ein Kind geborn zu Bethlehem - Elly Ameling 9. Es ist ein Ros entsprungen - Elly Ameling 1. Joseph, lieber Joseph mein - Tölzer Knabenchor 2. Angelus ad pastores ait - Tölzer Knabenchor 3. Resonet in laudibus - Tölzer Knabenchor 4. Omnes de Saba venient - Tölzer Knabenchor 5. Ich steh an deiner Krippe hier - Tölzer Knabenchor 6. O Jesulein zart - Tölzer Knabenchor 7. Jetzt fangen wir zum Singen an - Tölzer Knabenchor 8. Felsenharte Bethlehemiten - Tölzer Knabenchor 9. Auf, auf, ihr Hirten - Tölzer Knabenchor 10. Das allerschönst Kindl - Tölzer Knabenchor 11. Jetzt hat sich halt auftan das himmlische Tor - Tölzer Knabenchor 12. Still, o Himmel - Tölzer Knabenchor 13. Dort oben am Berge - Tölzer Knabenchor 14. Wir wollen dankbar sein - Tölzer Knabenchor 1. Vom Himmel kam der Engel Schar - Roland Wilson 2. Nun komm der Heiden Heiland - Roland Wilson 3. Uns ist ein Kind geboren - Roland Wilson 4. Ach mein herzliebes Jesulein - Roland Wilson 5. Machet die Tore weit - Roland Wilson 6. Prima Pars - Roland Wilson 7. Secunda Pars - Roland Wilson 8. Tertia Pars - Roland Wilson |
 | | Commedia Dell'Austria with Accentus Austria, Francesco Bartolomeo Conti, Johann Heinrich Schmelzer, Thomas Wimmer Audio, Published 2016 by Sony Music Canada Inc. Cd, Classica, Import | 1. Alba Cornelia: Sinfonia (Entrée) 2. Ballo: March - Giga - Piva - Aria - Gavotte 3. Don Chisciotte in Sierra Morena: Sinfonia - Minuett 4. Ballo: Bouree - Marche - Guique - La folia spaniola - Guique - Chaconne 5. Creso: Sinfonia 6. Balletto delle furie: Aria - Intrada - Minuett - Saltarella 7. L'albero del Ramo d'oro: Sinfonia come di strepito di vento in un bosco | 8. Erlicino: Adagio - Allegro 9. Es flog ein kleines Waldvögelein 10. Mein Traurn ach Gott ist ohn Endt 11. Pückelhäring 12. Sonata à 6, "Die Pauern Kirchfartt genannt" 13. Balletto: Pastorella - Gavotta anglika 14. Langaus 15. Serenada à 5: Serenada - Ciacona, "Lost ihr Herrn und last euch sagen" |
 | | Fire & Ice with Accentus Austria, Cristobal Galan Audio, Published 2013 by Deutsche Harm Mundi Audiolibro, Cd | 1. Vuele, vuele feliz mariposa 2. Atencion al retrato de Filis 3. Fuentecillas lisonjeras 4. O que mal vamos Amor 5. Humano ardour 6. Pintar quiero una imagen | 7. Mariposa no corras al fuego 8. Pajarillo que cantas ausente 9. Ay, ay, cruel delito 10. Pajarillo que al alba saludas 11. Ya los caballos de jazmin y rosa 12. Que ha de tener llegare |
 | | Serenata Hungarica with Accentus Austria, Johann Heinrich Schmelzer, Johann Joseph Fux, Nefiri Behram Audio, Published 2012 by Deutsche Harm Mundi Audiolibro, Cd | 1. Partita, k 329 2. Balletti 3. Symphonia ex c "turcaria" 4. Arazbar 5. Chorea polonica - codex caioni, siebenburgen, ca. 1670 6. 4 tanze - handschrift von sepsiszentgyorgy, siebenburgen, 1757 | 7. Dade zingaricum - codex caioni, siebenburgen, ca. 1670 8. Symphonia ex c, "turcaria" 9. 5 tanze - codex der anna szirmay keczer, szepes/lipto varmegye, ca. 1730 10. Pongeset koboznak - codex des janos madach-rimay, siebenburgen, 1629-1638 11. O, mely csudalatos isten - ujvari tamas/codex caioni, siebenburgen, ca. 1670 12. Transsylvanische tanze - codices caioni und vietoris, siebenburgen, ca.1670 |
 | | Time of the Templars / Various with Manuela Schenale, Carmen Cano, Shirley Rumsey, Thomas Wimmer, Alberto Turco, Graham Derrick, Antony Pitts, Michael Posch, Jeremy Summerly, Various Composers, Performer: Various, Accentus Austria, Ensemble Oni Wytars, Ensemble Unicorn Audio, Published 2008 by Naxos Box Set | 1. Palastinalied - Estampie 2. Ja nuls homs pris - Estampie 3. A l'entrant n'este - Estampie 4. Entre av'e eva (csm 60) - Ensemble Unicorn 5. Saltarello nø 1 - Ensemble Unicorn 6. Clauso cronos - Ensemble Oni Wytars 7. Quen serve santa maria (csm 213) - Ensemble Unicorn 8. Axe phebus aureo - Ensemble Oni Wytars 9. Katerine collaudemus - Ensemble Oni Wytars 10. O pastor animarum - Oxford Camerata 11. Kalenda maya - Estampie 12. Kyrie eleison - Manuela Schenale 13. Viderunt omnes - Tonus Peregrinus 14. Kyrie eleison - Oxford Camerata 15. Vetus abit littera - Tonus Peregrinus 16. Alleluia, o virga mediatrix - Oxford Camerata 17. Estampie - Estampie 18. La rotta - Ensemble Unicorn 19. A la nana - Carmen Cano 20. Guardame las vacas - Shirley Rumsey 1. Adorate deum - Nova Schola Gregoriana 2. Da pacem - Nova Schola Gregoriana 3. Dominius illuminatio mea - Nova Schola Gregoriana 4. Laetetur cor - Nova Schola Gregoriana 5. Dirigatur - Nova Schola Gregoriana 6. Domie, dominus noster - Nova Schola Gregoriana 7. Iacta cogitatum - Nova Schola Gregoriana 8. Laetatus sum - Nova Schola Gregoriana 9. Adorabo - Nova Schola Gregoriana | 10. De profundis - Nova Schola Gregoriana 11. Deus iudex iustus - Nova Schola Gregoriana 12. Laudate deum - Nova Schola Gregoriana 13. De profundis - Nova Schola Gregoriana 14. Domine convertere - Nova Schola Gregoriana 15. Iubilate deo universa terra - Nova Schola Gregoriana 16. Iustitiae domini - Nova Schola Gregoriana 17. Circuibo - Nova Schola Gregoriana 18. Implete hydrias - Nova Schola Gregoriana 19. Dominus firmamentum meum - Nova Schola Gregoriana 20. Qui manducat - Nova Schola Gregoriana 21. Gustate et videte (psaume 33) - Nova Schola Gregoriana 1. Bach, bene venies - Ensemble Oni Wytars 2. Tempus transit gelidum - Ensemble Oni Wytars 3. Tempus est iocundum - Ensemble Oni Wytars 4. Dinaresade - Ensemble Oni Wytars 5. Nevestinko oro - Ensemble Oni Wytars 6. Sei wilkommen herre christ - Ensemble Unicorn 7. Kod bethlehema - Ensemble Oni Wytars 8. Koleda na bozic - Ensemble Oni Wytars 9. Ddl - Unicorn Ensemble 10. Kyrie eleison - Ensemble Oni Wytars 11. De la crudel morte de cristo - Ensemble Oni Wytars 12. Sallalahu ala muhammed - Ensemble Oni Wytars 13. Pesrev - Ensemble Oni Wytars 14. Ey derviccsler - Ensemble Oni Wytars 15. Keh moshe - Ensemble Oni Wytars 16. Robins m'aime - Tonus Peregrinus 17. Mout me fu grief li departir / robin m'aime / portare - Tonus Peregrinus |
 | | Instruments of the Orchestra / Various with Jeremy Siepmann, N/A, Alain Trudel, Albrecht Holder, Artistes Divers, Accentus Austria, Alexander Jablokov, Alexander Rudin, Andrew Burashko, Arkady Mishenkin, Bernd Glemser, Carmen Cano, Christian Hommel, Corinne Chapelle, Csaba Onczay, Dino Soldo, Ernst Ottensamer, Faridah Schäfer-Subrata, Fiona James, François Weigel, François-Joël Thiollier, Friderike Wagner, Gerald Garcia, Hanna Juutilainen, Hanna Lisowska, Helene Jeanney, Idil Biret, Ilya Kaler, Imrich Szabo, Ingrid Kertesi, Irina Tschistiakova, Irshad Khan, Jeffrey Segal, Jenö Keveházi, Johnny Morris, Jonathan Keeble, Joseph Banowetz, Judit Nemeth, Judy Loman, János Fehérvári, Kathryn Selby, Kazuki Sawa, Kevin Banks, Lars Anders Tomter, Laura Mikkola, Linda Russell, Lucy Van Dael, Lynda Russell, Makoto Sudo, Mandred Clynes, Manfred Fink, Marat Bisengaliev, Maria Kliegel, Maria Muller, Pete Seeger Audio, Published 2002 by Naxos Educational Box Set, Import | 1. The Instruments of the Orchestra, narration with musical excerpts: Violin: 'Oh! to be a conductor...' Includes excerpt from Wagner's 2. Domna, pos vos ay chausida: Excerpt 3. The Instruments of the Orchestra, narration with musical excerpts: Violin: We don't merely use instruments, we play on them. And they 4. Hungarian Dances (21) for orchestra, WoO 1: Hungarian Dance No. 7 5. The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin is one of the most tender and beautiful instrum 6. Violin Concerto in D major, Op. 77: Adagio (excerpt) 7. The Instruments of the Orchestra, narration with musical excerpts: Violin: But for a long time it was seen as the instrument of the d 8. L'histoire du soldat (The Soldier's Tale), for 3 actors, dancer & 7 instruments: Triumphal March of the Devil (excerpt) 9. The Instruments of the Orchestra, narration with musical excerpts: Violin: The manipulative seductiveness of the gypsy violin 10. Csárdás, for violin & piano 11. The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin and the imitation of nature 12. Violin Concerto, for violin, strings & continuo in E major ('La Primavera,' The Four Seasons; 'Il cimento' No. 1), Op.8/1, RV 269: No 13. The Instruments of the Orchestra, narration with musical excerpts: Violin: Birds are again evoked in the second concerto, especially 14. Violin Concerto, for violin, strings & continuo in G minor ('L'estate,' The Four Seasons; 'Il cimento' No. 2), Op. 8/2, RV 315: No. 1 15. The Instruments of the Orchestra, narration with musical excerpts: Violin: Like the devil, the violin is a master of disguise. 16. Schön Rosmarin, for violin & piano 17. The Instruments of the Orchestra, narration with musical excerpts: Violin: The menacing sensuality of Ravel's Tzigane; a very differe 18. Tzigane, rhapsodie de concert, for violin & piano (or orchestra): Excerpt 19. The Instruments of the Orchestra, narration with musical excerpts: Violin: Do we now have the true measure of this instrument? Not ju 20. Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24: Excerpt 21. The Instruments of the Orchestra, narration with musical excerpts: Violin: The many effects of the string tremolando. Includes excerp 22. Variations on a Theme by Frank Bridge, for strings, Op. 10: No. 7 23. The Instruments of the Orchestra, narration with musical excerpts: Violin: Prokofiev's tremolo in Romeo and Juliet should not be hear 24. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 4. (excerpt) 25. The Instruments of the Orchestra, narration with musical excerpts: Violin: Vivaldi uses it to illustrate the shivering of travellers 26. Violin Concerto, for violin, strings & continuo in F minor ('L'inverno,' The Four Seasons; 'Il cimento' No. 4), Op. 8/4, RV 297: No. 27. The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin muted 28. Clair de lune, for orchestra or other arrangement (from 'Suite Bergamasque' for piano), L. 75/3 29. The Instruments of the Orchestra, narration with musical excerpts: Violin: The gentleness of muted strings persists even when a whole 30. Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: excerpt 31. The Instruments of the Orchestra, narration with musical excerpts: Violin: The pizzicato violin 32. Pizzicato Polka for orchestra, Op. 234 33. The Instruments of the Orchestra, narration with musical excerpts: Violin: In Prokofiev's Second Violin Concerto, the accompaniment i 34. Violin Concerto No. 2 in G minor, Op. 63: Excerpt 35. The Instruments of the Orchestra, narration with musical excerpts: Violin: Varieties of pizzicato. Includes excerpt from Kabalevsky's 36. The Planets, suite for orchestra & female chorus, Op. 32, H. 125: Mars - The bringer of War (excerpt) 37. The Instruments of the Orchestra, narration with musical excerpts: Violin: The technique of double-stopping enables the violin to pla 38. Hungarian Dances (21) for orchestra, WoO 1: Hungarian Dance No. 4 39. The Instruments of the Orchestra, narration with musical excerpts: Violin: Double-stopping is a standerd feature of a lot of folk mus 40. Violin Concerto, for violin, strings & continuo in F major ('L'autunno,' The Four Seasons; 'Il cimento' No. 3), Op.8/3, RV 293: Move 41. The Instruments of the Orchestra, narration with musical excerpts: Violin: Now the same technique, but the sound might have come from 42. Boléro, ballet for orchestra: Excerpt 43. The Instruments of the Orchestra, narration with musical excerpts: Violin: Double-stopping can only approximate the sound of a real v 44. Cadenza for Brahms Violin Concerto: Excerpt 45. The Instruments of the Orchestra, narration with musical excerpts: Violin: Now compare that with a real violin duet 46. Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 1: Teasing Song 47. The Instruments of the Orchestra, narration with musical excerpts: Violin: Another Duo by Bartök, demonstrating the violin's rich low 48. Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 2: Maypole Dance 49. The Instruments of the Orchestra, narration with musical excerpts: Violin: And now what may be the most beautiful accompanied violin 50. Concerto for 2 violins, strings & continuo in D minor ('Double'), BWV 1043: Largo 51. The Instruments of the Orchestra, narration with musical excerpts: Violin: The soul of the violin is in song; but what about this wie 52. Violin Concerto No. 1 in D major, Op. 19: Movement 2 (excerpt) 53. The Instruments of the Orchestra, narration with musical excerpts: Violin: The use of harmonics in the orchestra can be both magical 54. Symphony No. 1 in D major ('Titan'): Movement 1. (opening) 55. The Instruments of the Orchestra, narration with musical excerpts: Violin: Tchaikovsky's use of harmonics in The Sleeping Beauty is b 56. The Sleeping Beauty, ballet, Op. 66: Act 2. No. 15. Entr'acte (excerpt) 57. The Instruments of the Orchestra, narration with musical excerpts: Violin: Ravel's harmonics in Mother Goose effect a magical transfo 58. Ma mÃ..re l'oye, for piano, 4 hands (or orchestra): Beauty and the Beast (excerpt) 59. The Instruments of the Orchestra, narration with musical excerpts: Violin: Stravinsky's harmonies in The Firebirg transport us almost 60. The Instruments of the Orchestra, narration with musical excerpts: Violin: The Natural upper notes of the violins have a unique emoti 61. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Of the Afterworldsmen (excerpt) 62. The Instruments of the Orchestra, narration with musical excerpts: Violin: Still in their upper register, the violins unleash the ene 63. Variations on a Theme by Frank Bridge, for strings, Op. 10: No. 4 64. The Instruments of the Orchestra, narration with musical excerpts: Violin: Elsewhere, Britten uses the same high register to create a 65. Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn (excerpt) 66. The Instruments of the Orchestra, narration with musical excerpts: Violin: To end this outing with the violins, a charming little elf 67. Elfenreigen, for salon orchestra: Excerpt 1. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Introduction to the viola 2. Concerto for viola, strings & continuo in G major, TWV 51:G9: Movement 1 3. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Khatchaturian gets a very different sound from it: 4. Gayane Suite, for orchestra No. 1: Armen's Solo (excerpt) 5. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Very nearly the whole of the violin's upper registe 6. Passacaglia, for orchestra, Op. 33b (from 'Peter Grimes'): excerpt 7. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The viola can bring a special, rich tranginess to p 8. Harold en Italie (Harold in Italy), symphony for viola & orchestra, H. 68 (Op. 16): No. 4 (excerpt) 9. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The muted viola: intimate, gentle, poignant in Dvor 10. Cypresses (Ohlas pÃsnà [Echoes of Songs]), for string quartet (arr. from Cypresses, B. 11), B. 152: No. 9 11. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The massed violas of the modern symphony orchestra 12. Symphony No. 4 in G major: Movement 3 (excerpt) 13. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The "period" viola in Bach 14. Brandenburg Concerto No. 6 in B flat major, BWV 1051: Allegro 15. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The cello: a voice of unique nobility 16. Suite for solo cello No. 1 in G major, BWV 1007: Prelude 17. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Brahms and the 'soul' of the cello 18. Piano Concerto No. 2 in B flat major, Op. 83: Movement 3 (excerpt) 19. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Most orchestral composers tend to emphasise the cel 20. Cantata No. 147, 'Herz und Mund und Tat und Leben,' BWV 147 (BC A174): Aria: Bereite dir, Jesu 21. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: In the time of Beethoven the cello remained as fund 22. Symphony No. 3 in E flat major ('Eroica'), Op. 55: Finale (excerpt) 23. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: But the cello is not condemned to spend its life in 24. Elfentanz for cello & piano, Op 39 'Dance of the Elves' 25. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Not only in recital showpieces like that is the cel 26. The Protecting Veil, for cello & orchestra: Opening (excerpt) 27. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: A cello with an identity-crisis: the pizzicato Flam 28. Flamenco 29. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Double-stopping in the lower reaches of the cello's 30. Suite for cello solo: Sardana (excerpt) 31. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: It's in its middle register that the cello really c 32. Pieces (2) for cello & piano, Op. 2: No. 2, Oriental Dance (excerpt) 33. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: It was to the cellos that Beethoven gave two of his 34. Symphony No. 9 in D minor ('Choral'), Op. 125: Finale (excerpt) 35. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Introduction to the double-bass 36. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Elephant 37. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: but the double-bass can be intensely expressive and 38. Elegy for double bass & piano No. 1 in D major: excerpt 39. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The range of the double-bass is the greatest of all 40. Capriccio di Bravura for double bass & piano: Excerpt 41. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Double-bass solos in orchestral scores are rare but 42. The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The Double-bass muted in Prokofiev. Includes excerp 43. Symphony No. 5 in C minor ('Fate'), Op. 67: Movement 3 (excerpt) 1. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The antiquity and magic of the flute 2. Prélude à l'aprÃ..s-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86: Excerpt 3. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The versatility and agility of the flute 4. Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie (excerpt) 5. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The flute in fifteenth-century Spain 6. Sa'dâwî: Excerpt 7. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Other flutes: the bass and alto 8. Chamber Music II, for alto flute &string orchestra, Op. 41: excerpt 9. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The piccolo - aptly named 10. La Naissance d'Osiris ou La Fête Pamilie, acte de ballet: No. 6 (excerpt) 11. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: From a piccolo of the eighteenth century to one of its 12. Suite No. 1, for chamber orchestra: Valse (excerpt) 13. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: A variety of techniques 14. Chamber Music II, for alto flute &string orchestra, Op. 41: excerpt 15. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Flutter-tonguing. But Tchaikovsky got there eighty year 16. Nutcracker, ballet, Op. 71: Act 2. No. 2. ScÃ..ne (excerpt) 17. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: From the transverse to the vertical: the Baroque record 18. Overture, suite for recorder (or flute), strings & continuo in A minor, TWV 55:a2: Menuet II 19. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: An unfamiliar, early version of the instrument 20. Needles, needles 21. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Bachian oboe 22. Cantata No. 80, 'Ein feste Burg ist unser Gott,' BWV 80 (BC A183): No. 7. Duetto (excerpt) 23. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the cor anglais or "English horn" 24. Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): Movement 2 (excerpt) 25. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The loneliness of the cor anglais 26. The Swan of Tuonela, tone poem for orchestra (Lemminkäinen Suite No. 3), Op. 22/3: Excerpt 27. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The cor anglais joins the French horn in Haydn 28. Symphony No. 22 in E flat major ('Philosopher'), H. 1/22: Opening (excerpt) 29. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the oboe d'amore, beloved of Bach - but 30. Boléro, ballet for orchestra: Excerpt 31. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Clarinet family: boxing the compass, from the depth 32. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: ... to the shrill and complaining.... Includes excerpt 33. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: As the high clarinets tend to be loud, so the bass tend 34. Gayane Suite, for orchestra No. 1: No. 5 (excerpt) 35. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The bass clarinet is used by most composers mainly as a 36. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Range of the normal clarinet parts goes quite high 37. The Snow Maiden, incidental music, Op. 12: Scene 5: Melodrama (excerpt) 38. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: ... and quite low 39. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: The Cat (excerpt) 40. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The clarinet as concerto soloist 41. Clarinet Concerto in A major, K. 622: Rondo (excerpt) 42. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: but that's not the instrument Mozart wrote it for; this 43. Clarinet Concerto in A major, K. 622: Rondo (excerpt) 44. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the saxophone 45. Háry János, suite from the opera for orchestra: No. 4 (excerpt) 46. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Soprano saxophone has quite a different feel to it 47. L' Arlésienne, suite for orchestra No. 1, from the incidental music: Minuet (excerpt) 48. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The little sopranino sax goes even higher 49. Boléro, ballet for orchestra: Excerpt 50. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The most famous use of the saxophone is in an orchestra 51. Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: The Old Castle (excerpt) 52. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The saxophhone can be quite contagiously good-humored 53. Sax-O-Phun for saxophone & piano: Excerpt 54. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The puffa-puffa image of the bassoon 55. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: Grandfather (excerpt) 56. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: the Bachian bassoon, in accompanimental mode 57. Cantata No. 202, 'Weichet nur, betrÃ1/4bte Schatten' ('Wedding Cantata'), BWV 202 (BC G41): Aria No. 1 (excerpt) 58. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Bizet leaves the puffa-puffa image out, allowing the ba 59. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: And Ravel, also in spanish mode, does likewise 60. Boléro, ballet for orchestra: Excerpt 61. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Bassoon as a voice of high seriousness, indeed deso 62. Symphony No. 3: Opening (excerpt) 63. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The eerie bassoon in its highest register 64. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Opening (excerpt) 65. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Stravinsky now draws on its lowest register, lonely and 66. L'oiseau de feu (The Firebird), concert suite for orchestra No. 2: Berceuse (excerpt) 67. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The bassoon as concerto soloist, avoiding all exaggerat 68. Bassoon Concerto in G minor: Finale (excerpt) 69. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: the deep-voiced contra-bassoon, as a fairy-tale beast 70. Ma mère l'oye, for piano, 4 hands (or orchestra): Beauty and the Beast (excerpt) 71. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The French horn under its woodwind hat 72. Wind Quintet, FS 100 (Op. 43): Last movement (excerpt) 73. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Now a more prominent role, in a woodwind quintet from a 74. Woodwind Quintet in A minor, Op. 100/5: No. 2 (excerpt) 75. The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The horn in harmonious blend with strings in another qu 76. Quintet for horn, violin, 2 violas & cello in E flat major, K. 407 (K. 386c): Finale 1. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as virtuoso soloist 2. Brandenburg Concerto No. 2 in F major, BWV 1047: Allegro assai 3. The Instruments of the Orchestra, narration with musical excerpts: Brass: The special brilliance of paired trumpets 4. Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: No. 1 5. The Instruments of the Orchestra, narration with musical excerpts: Brass: The ceremonial trumpet 6. Fanfare for the Common Man, for brass & percussion (from Symphony No. 3): Excerpt 7. The Instruments of the Orchestra, narration with musical excerpts: Brass: Trumpets and drums - an incomparable alliance 8. Messiah, oratorio, HWV 56: The Trumpet Shall Sound 9. The Instruments of the Orchestra, narration with musical excerpts: Brass: The versatility of the trumpet, from the most public to the 10. Concerto in F, for piano & orchestra: Excerpt 11. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of the city. Includes excerpt from 12. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Habanera (excerpt) 13. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of strength and courage 14. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Toreador's Song (excerpt) 15. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet muted. Includes excerpt from Stravinsky's Petru 16. Billy the Kid, ballet: Excerpt 17. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as a character actor 18. Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: No. 6 19. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of God | 20. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Et exspecto 21. The Instruments of the Orchestra, narration with musical excerpts: Brass: The birth of the trombone 22. Aenmerckt nu hier 23. The Instruments of the Orchestra, narration with musical excerpts: Brass: The birth of the brass as a family 24. Sacrae Symphoniae: No. 12: Canzon in echo duodecimi toni for 10 parts 25. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone in the eighteenth century 26. Trombone Concerto in B flat: Finale 27. The Instruments of the Orchestra, narration with musical excerpts: Brass: The tone of the tenor trombone. Includes excerpt from Höser 28. Hosannah (Alleluja del Cantico del sol), for organ & trombone ad lib, S. 677 (LW F2): Excerpt 29. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombones become part of the orchestra 30. Symphony No. 5 in C minor ('Fate'), Op. 67: Finale (excerpt) 31. The Instruments of the Orchestra, narration with musical excerpts: Brass: The Wagnerian trombone. Includes excerpt from Wagner's Over 32. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone as a caricaturist 33. Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: No. 19: Vivo (excerpt) 34. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone as raspberry. Includes excerpt from Bartók's C 35. The Instruments of the Orchestra, narration with musical excerpts: Brass: The horn and the hunt 36. Horn Concerto No. 4 in E flat major, K. 495: Finale 37. The Instruments of the Orchestra, narration with musical excerpts: Brass: The challenging horn of the Baroque 38. Les Boréades (Abaris), tragédie en musique: Menuet 39. The Instruments of the Orchestra, narration with musical excerpts: Brass: The scarcity of first-rate players in Handel's time 40. Water Music Suite No.1 for orchestra in F major, HWV 348: Minuet 1 41. The Instruments of the Orchestra, narration with musical excerpts: Brass: The horn as magician. Includes excerpt fron Stravinsky's Fi 42. The Instruments of the Orchestra, narration with musical excerpts: Brass: horns and the sound of nobility 43. Tannhäuser, opera, WWV 70: Overutre: Opening (excerpt) 44. The Instruments of the Orchestra, narration with musical excerpts: Brass: the special sound of the horn in its higher register 45. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Quoniam tu solus sanctus 46. The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet-like sound of massed horns 47. Symphony No. 3 in D minor: Movement 1 (opening) (excerpt) 48. The Instruments of the Orchestra, narration with musical excerpts: Brass: The tuba - Unfairly maligned? 49. Symphony No. 6 in E flat minor, Op. 111: Movement 3 (excerpt) 50. The Instruments of the Orchestra, narration with musical excerpts: Brass: The tuba perfectly cast by Ravel 51. Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Bydlo 1. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introduction. And we begin with a bang 2. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The bass drum on the battlefields. Includes excerpt fr 3. The Instruments of the Orchestra, narration with musical excerpts: Percussion: At the opposite extreme is the triangle 4. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): Scherzo (excerpt) 5. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Categories of percussion: tuned and untuned. The side 6. La gazza ladra (The Thieving Magpie), opera: Overture: Opening (excerpt) 7. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The side drum in an effective but unexpected role. Inc 8. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The tambourine. One of the oldest instruments in the w 9. Den hoboecken dans 10. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Even older is the originally oriental gong 11. Ma mère l'oye, for piano, 4 hands (or orchestra): Laideronette (excerpt) 12. The Instruments of the Orchestra, narration with musical excerpts: Percussion: No single instrument can match the gong in evoking the 13. Gymnopedie for piano No. 2 14. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The cymbals are generally discovered early in life. In 15. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Other untuned percussion instruments include the whip. 16. The Instruments of the Orchestra, narration with musical excerpts: Percussion: More versatile than the whip are the wood blocks.... I 17. Rodeo, ballet: Hoe-Down (excerpt) 18. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Related to the wood blocks, by sound, are the castanet 19. Damigella tutta bella, madrigal for 3 voices (from Scherzi musicali), SV 235: Excerpt 20. The Instruments of the Orchestra, narration with musical excerpts: Percussion: A still earlier example from fifteenth-century Spain 21. Yo m'enamori d'un ayre, song 22. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The birth of the bongo 23. Symphonic Dances (9) from 'West Side Story', for orchestra (orchestrated with Ramin & Kostal): Excerpt 24. The Instruments of the Orchestra, narration with musical excerpts: Percussion: From the streets of New York to the blacksmith's shop. 25. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Desert-island decibels. Includes excerpt from Grofé's 26. The Instruments of the Orchestra, narration with musical excerpts: Percussion: From one vegetable to another: the humble squash, or m 27. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Onwards to the tuned percussion. First, the timpani 28. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Introduction (excerpt) 29. The Instruments of the Orchestra, narration with musical excerpts: Percussion: But the drum roll can be more effectively frightening 30. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Not one drum roll, but many. Includes excerpt from Gro 31. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Taking advantage of tunability 32. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: Movement 2 (excerpt) 33. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The Russian composer Rodion Shchedrin takes a downward 34. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the glockenspiel. Includes excerpt from Sh 35. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Saint-Saëns and the xylophone 36. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Fossils 37. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Ravel and the xylophone 38. Ma mère l'oye, for piano, 4 hands (or orchestra): Laideronette 39. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the marimba. Includes excerpt from Shchedr 40. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the vibraphone 41. Treasure of the Sierra Madre, film score: Narange dolce 42. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The vibraphone goes Russian.... Includes excerpts from 43. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the Hungarian cimbalom 44. Work(s): Folk Dances 45. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The cimbalom and the symphony orchestra 46. Háry János, suite from the opera for orchestra: No. 3 (excerpt) 47. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the tubular bells 48. Háry János, suite from the opera for orchestra: Viennese Musical Clock 49. The Instruments of the Orchestra, narration with musical excerpts: Percussion: A more 'up-front' approach from Rodion Shchedrin 50. Carmen-Suite (based on themes of Georges Bizet): Introduction 51. The Instruments of the Orchestra, narration with musical excerpts: Percussion: But the bells can also make the sinister even more sin 52. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the celeste 53. Nutcracker, ballet, Op. 71: Dance of the Sugar Plum Fairy 54. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Magic, in the use of collective percussion 55. Miroirs, for piano (or orchestra): La Vallée des cloches 56. The Instruments of the Orchestra, narration with musical excerpts: Percussion: Plucked instruments: the 'undercover percussion'. Incl 57. The Instruments of the Orchestra, narration with musical excerpts: Percussion: A prime case in point is the harp, irresistible to the 58. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The traditionally subservient role of the harpsichord 59. Brandenburg Concerto No. 2 in F major, BWV 1047: Andante 60. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The piano: king of the tuned percussion. Includes exce 61. Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Russian Dance 62. The Instruments of the Orchestra, narration with musical excerpts: Percussion: The anti-Romantic piano as an integral part of the orc 63. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: Last mvt 1. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Keyboard instruments in the orchestra - the most powe 2. Symphony No. 3 in C minor ('Organ'), Op. 78: Finale (excerpt) 3. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: But things in Handel's day were very different 4. Organ Concerto in G minor, Op.4/3, HWV 291: Last movement 5. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The organ is difficult to classify 6. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: An unexpected, organ-related guest 7. Concerto in C 'Zampogna': last mvt 8. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Peasant-fancying... and a touch of the roaming cowboy 9. Les Miserables, musical: Drink with Me (excerpt) 10. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Outside artefacts and the power of association. Inclu 11. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Mahler's sleighbells. Includes excerpt from Mahler's 12. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: In another symphony Mahler used cowbells. Includes ex 13. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A roll-call of some unusual guests. Includes excerpt 14. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Chains, and more. Includes excerpt from VarÃ..se's Inté 15. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Purpose-built oddities: wind machines. Includes excer 16. Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Variation VIII 17. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: National calling cards: the guitar for Spain. Include 18. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: And the guitar's poor American relative, the banjo. I 19. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: And poorer still, the mouth organ. Includes excerpt f 20. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The Balalaika for Russia. Includes excerpt from Proko 21. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The maracas for Mexico. Includes excerpt from Sanchez 22. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The bongos and the congas and a whole wealth of other 23. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The sitar for India. Includes excerpt from Evening Ra 24. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The accordion for France (especially Paris). Includes 25. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The zither for Vienna. Includes excerpt from Kárás's 26. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The cimbalom for Hungary. Includes excerpt from Tradi 27. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The guitar as an integral part of the orchestra. Incl 28. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: there are whole orchestras of balalaikas. Includes ex 29. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The effect of the wordless human voice, used purely a 30. SirÃ..nes, for female chorus & orchestra (Nocturne No. 3), L. 91/3: Unspecified excerpt 31. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Instruments and the imitation of nature. The clarinet 32. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Cuckoo 33. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The flute as an all-purpose aviary 34. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Aviary 35. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The oboe as a duck 36. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: The Duck 37. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The recording of reality. Does it work as well? 38. Pini di Roma (The Pines of Rome), symphonic poem, P. 141: The Pines of the Janiculum (excerpt) 39. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The recording of reality electronically reborn in new 40. Cantus Arcticus (Concerto for Birds & Orchestra), for orchestra & taped bird songs, Op. 61: Excerpt (movement 2) 41. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Beethoven turns avian: cuckoo, nightingale, and quail 42. Symphony No. 6 in F major ('Pastoral'), Op. 68: Andante molto mosso (excerpt) 43. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Some improbable casting: the violin as braying donkey 44. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Persons with Long Ears 45. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A truly orchestral hee-haw to be reckoned with 46. A Midsummer Night's Dream, overture, Op. 21: Excerpt 47. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A thunderstorm in a million 48. Symphony No. 6 in F major ('Pastoral'), Op. 68: Allegro - Allegretto (excerpt) 49. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The instrumental depiction of a silent world 50. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Aquarium 51. The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Saint-Saëns' menagerie takes a curtain call 52. Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Finale 1. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The grouping of instrumental families. An additive 2. Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 4 3. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A greater contrast, both pitch and character: violi 4. Duo for violin & viola No. 2 in B flat major, K. 424: Finale. Variations 1 & 2 5. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Arrival at the standard string trio: violin, viola, 6. String Trio in B flat major, D. 581: Menuetto (excerpt) 7. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quartet: two violins, viola, and cello 8. String Quartet No. 1 in F major, Op. 18/1: Excerpt (Movement 3) 9. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quintet - when the extra instrument is a 10. Quintet for 2 violins, 2 violas & cello No. 5 in D major ('String Quintet No. 5'), K. 593: Adagio (excerpt) 11. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quintet - when the extra instrument is a 12. Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): Movement 3 (excerpt) 13. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string sextet: two violins, two violas, and two 14. String Sextet No. 1 in B flat major, Op. 18: Movement 2 (excerpt) 15. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string octet: the standard string quartet times 16. Octet for strings in E flat major, Op. 20: Movement 1 (excerpt) 17. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Double the string octet: a fully fledged string orc 18. Symphony No. 2 in B flat major ('Lobgesang', 'Hymn of Praise'), Op. 52: Finale (excerpt) 19. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The massed strings of a symphony orchestra 20. Fantasia on a Theme by Thomas Tallis, for 2 string orchestras: Excerpt 21. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Contrasts of pitch and instrumental 'colour' in the 22. Woodwind Quintet in A minor, Op. 100/5: Theme 23. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: In the First Variation it's the horn that gets the 24. Woodwind Quintet in A minor, Op. 100/5 25. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: In Variation Two the torch is handed to the bassoon 26. Woodwind Quintet in A minor, Op. 100/5: Variation 2 27. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: in Variation Three the oboe leads 28. Woodwind Quintet in A minor, Op. 100/5: Variation 3 29. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Variation Four: conversation before returning to a 30. Woodwind Quintet in A minor, Op. 100/5: Variation 4 31. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: And Variation Five is dominated by the clarinet 32. Woodwind Quintet in A minor, Op. 100/5: Variation 5 33. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The next to be featured is the virtuoso flute 34. Woodwind Quintet in A minor, Op. 100/5: Variation 6 35. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Individual farewells and a closing chorus 36. Woodwind Quintet in A minor, Op. 100/5: Variation 7 37. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A mixed group: clarinet, bassoon, horn, string quar 38. Octet for clarinet, horn, bassoon & strings in F major, D. 803 (Op. posth. 166): Movement 3 (excerpt) 39. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The early classical symphony orchestra of Haydn and 40. Symphony No. 29 in A major, K. 201 (K. 186a): Finale (excerpt) 41. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Strings, wind, but no brass. What Haydn and Mozart 42. Canzon No. 28 ('Sol sol la sol fa mi'), for 8 parts 43. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Beethoven's Fifth: two horns, two trumpets, and thr 44. Symphony No. 5 in C minor ('Fate'), Op. 67: Finale (excerpt) 45. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: From Beethoven to the massive orchestras of Berlioz 46. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Beethoven changed the face of the symphony and the 47. Symphony No. 6 in A minor ('Tragic'): Movement 1 (excerpt) 48. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The cult of orchestral elephantiasis reaches its pe 49. Symphony No. 1 in D minor for soloists, chorus, brass bands & orchestra, 'The Gothic': VI: Te ergo quaesumus (excerpt) 50. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: When large doesn't necessarily mean loud: Debussy 51. Images (3), for orchestra, L. 122: Gigues (excerpt) 52. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A crisis of confidence; the orchestra's survival ha 53. Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29: Chant d'amour 1 (excerpt) 54. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The advent of the 'early music' movement brings a n 55. XerxÃ..s, ballet (for F. Cavalli's 'Serse'), LWV 12: Gavotte en rondeau (excerpt) 56. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Computer and synthesiser: friends or foes? 57. Concerto for 2 violins, strings & continuo in D minor ('Double'), BWV 1043: Largo (excerpt) 58. The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A speculative look ahead. Includes excerpt from Bac |
 | | The World of Early Music with Bernhard Landauer, Carmen Cano, Hildegard Of Bingen, Accentus Austria, Aradia Ensemble, Capella Istropolitana, Various Various, Alessandro Carmignani, Michael Posch, Steven Richards, Christopher Wilson, Joseph Payne, Shirley Rumsey, Manuela Schenale, James David Christie Audio, Published 2000 by Naxos | 1. Ambrosian Chant: Kyrie - Manuela Schenale/Alberto Turco 2. Ego Sum Resurrectio: In Paradisum - Aurora Surgit/Alessio Randon 3. O Pastor Animarum - Oxford Camerata/Jeremy Summerly 4. Ja Nuls Homs Pris - Estampie/Graham Derrick 5. Palastinalied - Estampie/Graham Derrick 6. Entre Av'e Eva - Belinda Sykes/Bernhard Landauer/Michael Posch 7. Saltarello - Ens Unicorn 8. Puis Qu'en Oubli - Oxford Camerata/Jeremy Summerly 9. Jay Grant Espor - Ens Unicorn/Michael Posch 10. Ce Jour De L'an - Bernhard Landauer 11. Ay Je Rien Fet - Ens Unicorn/Michael Posch 12. L'homme Arme/Kyrie - Oxford Camerata/Jeremy Summerly 13. Absalon, Fili MI - Oxford Camerata/Jeremy Summerly 14. Sanctus - Musica Ficta/Bo Holten 15. A La Nana - Carmen Cano 16. La Traditora - Shirley Rumsey 17. Fant Sexta - Christopher Wilson/Shirley Rumsey 18. Todos Los Bienes Del Mundo - Ens Accentus/Thomas Wimmer 19. Super Flumina Babylonis - Soloists Of Capella Musicale Di S. Petronio Di Bologna/Sergio Vartolo 20. Kyrie - Schola Cantorum Of Oxford/Jeremy Summerly 21. Gloria - Oxford Camerata/Jeremy Summerly 22. Peccantem Me Quotidie - Oxford Camerata/Jeremy Summerly 23. Bienheureux Est Quiconque - Ens Claude Goudimel/Christine Morel 24. Flow My Tears - Steven Rickards/Dorothy Linell 25. I Care Not For These Ladies - Steen Rickards/Dorothy Linell | 26. La Zia Bernadina - Chor Of Radio Svizzera/Sonatori De La Gioiosa Marca/Diego Fasolis 27. Pavan - Rose Consort Of Viols/Red Byrd 28. A Mask: The Fairest Nymph - Rose Consort Of Viols/Red Byrd 1. Ahi Caso Acerbo - Soloists Of Cappella Musicale Di S. Petronio Di Bologna/Sergio Vartolo 2. Possente Spirto (Excerpt) - Soloists Of Cappella Musicale Di S. Petronio Di Bologna/Sergio Vartolo 3. Lament (Excerpt) - Soloists Of Cappella Musicale Di S. Petronio Di Bologna/Sergio Vartolo 4. Nigra Sum - The Scholars Baroque Ens 5. Erhore Mich, Wenn Ich Rufe - Oxford Camerata/Jeremy Summerly/Laurence Cummings 6. Son Pian'e Forte - LSO Brass/Eric Crees 7. Ballet Des Baccanales/Ballet Des Feus/Ballet Des Matelotz - Westra Aros Pijpare 8. Echo Fant - James David Christie 9. The Spirit Of Gambo: The Lord Dewys Of Favoret - Les Voix Humaines/Stephen Stubbs/Paul Audet/Rejean Poirier/Francis Colpron/Daniel Taylor 10. Lamento Della Madre Ebrea (Excerpt) - Soloists Of Cappella Musicale Di S. Petronio/Sergio Vartolo 11. Ballet D'Alcidiane Et Polexandre: Air - Aradia Baroque Ens/Kevin Mallon 12. When I Am Laid In Earth - The Scholars Baroque Ens 13. Agnus Dei - Le Con Spirituel 14. Kyrie - Le Con Spirituel/Herve Niquet 15. I Will Sing Unto The Lord - Oxford Camerata/Jeremy Summerly 16. Fant Upon One Note - Rose Consort Of Vls 17. Menuet De Poitou Et Son Double - Laurence Cummings 18. Les Abeilles - Laurence Cummings 19. Fuge: Magnificat (Secundi Toni) - Joseph Payne 20. Nun Komm Der Heiden Heiland - Joseph Payne 21. Trio Son: Allemanda - Anna Holbling/Quido Holbling/Jan Slavik/Daniela Ruso/Vladimir Ruso 22. Canzona - Aria - Niklas Eklud/Susanne Ryden/London Baroque/Charles Medlam/Edward H. Tarr 23. Pastorale - Anna Hobling/Quido Hobling/Ludovit Kanta/Daniela Ruso/Capella Istropolitana/Jaroslav Kr(e)chek |
 | | Sephardic Romances with Spanish Anonymous, Jewish Traditional, Sephardic Traditional, Accentus Ensemble, Accentus Austria Audio, Published 1995 by Preiser Records | 1. Mi Suegra 2. Sa Dawi 3. La Rosa Enflorece 4. Durme, Durme Mi Alma Doncella 5. Entre La Mar Y El Rio 6. Don Amadi 7. Por La Tu Puerta Yo Pasi 8. Noches, Noches 9. Yo En Prizon, Tu En Las Flores 10. Nani, Nani | 11. Dos Amantes Tengo Mama 12. Quiero Y Quiero 13. De Cadiz Vengo, Senores 14. Hija Mia Mi Querida 15. Yo M'enamori D'un Aire 16. Una Hija Tiene El Rey 17. Esta Es La Rueda Del Mundo/Estando Una Nina 18. Las Estrellas De Los Cielos 19. Durme, Durme Hermozo Hijico 20. Cantar Del Saidi 21. Rahelica Baila |
 | | Cantadas De Pasion with Accentus Austria, María Luz Álvarez, Thomas Wimmer, Norbert Zeilberger, Michael Posch, Martina Warecka-Tjuvajev, José Marin, Sanz Serqueira De Audio, Published 2009 by Arcana Audiolibro, Cd | 1. Ay, qué me abraso de amor en la llama, cantada for voice, 2 violins & continuo 2. Ay de mí, que el llanto y la tristezam, cantada for voice & continuo 3. Quería Cupido, for voice & continuo 4. Preludio y Pasacalle, for guitar 5. Ay, Leonida, for voice & continuo 6. El Pícaro de Cupido, tono humano for voice & continuo 7. Ay Amor, ay ausencia!, for 5 voices 8. Tiento No 12 de Cuarto Tono for organ 9. Todo es amor, for voice & continuo | 10. Niña, si encontrares a Cupido, for voice & continuo 11. Canarios [I], for guitar (Instrucción de Música sobre la Guitarra Española, Book 1) 12. Ay, divino amor, for voice & continuo 13. Todo eres contradicciones, for 5 voices 14. Paradetas 15. Ay, amor, for voice & continuo 16. Pues me pierdo, tonada humana for voice & continuo 17. Corazón, causa tenéis, tonada for voice, flute & continuo 18. No sé yo cómo es, for voice & guitar (continuo) |
 | | Sephardic Romances in the Ottoman Empire with Accentus Austria, M.Antigua Varios, Various Composers, Thomas Wimmer Audio, Published 2009 by Arcana Records Cd | 1. Nacimiento y vocación de Abraham 2. A la una yo nací (Sarajevo) 3. La roza enflorese 4. Asentada en mi ventana 5. Eli, Eliyahu 6. El sueño de la hija del Rey 7. Instrumental sans titre 8. Hermanas reina y cautiva 9. Tu Madre cuando Te Parió | 10. Êl yivne haggalil 11. Mi suegra 12. Abre, Tu Puerta Cerrada 13. Morenica 14. Nani nani, Sephardic cradle song 15. Yo m'enamori d'un ayre, song 16. Una matica de ruda 17. Adonay bekol shofar 18. La comida d'la mañana |
 | | Johann Joseph Fux Ave Regina with Accentus Austria, Thomas Wimmer, Johann Joseph Fux, Hana Blaziková, Hana Blazikova Audio, Published 2017 by Imports Cd, Import | 1. Ave Regina caelorum, K208 2. Sonata à 3, K367 3. Alma Redemptoris Mater, K185 4. Sonata à 3, K369 5. Ave Regina caelorum, K206 6. Sonata à 3, K379 | 7. Ave Regina caelorum, K207 8. Sonata à 3, K377 9. Pia Mater fons amoris, K176 10. Sonata Pastorale à 3, K397 11. Ave Regina caelorum, K205 12. Sonata à 4, K346 13. Alma Redemptoris Mater, K187 |
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